| | Ballin Underground CD (1 Customer Review)
Ballin Underground Songs | 1. | 8 Mile - Mike Jones |
| 2. | What We Do Is Wrong - Mike Jones |
| 3. | Addictive - Mike Jones |
| 4. | In da Club - Mike Jones |
| 5. | Guilty - Mike Jones |
| 6. | 21 Questions - Mike Jones |
| 7. | Hey Ma - Mike Jones |
| 8. | Mesmerize - Mike Jones |
| 9. | Poor Lil Rich - Mike Jones |
| 10. | We Ballin' - Mike Jones |
| 11. | Wanksta - Mike Jones |
| 12. | Perfect Team, A - Mike Jones |
| 13. | I Get High - Mike Jones |
| 14. | Unknown - Mike Jones |
| 15. | Hottest of the Hot - Mike Jones |
| 16. | Move Bitch - Mike Jones |
| 17. | Pac Man - Mike Jones |
| 18. | Air Force Ones - Mike Jones |
| 19. | Got Me a Model - Mike Jones |
| 20. | Don't Fail Me Now - Mike Jones |
| 21. | Po Folk - Mike Jones |
| 22. | Hate Blood - Mike Jones |
| 23. | U Ballin' - Mike Jones |
| 24. | Superman Anthem - Mike Jones |
| 25. | Victory - Mike Jones |
| 26. | Quit Hatin' - Mike Jones |
| 27. | 2 Many Haters - Mike Jones |
| 28. | Day 2 Day Grindin' - Mike Jones |
| 29. | Holdin It Down - Mike Jones |
| 30. | Rep Yo City - Mike Jones |
| 31. | Mary Jane - Mike Jones |
| 32. | Oops Oh My - Mike Jones |
| 33. | Call Me - Mike Jones |
| 34. | I Need a Girl Part 2 - Mike Jones |
| 35. | Giime the Light - Mike Jones |
| 36. | Be Ware - Mike Jones |
| 37. | Rock the Mic - Mike Jones |
| 38. | I'm a Soldier - Mike Jones |
| 39. | Automatic - Mike Jones |
| 40. | Help Me - Mike Jones |
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Digitally remastered by George Ingram and John Eberle (Nashville Record Productions).
This Collector's Choice two-CD set is part of the label's effort to release the V-Disc recordings of several artists after spending decades in the vaults. Originally distributed solely to soldiers and sailors overseas during World War II (in monthly shipments of 78s), these recordings were ...
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Motown Chartbusters, Vol. 1 was the first in a series of 12 released by Motown's U.K. subsidary, Tamla-Motown. Like many in the series, the album mixes bona fide hits like "Jimmy Mack," "Standing in the Shadows of Love," and "The Happening" with more obscure gems like "7-Rooms of Gloom" and "Gonna Give Her All the Love I've Got." Motown's popularity waned slightly with the British Invasion (even though many British acts were covering the label's originals). This compilation was released as the second wave of ...
| | Big Apple Rappin': The Early Days Of Hip-Hop Culture In New York City 1979-82 CDs (2006) (Import) United Kingdom
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Covering the first few years of recorded hip-hop, BIG APPLE RAPPIN' is not mapped out in a way to stake claim as a definitive compilation. It contains a handful of well-known old-school singles, such as Spoonie Gee's "Spoonin' Rap" and Cold Crush Brothers' "Weekend," but all told, it'll appeal most to hip-hop fans who have only the basics. For hip-hop neophytes and younger listeners who were born too late, it might be like jumping into an advanced class, but the whole thing is too fun to make you feel lost. The younger listeners--especially those who have heard all sorts of purist accusations leveled at Puff Daddy and his descendants for the lifting of entire songs for new hits--might be surprised by what they hear. Compared to modern hip-hop, the songs might sound archaic and practically novelty-like, and that's because they are precisely that. With rare exception, this set is made of basic and one-dimensional rhymes over replayed disco hits (including Cheryl Lynn's "Got to Be Real," Taana Gardner's "Heartbeat," and Michael Jackson's "Don't Stop Til You Get Enough"); Masterdon Committee's "Funkbox Party," in fact, is the only selection that makes use of a drum machine. However, the infectious exuberance on display through the whole thing, along with the knowledge of how this culture would continue to develop, more than makes up for whatever misgivings you might have toward the simplicity of it all. Amidst the MCs' talk of their own greatness, how they'll make you want to get down, and their many nicknames and why they deserve them, it would be easy to lose sight of Brother D and Collective Efforts' "How We Gonna Make the Black Nation Rise?," one of the first tracks to accept the torch from the Last Poets and Watts Prophets: "Blessed are we who dare to be free, we gotta change the way we behave/You gotta sacrifice for a righteous cause, or remain a passive slave." This is one of the most respectfully packaged hip-hop ...
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