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Shot X Shot CD

 Shot X Shot Discography of CDs

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Shot X Shot: Bryan Rogers, Dan Scofield (saxophone); Matt Engle (bass instrument); Dan Capecchi (drums).
Liner Note Author: Francis Davis.
Recording information: St. Mary's Church, Philadelphia, PA (05/22/2005).The Wire (p.65) - "Things begin slowly, with Capecchi eliciting sounds very much like feedback from his cymbals, before the horns come in -- Rogers droning, Scofield playing slow, beautiful sequences of notes....[A] calmly assured debut..."
Down Beat (p.87) - 3.5 stars out of 5 -- "Shot X Shot takes deceptively simple, bare-bones structures and turns them into spacey, infinitely layered improvisations."
Shot X Shot Music


Detailed Shot X Shot Music Information



Category Rock/Pop Albums, Rock CDs, R&B, Jazz Instrument, Live Performances, Jazz
Label High Two Recordings
Orig Year 2006
All Time Sales Rank   411268  
CD Universe Part number 7048373
Discs 1
Release Date Apr 11, 2006
Studio/Live Studio
Mono/Stereo Stereo
Personnel Dan Scofield - saxophone
Bryan Rogers
Dan Capecchi - drums
Matt Engle - bass instrument
Shot X Shot Songs


Shot X Shot Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Bee Assassains
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.One Point Three Full Breaths
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Two Improvisations
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Volzalisle
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Chains of Agree

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The title of Will Downing's 2009 effort, CLASSIQUE, produced by the artist and Rex Rideout, may be a bit misleading: it is not a compilation but a brand-spanking new collection of contemporary jazz-inflected R&B--in other words, classic Downing. The album's first single, "Something Special"--with its hand drums, loops, and slippery flute flitting around a well-placed, subtle horn section--is at its core a popping midtempo love song. Elsewhere, his cover of Barry White's "I'm Gonna Love You Just a Little Bit More Baby" reveals just how deep the master's influence is on Downing. He may not have the full depth of White's baritone, but he gets close, and his expressiveness and emotional connection to the song make it shine. The completely old-school Marvin Gaye ballad "Baby I'm for Real" features a duet appearance by Phil Perry. It's convincing and utterly gorgeous. But not only do the covers work here; Downing's originals connect too--and not just the aforementioned single, but "Love Suggestions," "Ride," and "Let's Make It Now" also reveal the depth and breadth of Downing's songwriting. CLASSIQUE is indeed everything its title claims it is, and perhaps more. This is old-school urban R&B without a hint of nostalgia or pandering gimmickry.
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The tracks list consists of two Corea originals, covers of tunes by Dizzy Gillespie and Antonio Carlos Jobim, and Mike Gibbs's gorgeous title tune. The level of interplay is at a high, kinetic crackle throughout, even--maybe especially--when the musicians make ample use of space. The 2008 reissue with remastered sound only improves what is already a jazz classic front to back.
One of Stan Getz's all-time greatest albums, Sweet Rain was his first major artistic coup after he closed the book on his bossa nova period, featuring an adventurous young group that pushed him to new heights in his solo statements. Pianist Chick Corea, bassist Ron Carter, and drummer Grady Tate were all schooled in '60s concepts of rhythm-section freedom, and their continually stimulating interplay helps open things up for Getz to embark on some long, soulful explorations (four of the five tracks are over seven minutes). The neat trick of Sweet Rain is that the advanced rhythm section work remains balanced with Getz's customary loveliness and lyricism. ...

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