Pete Shelley Homosapien CD Import

Homosapien Music

List Price	$22.99 (You save $2.00)
Category	Rock/Pop Albums, Pop CDs, Rock
Label	MSI Music / Super D
All Time Sales Rank	52601
CD Universe Part number	7044203
Discs	1
Release Date	Mar 20, 2006
Additional Info	Import; Remastered

Pete Shelley Homosapien Songs

	1.	Homosapien
	2.	Yesterday's Not Here
	3.	I Generate A Feeling
	4.	Keat's Song
	5.	Qu'est-Ce Que C'est Que Ca
	6.	I Don't Know What It Is
	7.	Guess I Must Have Been In Love With Myself
	8.	Pusher Man
	9.	Just One Of Those Affairs
	10.	It's Hard Enough Knowing
	11.	Witness The Change (Bonus Track)
	12.	Maxine (Bonus Track)
	13.	In Love With Somebody Else (Bonus Track)
	14.	Homosapien (Dub) (Bonus Track)
	15.	Witness The Change/I Don't Know What Love Is Dub (Bonus Track)
	16.	Love In Vain (Bonus Track)

Homosapien Music Review

Average Rating: (5 out of 5 stars) 5 stars

5 stars Classic Artist, classic song - Homosapien
One of the best Songs / Albulms of the 80's. A must.
Submitted by M James (Adelaide, SA, Australia)
Was This Review Helpful? Yes No

Have you heard this album?

To buy, Click on price to add to cart

Also Bought

Chills Kaleidoscope World CD (1986) (Import) Import; Australia

Homosapien

$23.75
KALEIDOSCOPE WORLD contains 10 bonus tracks and represents everything the band recorded through early 1986, including all of the LOST EP, and the I LOVE MY LEATHER JACKET/THE GREAT ESCAPE 12" KALEIDOSCOPE WORLD, The Chills' 18-track compilation culled from The Chills early and mid-'80s EPs and singles, is highlighted by the song "Pink Frost." The Chills' Martin Phillipps mixes up melodic pop with elements of garage rock and punk, creating songs with a sweet melancholy all their own. Phillipps has always been the focus of the Chills, writing and singing the band's songs. His group has also rivaled Menudo in its sheer number of personnel changes. In a just world, the Chills would have sold just as many records. KALEIDOSCOPE WORLD showcases ...

Also Bought

Pete Shelley XL-1 CD (1983) (Import) Import; Remastered; Reissued

Homosapien

$20.99

Also Bought

Electric Light Orchestra A New World Record - Expanded Edition CD (1976) Bonus Tracks; Remastered

Homosapien

$7.59

Also available in a 3-pack with FACE THE MUSIC and DISCOVERY. 1976's A NEW WORLD RECORD is both a classic of commercial '70s pop and an archetypal ELO album. From the outer-space synths and rich orchestrations that open the album to Jeff Lynne's meticulous production and Beatlesque melodies, A NEW WORLD RECORD is magnificent ear candy. Both ambitious enough to appeal to "serious" rock fans and ultra-catchy enough to sound terrific on Top 40 radio (the plaintively gorgeous, McCartney-like "Telephone Line" and the anthemic "Livin' Thing" were well-deserved smashes), ELO was one of the few '70s bands whose appeal covered both the FM and AM spectrums. The album even resurrects "Do Ya," a classic single by Lynne's former band, the Move, in a splashy new version. The next ELO album, 1977's elaborate double-album OUT OF THIS WORLD, was probably the band's commercial high point, but A NEW WORLD RECORD is the group's artistic high-water mark. Jeff Lynne reportedly regards this album ...

Also Bought

Killing Floor CD (1995) (Import) With Book; Limited Edition; Digipak; Germany

Homosapien

$25.39
The sheer toughness -- and overall derivative -- nature of Killing Floor's debut album, issued six months after Led Zeppelin's debut in 1969 on the Spark label, is a wondrous contrast to the overly slick treatment American blues were given by British artists. All of these tunes, with the exception of one, are revamped versions of songs from the blues canon with different words. The lone "cover" in the set was written by Willie Dixon titled "Woman You Need Love," the tune Zep ripped for "Whole Lotta Love." Despite the fact that this set was issued before by Repertoire, the Akarma version is definitive in that it features the original cover artwork in a heavy cardboard gatefold sleeve, and killer sound. This is a raw, immediate, overdriven, psychedelic blues record that offers an interesting historical counterpoint to the immediate impact of Page and Plant and Co., but it also offers a great contrast to the recent ...

Also Bought

Danny Kirwan Second Chapter CD (1975) With Book; Limited Edition; Digipak

Homosapien

$19.79

The first solo album from Fleetwood Mac singer/songwriter Daniel David Kirwan has the future producer for Human League and Buzzcocks, Martin Rushent, utilizing those skills here, as well as engineering. The sound is crystal clear, and a feather in the cap for Rushent as well as Kirwan. It starts off with an uncharacteristic "Ram Jam City," which has more Lindsey Buckingham sounds than one would expect, especially since the two guitarists come from two different musical worlds. "Odds and Ends" is more lighthearted, the kind of music Paul McCartney toyed with on The White Album's "Rocky Raccoon." What Second Chapter immediately sets forth is the importance of Kirwan as a pop artist, and how, despite Fleetwood Mac's success after he left, his sounds could still have been beneficial to that supergroup. "Hot Summers Day" is a fine example of that, a beautiful song that could offset Buckingham's gritty ramblings. It would have made a nice counterpoint as Stevie Nicks complemented Christine McVie's tunes with her adventures, ...

Also Bought

Legend CD (2007) (Import) With Book; Limited Edition; Digipak; Germany

Homosapien

$25.69
In some circles, Mickey Jupp is something of a minor legend, a roots rocker with excellent taste and a cutting wit, best heard on the songs "Switchboard Susan" and "You'll Never Get Me Up in One of Those," both covered by Nick Lowe. Basher's endorsement is a clear indication that Jupp is a pub rocker, a guy who specializes in laid-back good times, so it shouldn't come as a great surprise that his first band, Legend, was proto-pub, an unabashed celebration of old-time rock & roll, filled with three-chord Chuck Berry rockers and doo wop backing vocals. Nevertheless, listening to their 1970 LP is a bit of a shock, as it's completely disassociated with anything that was happening in 1970, even with Tony Visconti enlisted as their producer. Legend's sensibility is ahead of its time in its retro thinking, pointing the way to the rock & ...

Barry White Can't Get Enough CD (1974)

Homosapien

$7.19

Julian Cope Peggy Suicide CD (1991)

Homosapien

$11.65

PEGGY SUICIDE is either Julian Cope's fifth or seventh album, depending on how you count. After his fourth, MY NATION UNDERGROUND, he recorded two records, SKELLINGTON and DROOLIAN, that were intended mostly for release to his fan club--both are strange, drug-soaked sonic experiments that veer from folksy campfire songs to feedback freak-outs. PEGGY SUICIDE sees Cope reigning himself back in after those "excesses" and, though he delivers one of the most anti-commercial commercial records in the Island Records catalogue, it was also his most cohesive solo album up until that point. Structured into four "phases," the album is a loosely connected concept album about the human-engineered and accelerated decay of the mythic Mother Earth figure. The tracks address this concept from, for the most part, a strictly personal, rather than global, perspective. Standouts include "Safesurfer," a freaky AIDS narrative with a not insignificant Krautrock influence; "Drive, She Said," a singalong about automobile pollution; "Youŕ," a short, charged rant against insincerity with a wicked, fuzzed-out bass line and snaky sax solo; and the staggering "Beautiful Love," a pristine reflection on just how "in love" one can be--if you hear ...