| | Pink I'm Not Dead CD Pink Discography of CDs
 (22 Customer Reviews)
Remarkably, these genre experiments work well together, and stand as a testament to Pink's unwillingness to fit into any music industry mold. Whether collaborating with the Indigo Girls on the acoustic protest song "Dear Mr. President," showing off her irresistible swagger on the electro-groove-driven "'Cuz I Can," or generating soaring pop-rock on "Runaway," I'M NOT DEAD gives listeners plenty to chew on, and the results are as tasty as they are surprising.
Pink deserves a lot of credit for overturning everyone's expectations. After emerging in 2000 with a debut full of club-ready, R&B-influenced dance-pop, she moved on to genre-hopping hybrids (MISSUNDAZTOOD) and punk-inflected rock (TRY THIS). 2006's I'M NOT DEAD resumes Pink's game of stylistic hopscotch, as she skitters skillfully from arena rock to hip-hop-influenced jams to thoughtful folk to well-crafted pop.
Personnel: Pink (vocals); Emily Saliers (vocals, guitar); Amy Ray, Butch Walker (vocals); Billy Mann (guitar, drum programming); Robin Lynch, Dan Warner (guitar); Niklas Olsson (bass guitar); Joey Waronker, Lee Levin (drums); Lukasz "Doctor Luke" Gottwald (drum programming).
Rolling Stone (p.65) - 3.5 stars out of 5 -- "I'M NOT DEAD swaggers with a cockiness that most dudes in bands can't match....[Pink] is belting more urgently and taking more risks than her pop-radio contemporaries."
Entertainment Weekly (p.58) - "In superior tracks that combine rock's old-fashioned roar with contemporary, heavy-breathing beats, Pink becomes a new breed of automotive hybrid: Britney Benatar" -- Grade: B+
Uncut (p.119) - 3 stars out of 5 -- "I'M NOT DEAD is composed with industry pros such as Max Martin and Billy Mann, but maintains some of the stroppiness..." I'm Not Dead Music Review Purchase I'm Not Dead CD To buy, Click on price to add to cart | Pink Can't Take Me Home CD (2000)
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No rookie in the music business, Pink had already had careers both as a dancer and background singer before forming a group of her own. Packed with cutting-edge R&B and pop, her debut album boasts seven songs co-written by this appealing and talented young woman.
On CAN'T TAKE ME HOME, Pink pulls out all the stops, working with writers and producers including Babyface on "Split Personality," She'kspere on the blazing hot "Hell Wit Ya," and Soulshock & Karlin on "Private Show." Other standout cuts included here are "Do What U Do," "Most Girls," and "You Make Me Sick." With a sheen that can be attributed to Pink's previous years of showbiz experience, CAN'T TAKE ME HOME is an accomplished album for a debut release.
Engineers include: Paul Bountin, Tricky, Chris Champion.
Personnel: P!nk (vocals, background vocals); Craig Love, ...
| | Pink M!Ssundaztood CD (2001)
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M!SSUNDAZTOOD was nominated for the 2003 Grammy Awards for Best Pop Vocal Album. "Get The Party Started" was nominated for the 2003 Grammy Awards for
Whether you were one of the fans who feared or one of the detractors who hoped that Pink would fail to follow-up her smash debut album, M!SSUNDAZTOOD serves notice that the lady with the pink hair (yes, it still is) is more than just a one-shot flash in the pan. The grooving pop of the title-track is less hip-hop oriented than Pink's previous hits, sounding more like an amiable collision between Smash Mouth and Sugar Ray. "Don't Let Me Get Me" and "Just Like a Pill" tread even closer to pop-rock territory, the latter bearing an anthemic quality that wouldn't sound out of place on an Alanis Morissette album. The appropriately titled "Get the Party Started is a funky party anthem, and the rap-flavored "Respect" is a modern urban update on the classic Aretha theme. Whether she's making her way through pop, rock, rap, or R&B, Pink struts confidently enough through M!SSUNDAZTOOD to assure her admirers that she intends to stick around for quite a while.
Whether you were one of the fans who feared or one of the detractors ...
| | Nelly Furtado Loose CD (2006)
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On her third studio album, LOOSE, Nelly Furtado largely abandons the ...
| | Fergie The Dutchess CD (2006)
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The first release on Black Eyed Pea will.i.am's record label, THE DUTCHESS seems intent on giving Beyonce, Kelis, and every female pop/R&B singer a run for her money. With production help from Polow the Don and will.i.am (who also contributes raps to a couple of songs), Fergie delivers a record that kicks ...
| | Justin Timberlake Futuresex / Lovesounds CD (2006)
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$9.59
Music critics and highbrow listeners may look down their nose at Justin Timberlake, doubting that the celebrated former N'Sync leader is good for more than light, frothy dance-pop. Timberlakes's sophomore effort, FUTURESEX/LOVESOUNDS, should make both camps rethink that stance. While the album certainly sets out to entertain, it's also full of ambitious, well-constructed grooves that prove the superstar is serious about getting down and dirty. The album steps up the Michael Jackson-influenced sound of JUSTIFIED by delving deeper into club music, hip-hop, and funk, creating a bumping, writhing soundtrack for a set of songs unabashedly about sex.
Timberlake spared no expense recruiting some of the best producers on the scene. Beatmaker extraordinaire Timbaland is a primary collaborator, and his ...
| | Pink Funhouse CD (2008) Explicit
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Pink's insistently hooky, attitude-filled pop-rock has kept the singer a fixture on the radio and on singles charts since the early 2000s. The artist's fifth effort, FUNHOUSE, doesn't tamper with the formula: Pink's powerhouse vocals and in-your-face approach, backed by stadium-sized production, are in full effect on all 12 tracks. Even though the album deals primarily with aftermath of her divorce and includes serious moments of self-confrontation like "Sober," fans needn't worry that Pink has lost any of her chutzpah.
If anything, there's an increased sense of confidence and newfound liberation on tracks like the chest-thumping "So What" and the mischievous, bouncing "Bad Influence." In softer moments, like the ...
| | Eboni Foster Just What You Want CD (1998)
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The debut album from Eboni Foster is a welcome addition to the heavily saturated, often mundane R&B music scene. The beautiful singer has tremendous range in her voice, from sultry ballads ("He Looked Beyond," "I Can't Go On") to up tempo jeep rattlers ("Crazy For You," "Just Want You Want.") Working with producers Troy E. Wright, E-Smooth, Steve Huff and Derek S. Clark, Foster's vocal delivery is consistent throughout the album.
Influenced by everything from Sarah Vaughn to Sting, her understanding of song structure is apparent, as no song sounds like another. Foster's label, Night Bird/MCA, is a division of the (Jimi) Hendrix family label. Accordingly, ...
| | Michael Mantler Folly Seeing All This CD (1993)
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| | Heaven: Eurobeat Meets Healing Style CD (2001)
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$43.79
| | Sandy Denny Boxful Of Treasures CDs (2004) Box Set; Special Edition
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$76.39
Even before her all-too-tragic passing in 1977, Sandy Denny was touted as England's premiere female folk vocalist. However, gratuitous comparisons with contemporaries Jacqui McShee and Joni Mitchell seem to have been more of an albatross or doubled-edged sword than confirmation of Denny's wholly individualistic style. Depending on which side of the aisle the respective listener and potential consumer sits -- as curious enthusiast or dyed-in-the-wool Denny convert -- this 88-track compilation can be interpreted as (a) either the final word on the artist or (b) another in a series of multi-disc collections that falls short of offering all the essentials within her voluminous songbook. Parties falling in the latter camp can undoubtedly point to excluded favorites -- from Denny's participation as half of Sandy & Johnny, as a member of Fairport Convention, the Strawbs, Fotheringay or on her own -- as evidence that only a 'complete' anthology could capture all that Denny has to offer. From that perspective, they would be just as correct as someone whose piqued interests are thoroughly satiated by the nearly six hours of audio included on Boxful of Treasures (2004). The contents are presented in a primarily chronological fashion, commencing with the powerful cover of "3.10 to Yuma" -- from Denny's professional debut backed by Roger Evans (guitar) and David Moses (bass) -- which had been a hit for pop singer Frankie Lane. Immediately established is Denny's commanding prowess and sensitivity, particularly pervasive on the originals "They Don't Seem to Know You" and appropriately enough "Boxful of Treasure" -- a song which would resurface in due time under the name "Fotheringay." These are equalled by Denny's arrangements of "She Moves Through the Fair" and the haunting "Geordie" -- all sourced from a smattering of lo-fi homemade recordings in 1967. Other formative zeniths from her collaborations with Evans and Moses are the empathetic overhaul of Jackson C. Frank's "You Never Wanted Me" and joined by Alex Campbell (vocals) on the gospel-infused "This Train."
Sandy Denny's fame continues to grow years after her passing as she remains one of the most beloved of British singer/songwriters. This deluxe, comprehensive 5CD set comes packaged in long box and traces Denny's complete recording career. The first 4 discs include many rare and previously unreleased songs while the 5th includes rare demo recordings ...
| | Karaoke Party Hits CD (2005)
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| | Maulawi CD (1975) (Import) Import
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$19.55
| | Radio De Aimashow Vol 5 CD (2007) (Import) Import
I'm Not Dead album
$38.95
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