| | Cristiana Polegri Bindin Jazz CD - Import Cristiana Polegri Discography of CDs
Cristiana Polegri Bindin Jazz Songs | 1. | E Vero |
| 2. | Basta una Volta |
| 3. | II Nostro Concerto |
| 4. | Marie Claire |
| 5. | Meglio di Cosi |
| 6. | Nuvola Per Due |
| 7. | Lo E il Mare |
| 8. | Odio |
| 9. | II Mio Mondo |
| 10. | Non Mi Dire Chi Sei |
| 11. | Arrivederci |
| 12. | Musica E Finita |
| 13. | L'Indifferenza |
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Bindin Jazz Review
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Purchase Bindin Jazz CD To buy, Click on price to add to cart | Houston Person Mellow CD (2009)
Bindin Jazz
 $13.59  
Not all mellow, Houston Person's tribute to the softer side of jazz has its moments based on the laid-back timbre of his soul rather than a program consisting of only ballads. The tenor sax he wields certainly reflects the tradition established by Ben Webster in its soul-drenched tone, but is not as vocally pronounced or vibrato driven. The quite capable pianist John DiMartino is the one whose more enunciated notions are harnessed, while tasteful guitar by the underrated ...
| | Diana Krall Quiet Nights CD (2009)
Bindin Jazz
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Diana Krall's first studio outing since she and husband Elvis Costello became ...
| | Al Jarreau This Time CD (1980)
Bindin Jazz
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Al Jarreau finally found success in the U.S. after 1975's We Got By. The later albums that followed ,like 1977's live Look to the Rainbow and 1978's All Fly Home found him attaining the all-important ...
| | Jeff Hamilton Symbiosis CD (2009)
Bindin Jazz
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Jeff Hamilton's recordings have always been focused as straight-ahead and mainstream as your typical superhighway, with occasional time for rest stops, gassing up, and sleepovers. While always a good listen, Hamilton and his non-stop rotation of up-and-coming pianists and bassists never really pushed the envelope, staying the course set by his mentor, the late, great bassist Ray Brown, and ...
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Bindin Jazz
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Though Ray Charles, one of the greatest singers of the 20th century, was never in need of vocal assistance, he was no stranger to duets either (one of his finest records is a duet album with Betty Carter). For as much of a musical giant as he was, Brother Ray knew how to share the spotlight, as evidenced by GENIUS LOVES COMPANY, his final project before his 2004 passing. In keeping with the eclectic nature of Charles's artistry, ...
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New Orleans, in America's 'Deep South' was a hotbed of exciting new jazz styles back in the 1930s and '40s, and this ...
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This sophomore effort by the Who Trio - pianist Michel Wintsch with drummer Gerry Hemingway and bassist B„nz Oester - is a rambling, startling exercise in textures, layered dynamics, and process. Certainly it is a jazz record, rife with beautifully ...
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| | Logs In The Mainstream Ridiculous & The Sublime CD (2008)
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"Logs in the Mainstream is the only band I've heard in the last ten years that has made me genuinely nostalgic for my youth. The eclectic mix of jazz, smart rock, weird noises, and bizarre sense of humor is what I always thought rock should be like.""Logs in the Mainstream are one of the few bands that have the skills and daring to smash record label marketing department barriers, which they ably do on the new CD, their fourth, The Ridiculous and the Sublime.""Logs in the Mainstream are following the current trend in rock music today of mining styles from the past. In this case, though, they are taking forms seldom touched on and recombining them to create something new, or at the very least, something of their own." "Pick up on this CD and impress your friends."-musicdish.com"Logs In The Mainstream start out their “The Ridiculous & The Sublime” with “Gotta Get Up”, a track that vacillates between sounding as if it came out in the sixties or the nineties. The amount of influences that come forth during the 12 tracks on “The Ridiculous” are legion; hints of The Beatles (which the cover of this album parodies), Beastie Boys, Anthrax, Jane’s Addiction and countless others can all be heard.""Regardless, each of the tracks is good enough to be a single, and this album will stay strong no matter how many times one listens to it. I was not familiar with Logs In The Mainstream before picking up “The Ridiculous & The Sublime”, but I know that I will be paying attention to them in the months and years to come. Give the disc a go."-NeuFutur MagazineIf eccentric was a style of rock, Logs in the Mainstream would be its core. Logs in the Mainstream combines rock, punk, funk, world beat, pop, latin, country and a little of every genre, then spits it back as something all its own. Always lyrically insightful, a typical Logs theme is self reflective and socially aware from the inside out. Throw in heaps of humor and danceable grooves for girls with one leg shorter than the other and you have music known as Logs style. Logs has amassed a large and dedicated cult following online and in the Northeast area, sharing the stage with Cake, M. Doughty, Alice Donut and Colin Hay. Logs In The Mainstream is:Mole: Vocals,GuitarBob: Bass, BagpipesFrank: Elements, Percussion, Didgeridoo, Theremin, Backing VocalsEric: Drums, Percussion In 1990, Mole formed Logs In The Mainstream on a foundation of humor, intensity and insight: punk roots with a world-beat expression. Several self-released demos gave Logs a solid reputation for writing fun, quirky pop songs. In 1996, Logs formed independent record label Corporate Greed Conglomerate Music ...
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