Long John Baldry - Boogie Woogie: The Warner Bros. Recordings CD

Boogie Woogie: The Warner Bros. Recordings CD music Includes original release liner notes by Guy Remark & Gary Kramer. Presenting both JOE TURNER and ROCKIN' THE BLUES on one CD, this Collectables compilation is a quality double shot of Big Joe Turner's late-1950s output for Atlantic Records. Among the 28 tracks featured are the raucous "Shake, Rattle & Roll" (made famous by Bill Haley & the Comets), the boisterous "Well All Right," and the uplifting "The Chicken and the Hawk," all marked by careening piano lines and swinging rhythms. The latter part of the disc finds Turner balancing rock & roll tunes with straight-up blues numbers, belting out classics such as the heartsick "Chains of Love" and the melancholy "Trouble in Mind." Every song here benefits from Turner's commanding voice, which carries a sound as large as his massive frame. Although Turner's earlier recordings may have been more influential, these sessions, some of his last for Atlantic, showcase the vocalist as a seasoned performer at the top of his game. All tracks have been digitally remastered. 2 LPs on 1 CD: JOE TURNER ...

Boogie Woogie: The Warner Bros. Recordings songs Cut in the middle of Taylor's late-'60s and early-'70s stay at Stax, One Step Beyond qualifies as one of the singer's best LPs. Captured in his Southern soul prime, Taylor lets loose on fine mix of gospel-inspired ballads ("I Don't Want to Lose You"), countrified mid-tempo burners ("Party Life"), and breezy stings-and-horns soul ("Will You Love Me Forever"). And, yes, there are such unforgettable hits as "I Am Somebody" and an amazing reading of the jazz standard "Time After Time." A must-have for all Taylor fans. ~ Stephen Cook Includes liner notes by Ron Bowman. Recorded in 1970. Personnel: Johnnie Taylor (vocals); Eddie Hinton, Steve Cropper (guitar); Rudy Robinson, Barry Beckett (keyboards); Roger Hawkins (drums). Liner Note Author: Rob Bowman. Recording information: Muscle Shoals Sound Studios, AL (1970); Stax Recording Studio, Memphis, TN (1970). Photographer: Joel Brodsky.

Boogie Woogie: The Warner Bros. Recordings album for sale MARDI GRAS IN BATON ROUGE is a collection of previously unreleased material recorded in Baton Rouge and Memphis during the 1970s. The CD contains 5 bonus tracks. Some of the earliest sides from Longhair's rediscovery period (1971-72), featuring a lot of tunes inexorably associated with him through previous versions and a few ("Jambalaya," "Sick and Tired") that weren't. An added bonus is the magical presence of guitarist Snooks Eaglin, whose approach is every bit as singular as the Professor's was. ~ Bill Dahl Recorded at Deep South Recorders, Baton Rouge, Louisiana in September 1971; Ardent Studios, Memphis, Tennessee in June 1972. Includes liner notes by Don Snowden. Personnel: Professor Longhair (vocals, piano); Snooks Eaglin (guitar); Alvin Batiste (tenor saxophone); Edward "Kidd" Jordan (baritone saxophone); Willie Singleton, Clyde Kerr (trumpet); Will Harvey Jr., George Davis (bass); Shiba, Joseph "Zigaboo" Modiste (drums). Compilation producers: James Austin, Don Snowden.

Boogie Woogie: The Warner Bros. Recordings buy CD music Recorded at Inside Track Studio, Denton, Texas. Includes liner notes by Trout Fishing In America. Personnel: Ezra Idlet (vocals, guitar, acoustic guitar, electric guitar, Jew's harp); Keith Grimwood (vocals, bass guitar); Milo Deering (steel guitar, mandolin, violin); Lee Tomboulian (accordion, organ); Ward Lormand (accordion); Jeffrey Barnes (saxophone); Daniel O'Brien, Danny O'Brien (trumpet); Carl Finch (organ, keyboards, synthesizer, percussion); Mitch Marine (drums); Jamal Mohmed, Joe Cripps (percussion). Recording information: Inside Track Studios, Denton, TX. Photographers: Dave McDermand; James Holland. Unknown Contributor Role: Trout Fishing in America. CREDITS:Jeffrey Barnes Saxophone Joe Cripps Percussion Milo Deering Mandolin, Violin, Guitar (Steel) Carl Finch Organ, Synthesizer, Percussion, Keyboards, Producer Keith Grimwood Bass, Guitar (Bass), Vocals James Holland Photography Ezra Idlet Guitar (Acoustic), Guitar, Guitar (Electric), Jew's-Harp, Vocals, Jaw Harp Ward Lormand Accordion Mitch Marine Drums Dave McDermand Photography Jamal Mohmed Percussion Daniel O'Brien Trumpet Danny O'Brien Trumpet Jim Perry Graphic Design Dick Renko Project Coordinator Terry Slemmons Engineer Karen Thom Project Coordinator Lee Tomboulian Organ, Accordion Kim Willrodt Graphic Design REVIEWS: MUSIC MONTHLY/NATIONAL BEAT'Who Are These People?'-That was my exact reaction when I first glanced at the CD cover. What kind of name is that for a band? It sounds like a how-to-do-it-yourself manual on catching, cleaning, and cooking fish. I thought for sure they'd be another Seattle grunge band. I was dead wrong. Trout Fishing in America are actually a folk duo whoplace heavy emphasis on bass and acoustic guitar. The bass in particular ismixed in such a way that all the songs have a strong rhythmic quality to them. Quite a change from the normal folk stuff. Most of the songs seem to fall under the folk rock heading, but out of the blue comes a tune or twothat will surprise you. My personal favorite is 'Serious About You', which has a soulish beat to it. Horns blast out giving a '60s feel, but what instrument takes the solo? The acoustic guitar does, thereby retaining that folk edge. Still, I could see Jr. Cline and the Recliners covering it. Another interesting song is entitled 'Breakfast Blues'--a ditty loaded with puns galore about breakfast food, some so bad you just have to laugh. This might be a new direction for folk music. Gone are the days when there would be just one person and his guitar singing mournful odes about the world's injustices. Now you get duos with strange names singing about flapjacks. The times they are a' changin' indeed. --Karen Liebowitz Trout Fishing In America: Ezra Idlet (vocals, acoustic & electric guitars, jawharp); Keith Grimwood (vocals, acoustic & electric basses). Additional personnel: Milo Deering (mandolin, steel guitar, violin); Lee Tomboulian (accordion, piano, organ); Ward Lormand (accordion); Jeffrey Barnes (saxophone); Danny O'Brien (trumpet); Lee Carl Finch (keyboards, organ, synthesizer, percussion); Mitch Marine (drums); Joe Cripps, Jamal Mohmed (percussion).

Boogie Woogie: The Warner Bros. Recordings songs Martin Allbritton, a melismatic and undeniably more powerful vocalist than the finesse-oriented Twist, proves an eminently worthy successor to the beloved big man on this highly enjoyable effort. Barge also pitches in with a few lead vocals as the group attacks a handful of joyous originals ("We'll Be Friends," "Street Party," "Broad Daylight") and storming R&B classics by Sam & Dave and Harold Burrage. ~ Bill Dahl The Mellow Fellows: Martin Allbritton, Gene Barge, Terry Ogolini, Don Tenuto, Peter Special, Dave Mick. Additional personnel: William Ratliff, Jeff Thomas, Steve Cobb, Morris Jennings, Eric Jensen, Wayne Stewart (drums); Chris Cameron, Matt Rose, Sidney J. Wingfield (keyboards); Johnny Rutledge (background vocals).

Boogie Woogie: The Warner Bros. Recordings album for sale Track Listing of songs: Girls & Boys; Girls & Boys; Safety Dance;

Boogie Woogie: The Warner Bros. Recordings CD music  

Boogie Woogie: The Warner Bros. Recordings buy CD music Wade Martin releases his new CD featuring his new rock remake of "don't you want me baby" Originally recorded by The Human League. This is NOW available to download at; wademartin It has been over two years since Wade Martin released his last CD titled "Face the Facts" so the release of this new material "The Wade Martin EP" has been long over due for countless fans around the world. Wade Martin joined forces with guitar God Rene Benton and gives the public a rocking performance of The Human League song "Don't you want me baby". Wade Martin's new version of this song has been called a "must hear " by critics across the country. The buzz of this new work has caused a huge increase in traffic for wademartin to cause daily hit records to be broken this month. This new EP is currently playing on the Radio on the east coast of the United States and in Europe. Air play is expected to be realized on the west coast over the next couple of months. Wade Martin spent his early years in England. When he was eight, his parents retired to the Canary Islands and WM had to quickly adapt to his new Spanish home. It was here, WM learned how to speak Spanish fluently. Senior Blass Martinez, a world- renowned South American opera singer recognized WM's pop music talent and spent four years putting him through intense vocal training that helped build his powerful yet control five octave range. The developing good looks and constant female attention in part thanks to his heart felt love songs, brought WM media attention as a model. He was able to utilize these opportunities to promote his musical skills by selling tickets to his concerts and thus became recognized as a new artist by the European music loving public. WM has been producing himself and other artists from the well-known to the unknown for over ten years. He's part of an elite group of writers that record all their own instrumentation within their work and is credited for playing over twenty different instruments. In other words, when you hear a WM song, 99 percent of the time he's playing all the instruments and the same can be said for the writing. In addition, WM arranges, mixes, produces and orchestrates the distribution and music downloads of his work and others. WM was at the forefront of the independent revolution before it even existed. He's proud to have spent his career as an independent artist free from major label control, which allows WM the freedom to give you the diversity you enjoy in his music! Download music right now in the discography section.

Boogie Woogie: The Warner Bros. Recordings songs Based out of Reno, NV, Anchordown Band just finished recording their second album in Texas with producer Will Hunt (Shane & Shane, Bethany Dillon, Shawn McDonald). Their style incorporates acoustic-driven rock, electronic samples/loops, and some indie finger in your eye.