| | Soren Kjaergaard Akustika CD - Import Soren Kjaergaard Discography of CDs
Personnel: Soren Kjaergaard (piano); Jonas Westergaard (acoustic bass); Frands Rifbjerg (drums). Soren Kjaergaard Akustika Songs | 1. | Mount Duke |
| 2. | And He Discovered Love |
| 3. | Noface |
| 4. | Montara |
| 5. | Intermezzo |
| 6. | March |
| 7. | Yesterdays |
| 8. | Stormy Rag |
| Akustika Review
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Purchase Akustika CD To buy, Click on price to add to cart | Hiromi Place To Be CD (2010)
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$14.79 Among the most controversial recordings in the history of jazz, BITCHES BREW was Miles Davis' shot across the bow of jazz insularity, a bold statement about jazz's ability to draw upon elements of popular culture, without mitigating its spirit of spontaneous invention. Much as Ornette Coleman's THE SHAPE OF JAZZ TO COME set a new standard for harmonic and melodic freedom a decade before, BITCHES BREW signaled a sea change in jazz.
Davis became a lightning rod for jazz's transformation, by mixing the best elements of '60s free jazz with dancing funk rhythms, electric rock textures, blues phrasing and his own breakthroughs in harmony and modality. Davis employed the Electric Flag's Harvey Brooks to double up with upright bassist Dave Holland on the Fender bass, and he is the modal heartbeat of every tune, freeing up the multiple drummers and keyboardists to weave a complex polytonal/polyrhythmic web of volatile chords and colliding rhythms.
Joe Zawinul's "Pharaoh's Dance" and Davis' "Bitches Brew" treat their multiple themes in a ritualistic manner, as several strata of voices engage the lead melody in exciting exchanges. "Spanish Key" offers a thrilling sense of tension and release, as the trumpeter navigates a "Sex Machine"-styled vamp with a terse, brilliantly constructed solo, revelling in his new guitar-like phrasing. "John McLaughlin" is Davis' tribute to the innovative guitarist; "Miles Runs The Voodoo Down" is a spooky, visceral melange of funk, blues and third world sources; and Shorter's "Sanctuary" is a moody ballad that builds to a fever pitch. ...
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| | Joe Zawinul Lost Tribes CD (1992) France
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$14.09 All songs written or co-written by Joe Zawinul except "San Sebastian" (Gerald Veasley).
This 1992 album from Joe Zawinul features performances by Mike Baker, Gerald Beasley, and several others.
Now reduced in size to a quintet (dropping the extra percussionist), Zawinul's Syndicate delivers its most overtly political album -- or shall we say, its most anti-political album with its forget-our-differences, one-world tone poems. If Lost Tribes sounds more like a Weather Report album than its Syndicate predecessors, it may be because the CD is loaded with Zawinul's uncanny impersonations of Wayne Shorter on his Pepe synthesizer. Yet the album also cuts down on the pop and straight jazz strains of yore as it explores the sounds and grooves of world music, and Zawinul also resumes using introductory sound collages that produce effects not unlike twisting a short-wave radio dial. The record begins powerfully with the circulating, tense "Patriots" -- depicting, oddly enough, the role of black soldiers in the Persian Gulf War -- and segues into the relaxed, swinging "South Africa," a celebratory sequel to "Black Water" with vocals by Perri. Bass player Gerald Veasley contributes a track called "San Sebastian" which comes very close to pure flamenco. This CD ranks above the other Syndicate Columbias because it is emotionally deeper; Zawinul allows himself to brood and ponder as well as party. ~ Richard S. Ginell
Recorded In 1992 and Featuring Sidemen Such As : Mike Baker (Drums), Randy Bernsen (Guitar), Bobby Thomas Jr. (Hand Drums), Gerald Beasley (Bass) and Joe Zawinul (keyboards). Includes The Songs: 'South ...
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