| | Andrew Strong Greatest Hits CD Andrew Strong Discography of CDs
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Andrew strong was made famous after starring in the massively successful movie the commitments 'greatest hits' is released to support andrew's forthcoming tour of australia. From 'hard to handle' to 'try a little tenderness', this album has them all!. Sony BMG. 2006 Andrew Strong Greatest Hits Songs | 1. | Do You Know What I Mean | |
| 2. | This Life | |
| 3. | Hard To Handle | |
| 4. | Aint Nothing You Can Do | |
| 5. | Life Is A Beautiful Thing | |
| 6. | Mustang Sally | |
| 7. | Aint No Mountain High Enough | |
| 8. | Bitter Pill | |
| 9. | In The Midnight Hour | |
| 10. | Id Rather Go Blind | |
| 11. | Same Old Me | $0.99 | |
| 12. | Try A Little Tenderness | |
| 13. | Youve Been Here Before | |
| 14. | Show Me | |
| 15. | Out Of Time | |
| 16. | Grits Aint Groceries | |
| 17. | Sending Me Angles | |
| 18. | 24-7 Lover | |
| 19. | Dark End Of The Street | |
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Greatest Hits Review
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Purchase Greatest Hits CD To buy, Click on price to add to cart | Andrew Strong Strong CD (2004) (Import) United Kingdom
Greatest Hits
 $10.49
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| | The Essential Coco Montoya CD (2009)
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Santa Monica-born guitarist Coco Montoya has been a member of Albert Collins' Icebreakers (as a drummer), and was the first lead guitarist in John Mayall's re-formed Bluesbreakers in 1985. He is, of course, best known as a solo artist with six recordings cut between 1995 and 2007. Blind Pig Records was the first label Montoya recorded on as a solo artist, and he cut three albums for the imprint -- GOTTA MIND TO TRAVEL, YA THINK I'D KNOW ...
| | Billie Holiday The Complete Commodore & Decca Masters CDs (2009) Remastered; Box Set
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| | Four Kings Of Blues Guitar CDs (2009)
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If the music on this little slab wasn't so utterly hot, this would have been merely a novelty record. The Four Kings in the title refer to, of course, B.B. Albert, and Freddie King (the last two were brothers), and the fourth ascendant to the throne, who is perhaps lesser known except by blues aficionados, but is well-known to soul music fans, Earl King -- electric guitar masters all. This two-disc collection assembles between five and six of each artist's best-known cuts, giving the ...
| | Monotones Who Wrote The Book Of Love? CD (1992)
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Recorded between 1957-1962. Includes previously unreleased tracks and alternate takes.
Although universally known as one-hit wonders, ("Book of Love") the Monotones reveal on this recording that their talent extended well beyond that classic doo wop number. Writing the bulk of their own material, the New Jersey sextet specialized in up-tempo novelty-type tunes, in addition to the requisite number of love ballads. One of the most notable fast numbers is "Zombi," featuring a vocal line with the singer sounding like a loon in heat. The pick-to-click cut is "What Would You Do If There Wasn't Any Rock & Roll?" Sounding like an anthem, and extremely catchy, this prime cut was unfortunately left unreleased ...
| | Red River Blues CD (1999)
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26 Shreveport blues cuts from Ram Records from the 1950s & early-'60s, feat. Jeff Williamson, June Bug Bailey, Banny Price, TV Slim/Eddie Williams, Little Melvin Underwood, Jesse Thomas & others ...
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| | Saunders King Cool Blues, Jumps & Shuffles CD (2002) (Import) United Kingdom
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Includes recordings originally released on Rhythm, Modern, RPM, and Flair in the 1940s and early 1950s.
The accurately titled Cool Blues, Jumps & Shuffles is a good overview of Saunders King's career containing 25 tracks from 1942-1954, though it's slightly flawed in that it draws exclusively from his Rhythm and Modern recordings. Those do comprise the bulk of his sessions, but this doesn't include anything from the sides he cut for a few other companies. Still, it does have both parts of his 1942 hit "S.K. Blues," as well as his pair of 1949 R&B hits, "Empty Bedroom Blues" and "Stay Gone Blues." As a whole, the disc shows King to be an underrated, somewhat forgotten period in swing jazz's crossover to the jump blues and guitar R&B that got into vogue just after World War II. There's less of his Charlie Christian-like electric guitar (though he was bluesier than Christian) than you might expect. Indeed, most of the solos are taken by horns rather than the guitar, and "Swingin'" gets closer to bop jazz than R&B or blues. Too, much of the material (largely written by King himself) stuck to similar basic blues chord progressions on mid-tempo numbers and ballads. He was nonetheless a pleasing, smooth blues-jazz ...
| | Jimmy Johnson I'm A Jockey CD (1995) (Import) France
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| | Bjork Medulla CD (2004) (Import) Bonus DVD; Bonus Track; Japan
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With 2004's MEDULLA, Bjork's already distinctive musical vision is catapulted into another stratosphere. Using the mouth as the primary instrument--vocal, percussive, and otherwise--MEDULLA ...
| | Robert Ross What Are We Fighting For? CD (2004)
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The Robert Ross Band make a defiant political statement on this four-track Fountainbleau EP, What Are We Fighting For? Those who oppose the Bush administration will obviously have a soft spot for these sentiments, while it's likely to raise the ire of the average conservative, since it's impossible to get past the political lyrics and simply enjoy the music. Leading off this modern blues disc is the title track, ...
| | "Glamorous" Bertha Payne Bedroom Offer CD (2005)
Greatest Hits
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“Glamorous” BERTHA PAYNEA native of Lakeland, Tennessee, is an upcoming blues artist to watch, Ms. Bertha Payne has paid her dues to get where she is today from dealing with personal pressure, so call promoters and producers mainly because they didn’t know how to groom her talent wise or didn’t take the time to develop her a style and sound all her own. Bertha grew up singing the songs of her cousin KoKo Taylor and by most part Memphis musicians are not into KoKo Taylor, so they didn’t play well and she didn’t sing well so it all was a bad set. But with everything against her ...
| | Minmae Le Grand Essor De La Maison Du Monstre CD (2006)
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Minmae seem to be in a bit of a French phase of late, at least if their album titles are any indication, but musically Sean Brooks and company's embrace of a steady-as-she-goes variety of indie rock as a base remains not only present but very enjoyable. The mutation of Brooks' work over the years from lo-fi tape abuse to a cleaner but still ragged-and-right sound has been a fine one to track, even as his lyrics -- capturing states of mind and sometimes awkward situations in deft, imagistic turns of phrase, such as "Let It Ride" and its vision of a coastal trip "from San Clemente up into Merced" -- work gentle wonders. Brooks' talent for arrangements gives many songs much more scope in turn -- there's everything from Neu!'s Motorik charge (with Chris Calvert's drums ably keeping the pace on songs like "The Zero Sum") to sudden piano breaks to dank synth drones to thick, thrilling blasts of feedback. Meanwhile, his ruminative, slightly dry twang, a bit reminiscent of Chris Eckman of the Walkabouts, suits the songs quite well, providing a sometimes melancholic undertow to songs like "Cold Steel Minders." Even something as simple as the way he repeats "sickeningly, sickeningly" on "Everyone Knows Jesus Wore a Chain" or the audible quaver in "The Winking ...
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