| | In Bed With Nova:Deuxi?Me Nuit CD - Import
From the hippest label and radio station in France, this Nova Records compilation features tracks from Beck (Boards Of Canada remix), Terry Callier, Barry Adamson, Gil Scott-Heron, 4 Hero, Damon Albarn, Don Cherry and more. 2006. In Bed With Nova:Deuxi?Me Nuit Music In Bed With Nova:Deuxi?Me Nuit Songs | 1. | Broken Drums (Boards Of Canada Remix) |
| 2. | Lazarus Man |
| 3. | Strange Fruit |
| 4. | Cargo Culte |
| 5. | Jazz Devil |
| 6. | Summer In The City |
| 7. | Can U C The Pride In The Panther |
| 8. | Illegal |
| 9. | Planetaria |
| 10. | Winter In America |
| 11. | Afro Blue |
| 12. | Multikulti Soothsayer Player |
| 13. | Sayo |
| 14. | Spoons |
| 15. | Last Day |
| 16. | Morphine |
| 17. | Right In Front Of You |
| 18. | Gopher |
| 19. | Hello |
| 20. | Ingoma |
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In Bed With Nova:Deuxi?Me Nuit Review
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South Look/Mariner NewspapersCD title: First EncounterBy Matt WhorfMarch 24, 1999Ed Harlow had made on promise for his First Encounter with the jazz CD-buying public, to take acoustic jazz to a newer place without hurting your ears.Far from "hurting your ears," and without even getting into the subject of what acoustic jazz artists of the past and present have managed to have that particular effect (we know that more that a few electric jazz people have, often intentionally so), Harlow on his newly released independent solo debut CD, First Encounter, lives up to the aforementioned tag line well by achieving just the opposite result. The tenor saxophonist and Marshfield native delivers unplugged-jazz quartet and sextet grooves that are pleasing, soothing, soulful and energizing.But perhaps most importantly, after many years of Harlow's honing his chops in bands such as the Ken Hadley big Band locally, and the Glenn Miller and Artie Shaw Orchestras nationally and globally, the saxophonist's debut disc brings him to the juncture where he is finding his own voice as a bandleader and jazz artist. First Encounter is a showcase of just the kind of small-combo, craftsman-like acoustic jazz Harlow has had in mind right from the beginning."I Wanted to put together a band like the classic Art Blakey groups of the '50s and '60s," said Harlow of one of his main influences, the fondly recalled ensembles let by the late jazz drumming/percussion master that featured such well-noted tenor players as Johnny Griffin and Jackie MacLean and later helped introduce such current-era sax greats as Branford Marsalis."My current band, which is essentially the same musicians that appear on the CD, started off pretty much like that. But then we started adding ideas that we've taken from Duke Ellington and others. Basically, our focus is on writing three- and four-part harmony charts for a band with three horns, sometimes composing four-part interpretations of what three horns would do."It's all part of our approach to test the strengths and limitations of the band format," Harlow said.But Harlow, like his fellow horn-touters in the band, also likes to break from the harmony structure of the group's performance pieces and solo prodigiously, and like all sax players, he cites his major influences here as well.Said Harlow, "From my personal point of view as a soloist, I like Branford Marsalis a lot. I think his playing shares a lot in common with a Boston-area player named George Garzone, who is a friend of mine and has led a trio call the Fringe since the late 60s. They both just have that real cut-loose, edgy sort of playing style. And I've always liked Wayne Shorter, Sonny Rollins and especially Stan Getz. I just think that no one could soar on a ballad like he could.Harlow, 34, is a 1982 graduate of Marshfield ...
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