| | Les Fleurs Du Mal: St. Moritz Vibes Vol. 4 CD
Arranger: Matthias Vogt.
Personnel: Navasha Daya, Lisa Bassenge (vocals); Hanno Busch (guitar); Olivier Emsellem (melodica); Craig Alston (tenor saxophone); Freddie Dunn (flugelhorn); Matthias Vogt (piano); James Collins (keyboards, bass synthesizer); Volker Schmidt (drums); Heiko Himmighoffen (percussion).
Unknown Contributor Roles: Olivier Emsellem; Julien Lebrun.
Les Fleurs Du Mal: St. Moritz Vibes Vol. 4 Music Les Fleurs Du Mal: St. Moritz Vibes Vol. 4 Songs | 1. | Walk on the Wild Side - Tok Tok Tok |
| 2. | All I Need - [re:jazz] |
| 3. | Take Me Higher - Fertile Ground |
| 4. | Servant, The - Cocosuma |
| 5. | Sticks and Stones - Quintessence |
| 6. | Whatever - Hi Perspective |
| 7. | Music - Rich Medina |
| 8. | Woman Enough (The Apology) - Middle Child |
| 9. | Busted Tress - Directions (Middlefield Remix) |
| 10. | Feel - Teddy Rok/Okou |
| 11. | We Shall Overcome - Melissa James/Franck Biyong |
| 12. | Tango/Astor Piazzolla, El - Astor Piazzolla (Hi Perspective Remix, Ji Perspective remix) |
| 13. | Roady - Fat Freddy's Drop |
| 14. | Luv 4 the World - PlantLife |
| 15. | Wonderful Make Believe Story - Jack Splash/Dena Deadly |
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Les Fleurs Du Mal: St. Moritz Vibes Vol. 4 Review
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It starts somewhere around Cisco Pike, a man with a hard-shell case walking in profile, going to meet a man — probably not about a horse. The sun is sharp, and judging by his coat, there's some chill in that sunlight. There's music playing, accoustic guitar surrounded by a full arrangement, and a voice singing about the past, and how remembering it is a hell of a lot easier than facing what's ahead.The man, of course, is a drug dealer played by Kris Kristofferson, and he's coming to give a guitar and a way of seeing to some teenage mug from the Midwest named Patrick Crowson. There'd be other heroes, too. The late, great Townes, the Willie Nelson of Red Headed Stranger, and Haggard, naturally, (though it's not in Crowson's fingers to pick you to pieces like Merle, or, hell, Jerry Reed for that matter.) But the particular method of conveying that longing, with a mixture of physical detail followed by a summary line you can hang your hat on — the way of being elegiac and clear-eyed at the same time — strikes me as coming from that man and his hard-shell case.Crowson never quite learned to tap his feet in regular time, so the circular, rather than linear, shape of his songs comes as much from that god-given disequilibrium than from some notion that you make things more interesting by making them harder to follow. His songs are elusive without being obscure. They slither, they wander, they double back, and just when you think you recognize a landmark, you realize, nope, you're still lost. But you've seen something interesting along the way.In earlier times, Crowson was more of a three-chords-and-the-truth type songwriter, if only because G, C, and D and about one rhythm to strum them in was all he knew how to do. But even back then, his chucka chucka rhythm, which had some Bakersfield giddy-up and some Johnny Cash freight train, sounded pretty different. It was country music without being an imitation of country music. Some of us didn't know what the hell it was or what to do with it.Glad to say, that old rhythm is still around, if slowed down in tempo, and is now played with more care and feeling. In the intervening years, Crowson added a pretty good Jimmie Rodgers claw to better separate the rhythm notes from the melody. There it is on "Poison Water" and again on "Old Man". And not only has the pallet expanded greatly in terms of chords, there are some totally different rhythmic ideas ...
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The Hudsons are quite possibly the hardest-working folk group in Austin. They have been together longer than most people stay married. Hudson Mueller and Brian Hudson play guitars and write the songs for the organization while Jason Vopni and Leah Zeger provide bass and violin respectively. Over the years the group has accomplished great things. The Hudsons have won multiple awards, including Best Folk Band from the Austin Music Awards in 2007. They've toured all over the U.S. and Canada, produced three albums, three t-shirts, one koozie, and three bumper stickers. They've even created a whole new business model for small-time bands--playing out so often that your career imitates a regular job. The Hudsons' catalogue is populated by a diverse bunch of songs. With their acoustic orientation, they've found a comfy home in the folk community, but the group shies away from no genre. They're the proud purveyors of folk-rap, rhyming stories of pimps losing wallets and planets ambling into a raucous party in the middle of the sun. Other songs ring of their singer-songwriting heroes Leonard Cohen, Bob Dylan, Warren Zevon, Elliott Smith, Randy Newman, and Willie Nelson. They've ...
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