| | Farandula Santiaguera Cuba De Noche CD Farandula Santiaguera Discography of CDs
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Farandula Santiaguera Cuba De Noche Songs Cuba De Noche Review
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Purchase Cuba De Noche CD To buy, Click on price to add to cart | Jon Balke Siwan CD (2009)
Cuba De Noche
 $14.65  
| | Masada Quintet Stolas: Book Of Angels Volume 12 CD (2009)
Cuba De Noche
$13.09 
Personnel: John Zorn (alto saxophone); Joe Lovano (tenor saxophone); Dave Douglas (trumpet); Uri Caine (piano); Greg Cohen (bass instrument); Joey Baron (drums).
Audio Mixer: James Farber.
Recording information: Avatar Studio, New York, NY (02/22/2009).
STOLAS is the 12th volume in John Zorn's BOOK OF ANGELS series of compositions, and it's a welcome and compelling idea that he decided to re-form his stellar Masada quintet for the occasion. In addition to the rhythm section of Joey Baron and Greg Cohen, trumpeter Dave Douglas, and pianist Uri Caine, Zorn enlisted tenor sax giant Joe Lovano to replace ...
| | Bebo & Cigala Lagrimas Negras CD (2004)
Cuba De Noche
$8.99 
| | World Of Italian Hits Of The 80'S CD (2005)
Cuba De Noche
$8.45
| | Mercedes Sosa En Argentina CD (1994)
Cuba De Noche
$12.35
| | Mariza Terra CD (2008) Bonus Track
Cuba De Noche
$13.49
| | John Carty Last Night's Fun CD (1996)
Cuba De Noche
$14.45
Personnel includes: John Carty (fiddle).
| | Francis Cabrel Fragile CD (1980) (Import)
Cuba De Noche
$11.65
On Fragile, Cabrel doesn't ...
| | Hero Of A Hundred Fights Remote The Cold CD (2001)
Cuba De Noche
$9.29
| | Stone Giants ...And They Roamed The Earth CD (2005)
Cuba De Noche
$13.15
| | Herve Vilard Capri C'Est Fini CD (2000) (Import) France
Cuba De Noche
$10.05
| | Blackout Best In Town CD (2009) (Import) Import
Cuba De Noche
$22.35
| | Shane Lamb Disengage CD (2009)
Cuba De Noche
$11.15
There is a line in Dylan’s “Trying to Get to Heaven” that states, “…when you think that you’ve lost everything, you find out that you can always lose a little more.” This record started for me in such a place in my own life. But I knew I didn’t want to stay there. I wanted to honor it, to move through it, but not run from it...and not stay there too long.These songs came out of a period of loss and disillusionment, soul searching, anger, fear, acceptance and the joy of new possibilities. What was a period of no creativity and songwriting, which scared me to death, grew into one of the most creative and focused periods of my life. It seems we have to lose some stuff to make room for new things in our lives.I was very fortunate to have some great friends around, including Casey Wood. He engineered, mixed and produced this project. Casey also played drums and a bunch of other instruments too. He was very encouraging and excited about the music I was writing; music that was very personal and at times left me feeling unsure about it, and quite vulnerable and raw. People told me how lucky I was to be working with a two time Grammy winner. I felt fortunate to be creating music again, and to be creating it with my friends. We wanted to make an honest and artistic record, without outside pressure or compromises, and that was the vision everyone embraced. We wanted each song to have its own treatment and sound, but maintain a cohesive thread and scope of a whole record. Musically, artists and records like, Tom Petty’s “Wildflowers,” Echo” and “The Last DJ”; Neil Young’s “After the Gold Rush”; the Black Crowes “Amorica”; Bob Dylan’s “ Time Out Of Mind” and “Oh, Mercy”; the Band; Ray LaMontagne; John Lennon, Emmy Lou Harris’ “ Wrecking Ball” and Ryan Adams’ “Cold Roses” and “Heartbreaker” felt right to me during this period.One of the great things about living in Nashville is the immensely talented people here. I was so thrilled to have Pat Buchanan play guitar, Tim Marks on bass, Jamie Babbit on harmony vocals, Max Abrams on horn duties, Eric Holt on Wurlitzer, Jason Lehning on Juno 60 and Chris Tuttle on Hammond. Larry Hall’s string arrangement on “Dream Tonight” gave the song exactly what I had heard in my head when I wrote it on acoustic guitar; the first song written for this record while sitting on the floor in my apartment south of town with no furniture and an amp case for a table. I needed that place to be empty. I needed that space to write these songs. Living in an apartment; writing, singing and playing music there, often late at night, forced me to be quiet…and I needed that too. I also knew that I didn’t, and couldn’t, stay there long. I didn’t want to get too comfortable in that place; physically or emotionally. I wanted to move on. This record, or cd as the kids call ‘em, is a mile-marker…and another’s coming. Thanks for listening!I have been very fortunate with my time in Nashville. I toured ...
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