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Knife Silent Shout CD - Import

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Silent Shout Music


Detailed Silent Shout Music Information



List Price $31.98 (You save $7.03)
Category Rock/Pop Albums, Rock CDs, Dance
Label Indie Records Asia / Zoom
All Time Sales Rank   246366  
CD Universe Part number 7050441
Discs 1
Release Date Mar 20, 2006
Additional Info Import
Knife Silent Shout Songs


Knife Silent Shout Album Track Listing



1.Silent Shout  
2.Neverland  $0.99
3.The Captain
4.We Share Our Mothers' Health
5.Na Na Na  $0.99
6.Marble House  $0.99
7.Like A Pen  $0.99
8.From Off To On  $0.99
9.Forest Families  $0.99
10.One Hit  $0.99
11.Still Light  $0.99
Silent Shout Music


Silent Shout Other Versions



Knife
Silent Shout  (2006) 5 stars Audio Samples
CD$11.99
Knife
Silent Shout  (2006) With DVD; Deluxe Edition5 stars Audio Samples
CD$16.19
Knife
Silent Shout  
CD$23.65
Knife
Silent Shout  (2006) SALE 
Vinyl Record$14.99
Knife
Silent Shout  (2006) 
Vinyl Record$30.39
Knife
Silent Shout  (2006) 
CD Single$6.99
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Bloc Party: Kele Okereke (vocals, guitar); Russel Lissack (guitar); Gordon Moakes (bass guitar); Matt Tong (drums).
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Audio Mixer: Rich Costey.
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Recording information: Detalab Studios, Copenhagen, Denmark (06/2004-07/2004); Miloco, Hoxton (06/2004-07/2004); The Exchange, London, England (06/2004-07/2004).
Photographers: Paul Epworth; Matt Tong.
Much more polished, serious, and straight-ahead than their initial EPs suggested, Bloc Party's debut album, Silent Alarm, reveals them as a band equally informed by taut art-punk and the grand gestures and earnestness of groups like Coldplay and U2. Though they're not quite as stadium-sized expansive as either of those two bands (yet), Bloc Party sound a lot more comfortable making proclamations like "Positive Tension"'s "Something glorious ...

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Shoplifting: Chris Pugmire (vocals, guitar); Hannah Blilic (vocals, drums); Devin Welch (guitar, keyboards); Melissa Lock (bass guitar).
With a renegade, exploratory feel that recalls European bands like A Certain Ratio, Delta 5, and the Ex, Seattle's Shoplifting drape tightly arranged, atonal guitars and half-heard, chanted vocals over a muscular framework of percolating bass and extrovert drums. Tracks like "Syncope Riders" conjure The Pop Group, while "Male Gynecology"'s punky drive sounds like a more polished, glamorous Au Pairs.
An even smarter and more uncompromising set of songs than Shoplifting's self-titled EP, the band's debut full-length, Body Stories, expands on their sound and attitude. Shades of Slant 6 and Sonic Youth can still be heard in their music (particularly in the dark tangles of guitar on "What About a Word?"), but Shoplifting takes advantage of having an album's worth of songs in which to hone their originality. "Male Gynecology," for example, uses dense but not exactly hard-hitting guitars and drums ...

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This three-tracks disc is essentially a CD-single for the song "Grass" by the Brooklyn-based noise-folk outfit Animal Collective, a tune featured on the group's 2005 album FEELS. The song, which careens from breezy insouciance to explosive, shout-filled mayhem, is just as thrilling here as it is on the band's full-length, but the real treasures are the disc's two b-sides.
"Must Be Treeman" and "Fickle Cycle" perfectly fuse the Collective's acid- tinged noise-collage aesthetic with their back-to-the-bush child-savant primitivism. Even better is the bonus DVD, which contains videos for "Grass" and SUNG TONG's "Who Could Win A Rabbit?" as well as behind-the-scenes footage and a multi-media art piece.
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The Appleseed Cast has a sound that you might have a hard time categorizing until you hear someone use the phrase "Midwest post-rock." Then it becomes obvious that that's exactly what they sound like, even if the term itself is really kind of baffling. You have to hear it to understand: the Appleseed Cast's sound is often noisy, but is never ...

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EMI Gold.
Bad
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Japanese only paper sleeve pressing features all new 2009 remastering. Sony. Personnel includes: Michael Jackson (vocals); Stevie Wonder (vocals, keyboards); The Winans (vocals); David Williams, Eric Gale, Steve Stevens, Bill Bottrell, Dann Huff, Michael Landau, Paul Jackson Jr. (guitar); Larry Williams (saxophone, keyboards, programming); Kim Hutchcroft (saxophone); Gary Grant, Jerry Hey (trumpet); John Barnes (piano, keyboards); Kevin Maloney (piano); Jimmy Smith (Hammond organ); Christopher Currell, Michael Boddicker, David Paich, Greg Phillinganes, Rhett Lawrence, Glen Ballard, Randy Kerber, Denny Jaeger (keyboards); Nathan East (bass); Ollie E. Brown (drums, percussion); John Robinson, Ndugu Chancler, Miko Brando, Humberto Gatica, Bruce Swedien (drums); Paulinho da Costa (percussion); Douglas Getschal, Cornelius Mims, Eric Persing, Steve Porcaro, Casey Young (programming).
Recorded at Westlake Audio Studios, Los Angeles, California. Originally released on Epic (40600).
Digitally remastered by Bernie Grundman (Bernie Grundman Mastering, Los Angeles, California).
Audio Mixer: Bruce Swedien.
The downside to a success like Thriller is that it's nearly impossible to follow, but Michael Jackson approached Bad much the same way he approached Thriller -- take the basic formula of the predecessor, expand it slightly, and move it outward. This meant that he moved deeper into hard rock, deeper into schmaltzy adult contemporary, deeper into hard dance -- essentially taking each portion of Thriller to an extreme, while increasing the quotient of immaculate studiocraft. He wound up with a sleeker, slicker Thriller, which isn't a bad thing, but it's not a rousing success, either. For one thing, the material just isn't as good. Look at the singles: only three can stand alongside album tracks from its predecessor ("Bad," "The Way You Make Me Feel," "I Just Can't Stop Loving You"), another is simply OK ("Smooth Criminal"), with the other two showcasing Jackson at his worst (the saccharine "Man in the Mirror," the misogynistic "Dirty Diana"). Then, there are the album tracks themselves, something that virtually didn't exist on Thriller but bog down Bad not just ...

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The Pleasure Principle: 30th Anniversary Edition
Gary Numan The Pleasure Principle: 30th Anniversary Edition CDs  (1979)

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THE PLEASURE PRINCIPLE contains seven bonus tracks which includes demo out-takes and `B' side singles.
Personnel: Gary Numan (vocals, keyboards, synthetic percussion); Billy Currie (violin); Christopher Payne (viola, keyboards); Paul Gardiner (bass); Cedric Sharpley (drums, percussion); Garry Robson (background vocals).
Recorded at Marcus Music AB, London, England. Includes liner notes by Steve Malins.
Audio Mixers: Rikki Sylvan; Harvey Webb; Rikki Sylvan.
Audio Remasterer: John Dent.
Liner Note Author: Steve Malins.
Recording information: Free Range Studios, London WC2; Marcus Music AB, London W11.
Illustrator: Tony Escott.
Photographer: Geoff Howes.
Arranger: Gary Numan.
The most popular of all the Gary Numan albums is undeniably 1979's The Pleasure Principle. The reasons are simple -- there is not a single weak moment on the disc, it contains his sole U.S. (number one worldwide) hit, "Cars," and new drummer Cedric Sharpley adds a whole new dimension with his powerful percussion work. The Pleasure Principle is also one of the first Gary Numan albums to feature true ensemble playing, especially heard within the airtight, killer groove of "Metal" (one of Numan's all-time best tracks). Starting things off with the atmospheric instrumental "Airlane," the quality of the songs gets stronger and stronger as the album progresses -- "Films," "M.E.," "Observer," "Conversation," the aforementioned "Cars," and the U.K. Top Ten hit "Complex" all show Numan in top form. If you had to own just one Gary Numan album, The Pleasure Principle would be it. ~ Greg Prato
Gary Numan's most commercially successful album is, perhaps unsurprisingly, his least representative disc. Powered by the hit single "Cars," arguably the first British synth-pop song to dent the US charts (M's "Pop Muzik" came out around the same time), THE PLEASURE PRINCIPLE is a striking turnaround from the guitar-powered, Joy Division-like post-punk of his old band Tubeway Army. Aside from Paul Gardiner's bass and some percussion, every instrument is electronic.
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Metamorfosi Inferno (SHM) CD  (2009) (Import)

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