| | Iron Butterfly Ball CD - Import Iron Butterfly Discography of CDs
Following the huge success of their second record, In-A-Gadda-Da-Vida, Iron Butterfly scored a second straight Top Five album with Ball. While it didn't have any acid rock freak-out to compare with the epic "In-A-Gadda-Da-Vida," Ball was a more ambitious album, as the group experimented with shorter, more melodic songs. Like any Iron Butterfly album, the quality of the material is wildly inconsistent, yet cut for cut, Ball is a more consistent album than their two previous records, as the group trimmed away some of the acid rock excesses of their earlier records while retaining their brutally loud trademark heavy guitars. ~ Stephen Thomas Erlewine
Japanese reissue features a total of 9 tracks packaged in a miniature LP sleeve. Atlantic. 2006.
Recorded in 1969. Originally released on Atco (33280).
Iron Butterfly: Ron Bushy, Erik Brann, Doug Ingle, Lee Dorman.
Ball Review
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Purchase Ball CD To buy, Click on price to add to cart | Iron Butterfly In-A-Gadda-Da-Vida CD (1968) (Import) Japan; Remastered; Mini LP Sleeve
Ball album
 $50.89
This deluxe version of IN-A-GADDA-DA-VIDA his been remastered and features two extra versions of the title song--a live version, which originally appeared on 1970 album LIVE, and the 7-inch single version, which edits the album version's 17 minutes and 5 seconds down to 2:52. It is packaged in a jewel box with a psychedelic, Multi-Image cover and a 36-page booklet.
Includes original release liner notes by Ron Tepper and new liner notes by Rick Gagnon and Dave Gnerre.
This is part of the Rhino Presents Atlantic & Atco Remasters series.
IN-A-GADDA-DA-VIDA DELUXE BOX SET comes in a hardshell box with original artwork and contains a video, CD and booklet with commentary by the band members.
Iron Butterfly was the American answer to the heavy riff-rock of British groups like Cream and Led Zeppelin, with a touch of Vanilla Fudge's organ-led ...
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Adiitional personnel includes: Veit Renn (conductor, guitar); Tony Battaglia (guitar); Brian Snapp (saxophone); Don Rogozinski, Rex Wertz, Scott Bliege (horns); Gary Carolla (keyboards, drums); Peter Ries (keyboards, programming); Troy Antunes, Joey Argero (bass); Rob Dorsey, Frank Delour, Lou Appell (drums, percussion); Billy Ashbaugh (drums); Voices Of Praise (background vocals).
The P.M. All Star Choir includes: Nicki Richards, Stephanie James, Andricka Hall, Deborah Cole, Misa S. Rebel, Keith Fluitt, John James, Andrew Smith, Lawrence Hamilton (background vocals).
It's always a sign that a group is hot if they release a holiday ...
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Ball CD music
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Recorded between 1974 & 1997. Includes liner notes by Jim Jenkins, Jacky Smith, Andy Davis, Phil Symes.
With Queen officially enshrined in the Rock & Roll Hall Of Fame, Hollywood Records reintroduces the band yet again with the release of GREATEST HITS I, II & III. While Volumes I and II are full of Queen classics you already know by heart, the third cobbles together odds and sods from the far corners of Queen's canon ...
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All songs written by Ben Folds except "Where's Summer B.?" (Ben Folds/Darren Jessee), "Alice Childress" and "The Last Polka" (Ben Folds/Anna Goodman).
In the mid-1990s, while legions of angst-ridden, guitar-brandishing alternative-rock groups ...
| | Elvis Presley Moody Blue CD (1977) Bonus Tracks; Remastered
Ball songs
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Recorded between February 4, 1976 & April 25, 1977. Includes liner notes by Colin Escott.
Elvis' last studio album is, in fact, a hodgepodge of recordings from several 1976 studio sessions and four concert tracks. Also included among the live songs are the Olivia Newton John hit, "If You Love Me (Let Me Know)," a pretty silly take on the Gladiolas' "Little Darlin'," and one of Elvis' favorite songs, "Unchained Melody."
Studio tracks include covers of Jim Reeves' country hit "He'll Have to Go," the George Jones hit "She Thinks I Still Care," and two singles that reached the pop Top 40, "Way Down" and the title track. The abundance of country songs on MOODY BLUE reflects the shift in Presley's audience, as does the chart performance of both singles (each reached the number one position on Billboard's country chart). Presley's vocals for the studio tracks were recorded in his den at Graceland.
The last Elvis Presley album released in the singer's lifetime, Moody Blue has a somewhat checkered history, especially among fans. Issued two months before Presley died, the album sold moderately well until Presley died -- then it soared up the charts to number three, as his most current album, and it ultimately sold two million copies. As to the music, the original ten-song album was a mixed bag of live recordings, interspersed with new studio work from the previous fall at Graceland. For all of its slapped-together feel, however, Moody Blue held up. The title song, authored by Mark James (who'd previously written "Suspicious Minds"), was just about as good a single as Elvis released in the 1970s, topping the country charts earlier in 1977; additionally, he did a superb re-interpretation of the George Jones hit "She Thinks I Still Care." "Little ...
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Ball CD music
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Because Palmetto is an indie jazz label, chances are its solid catalog of artists will never be as well known as those with companies like Verve or Blue Note. This creates the challenge of getting some worthwhile players out into the mainsteam of traditional jazz, competing with limited resources but with at least the confidence that their roster is every bit as appealing. Berkman is a solid, swinging pianist and leader of a trio featuring bassist Ugonna Okegwo (bass) and Brian Blade (drums), enhanced by Chris Cheek's tenor sax, Dick Oatts' alto and flute, and labelmate Sam Newsome's soprano. The music was made possible in part by a Chamber Music America new works creation and presentation grant, and it's no surprise that there is a subtle classical elegance at work in the tone of some of these well-arranged, no-frills pieces. "Leaving Home" is a mournful meditation featuring a ...
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We are a Bluegrass and acoustic group from East Tennessee, featuring the award-winning musicianship of Jessica (fiddle) and Cris (mandolin ...
| | Dancehall Techniques:Winston Riley Productions (1986-1991) Vinyl LP (2003)
Ball music CDs
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As fans are well aware, Techniques founder Winston Riley moved from singer to producer in the late '60s with the launch of the label named after his band. Techniques quickly left its mark, first in Jamaica and then, in 1971, in the U.K., with Dave & Ansel Collins' chart-topping "Double Barrel" smash. Riley remained on the cutting edge, and by the end of the decade was introducing the world to slack, via General Echo's debut album. Come 1985, while other producers quaked in the face of Prince Jammy's mind-blowing "Under My Slang Teng," Riley slapped back with Tenor Saw's "Ring the Alarm," storming the dancehalls with his earth-shattering "Stalag 17" dub version. Riley wasn't giving into the ragga rage yet, battling against the digitization of reggae with hard-edged versions of revived riddims, and even when he gave in to the inevitable, so laced with keyboard melodies were his versions that they barely sounded like ragga at all.
Dancehall Techniques captures this period, 1986-1991, in all its glory, as the producer unleashed a stream of stunning riddims and introduced the masses to a new generation of dancehall stars, toasters, singjays and vocalists alike. The set mixes them up but groups the riddims together, thus showcasing Riley's production and remix skills. Surprisingly, the set doesn't stretch back to 1985 and the featured version of "Ring the Alarm Quick" here is a later remix, but the disc does boast the bulk of the best of Techniques' hits from the rest of the decade. There's Super Cat's groundbreaking "Boops," which inspired even more songs ...
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