| | Legacy: The Origins Of Civilization DVD
Legacy: The Origins Of Civilization | List Price | $129.99 (You save $34.00) | | Studio | Ambrose Video | | All Time Sales Rank | 83140  | | CD Universe Part number | 7051275 | | Catalog number | 261 | | Discs | 3 | | Release Date | Feb 23, 2006 |
Legacy: The Origins Of Civilization Review
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$15.15 Starting with the band's origins in Forest Hills, Queens, END OF THE CENTURY: THE STORY OF THE RAMONES gives a fascinating background portrait of the eccentric group of individuals who came together to be one of the most influential punk bands in history. This documentary about the New York City renegades who made their mark in the mid-1970s with counterculture lyrics and underground performances at rundown joints like CBGB on the Bowery, shows how the band eventually earned recognition, even being inducted into the Rock and Roll Hall of Fame in 2002. But it is the insider look at the blue collar upbringing of the band members, and their desire to be part of Manhattan's burgeoning hard-rock scene, that is most endearing about this particular film. In candid interviews with Dee Dee Ramone, he tells stories about the group's total lack of complexity in its earliest days. Going to see contemporary acts like the New York Dolls and Iggy and the Stooges, the Ramones quickly created their own sound and practiced frenetically. When they finally made their debut with an extremely loud sound, furiously fast and short songs, and lots of drama such as blatant on-stage arguments, they practically scared away their fans. While other stars, like Steve Jones of the Sex Pistols, comment on the Ramones' subsequent rise to punk stardom, providing wild stories about sex, drugs, chaos, and tragedy, it is the truly interesting story of the band's start that will linger in viewers' minds.
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$12.99 TV star Joshua Jackson (DAWSON'S CREEK) comes into his own in this well-crafted indie. He plays Duncan, the angry loser of his rundown Minneapolis neighborhood, whose inability to keep a job stems from losing his father 10 years before. He makes ends meet by loaning his apartment out to his philandering brother (Steven Pasquale) for trysts with his many mistresses. Duncan's hockey buddies keep him propped up, but the poor guy is rudderless. His grandparents (Donald Sutherland and Louise Fletcher) hook him up with their nurse, a wayward free spirit named Kate (Juliette Lewis). As the romance between them blossoms, the grandfather's health deteriorates and he begins contemplating suicide; then Kate gets an offer to move out to California, and Duncan faces some tough decisions. Directed by James Burke, this all plays out in a series of tightly blocked, gritty, low-key scenes which nail the depressing mundanity of a Minnesota winter and let the tight-knit ensemble of actors strike a fine balance between dour realism and date movie whimsy. The Brent Boyd script succinctly encompasses a wealth of geriatric and blue collar types, all of whom stretch out and grow and change as the film progresses. The well-rounded characterizations of the grandparents alone make it worth a watch, with Sutherland and Fletcher both aces in roles that deftly shuffle alienation and empathy in a realistic manner.
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