| | Raul Di Blasio La Historia Del Piano De America... Los Exitos CD Raul Di Blasio Discography of CDs
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Our Price: $10.39  CDFor Sale Usually ships in 1-2 days
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The musical tale of Latin America's most reknown pop pianist and a celebration of the area's rich musical traditions through the prodigious hands of the beloved "Piano de America" as he is known. The collection features his top hits, also featuring Juan Gabriel, Michael Bolton, Los Tri-O and Christian Castro. La Historia Del Piano De America... Los Exitos Music Raul Di Blasio La Historia Del Piano De America... Los Exitos Songs | 1. | Piano | $0.99 | |
| 2. | Uno  | |
| 3. | Aguas De Invierno | $0.99 | |
| 4. | Despues De Ti...Que? | |
| 5. | Barroco | $0.99 | |
| 6. | Querida | |
| 7. | Corazon De Niño | |
| 8. | Como Fue | $0.99 | |
| 9. | Eva | $0.99 | |
| 10. | El Triste | $0.99 | |
| 11. | Melissa | $0.99 | |
| 12. | Vibro | |
| 13. | Solo | $0.99 | |
| 14. | La Gata Bajo La Lluvia | $0.99 | |
| 15. | Luna De Paris | $0.99 | |
| 16. | Hasta Que Te Conoci | $0.99 | |
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La Historia Del Piano De America... Los Exitos Music La Historia Del Piano De America... Los Exitos Review
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Auralis has taken some of his favourite classical and romantic music by Chopin, Debussy, Liszt, MacDowell and Mozart, and has arranged it for orchestra. He has also added in some of his own music to provide us with a dreamy beutiful sound experience. We hear great music orchestrated by a brilliant arranger and composer. We are able to hear these piano pieces as they have never been heard before, arranged in an easy listening, mood music soundscape by a master orchestrator. Auralis studied classical composition at Salford University in England and we can hear his deep depth of harmony and counterpoint ...
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After the success of his 2004 debut LYFE 268-192, which focused on the journey that brought Jennings to prison and out of it, the singer continued the personal and intimate tone that made that debut so intriguing. THE PHOENIX starts where his first album ended, centering on Jennings's post-prison experience and taking the listener along with him through the downfall of a relationship, his rise to stardom, and the beginning of a new love. Overall, Jennings ...
| | David S Ware Balladware CD (2006)
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A ballads album is not something one might associate with David S. Ware, the fiery tenor saxophonist. It was recorded in 1999 as Ware was making a series of albums for Aum Fidelity and Japan's DIW label -- in fact, many of the tracks on this set appeared in different versions on those recordings. It's a wonderful thing that this set produced by Steven Joerg (owner of Aum Fidelity) was licensed by Thirsty Ear for release. The seven tracks that appear on this release, split between original compositions and standards, offer a very different side of the saxophonist, without sacrificing his iconic individuality. They are forward-thinking and utterly passionate -- albeit in a lower-key manner. Ware is ably assisted by the ubiquitous William Parker on bass, pianist Matthew Shipp, and Guillermo Brown on drums. Since restraint is not often associated with this group of musicians, the sensitivity with which they reinvent nuggets like "Yesterdays," "Autumn Leaves," and "Tenderly" is not only noteworthy -- it may just make the argument for the standard being a body of music that should be utterly re-explored harmonically to reveal the "otherness" in it, the place where it breaks and turns back on itself to offer some new meaning. "Autumn Leaves" was performed first on Ware's Third Ear Recitation album for DIW in 1992 with Shipp, Parker, and drummer Whit Dickey. His approach here melds Ben Webster and Archie Shepp into his own sound world where chords, scales, and melodies are turned not so much inside out, but are expanded upon to extend the tune's breath -- much like Charles Olson's notion in his 1949 essay in which he spoke of the line in poetry to be carried out to the end of that writer's single breath. Shipp offers a solid ground by extrapolating his chord voicings to include not only the melodic frame, but its outside harmonic as well. In fact, his playing here is so lovely and tender that it's breathtaking.
Ware's own compositions, such as "Dao," present utterly new things. "Dao" takes a modal approach wherein Parker's bass and Shipp's expansive voicings offer the notion of playing in just intonation -- which is not being done, but its feeling across a melody line that begins from the root at all times is deeply affecting. "Godspelized" touches on Albert Ayler's gospel approach, but moves past it and toward the center of the tune's "moan." Here is the sense of poetry that Ware always contains within his playing, but it is proffered slowly, out of a blues heart. His scalar notions are all based around that solid center, where the "ground" of his melodic ...
| | Sonic Boom Foundatio Sonic Boom Foundat CD (2008) (Import)
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