| | Amagin Punk Yoroshiku CD - Import Amagin Discography of CDs
Punk Yoroshiku Music | List Price | $34.99 (You save $2.14) | | Category | World Albums, International CDs, Japanese | | Label | 3D | | Orig Year | 2006 | | CD Universe Part number | 7053083 | | Catalog number | 620940 | | Discs | 1 | | Release Date | Mar 21, 2006 | | Mono/Stereo | Stereo | | Additional Info | Japan |
Punk Yoroshiku Review
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Purchase Punk Yoroshiku CD To buy, Click on price to add to cart | E Ritorno Da Te: The Best Of Laura Pausini CD (2001) Italian
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Personnel includes: Laura Pausini, Gilberto Gil (vocals); Celso Valli (arranger, conductor, piano, keyboards, synthesizer, programming); Geoff Weestley (arranger, conductor); Beppe Pini (acoustic guitar); Mike Landau (guitar, sitar); Massimo Varini (guitar); Christopher Warren Green, Gavin Wright (violin); Dado Parisini (keyboards, synthesizer, programming); KC Porter (keyboards, programming); Eric Buffat (keyboards, background vocals); David Foster (keyboards); Paolo Costa, Nathan East, Nek (bass); Pier Foschi, Massimo Pacciani (drums); Max Costa (programming); Ronny Jones, Julia St. Louis (background vocals); London Chamber Orchestra, London Session Orchestra, London Symphony Orchestra.
Producers include: Laura Pausini, Alfredo Cerruti.
Engineers include: Jon Jacobs, Luca Bignardi, Max Costa.
Personnel: Laura Pausini (background vocals); Michael Landau (guitar, sitar); Paolo Gianolio (guitar, drum programming); Gianni Salvatori (guitar, ...
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International pop star Youssou N'Dour explores of the themes and sounds of Senegal's Sufi culture on this striking 2004 release. Markedly different than the artist's other albums, on which African elements combine with Caribbean influence and various American styles (including soul, jazz, and rock), EGYPT moves away from N'Dour's trademark pop and deep into the territory of traditional religious music. Though characterized by an undercurrent of West African rhythms and inflections, the sound here--as the title indicates--draws on North African and Middle Eastern Arab music, and features such regional instruments as the oud, the arghul (a double-reed bamboo flute), tablas, and various Arab Gulf percussion.
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The strong and powerful influence of African music is hard to miss on this CD, which illustrates the rich cultural heritage of blacks in Bahia and Northeastern Brazil (a region that has produced many musical greats). Legends like Tito Puente, Tito Rodriguez, and Machito were on the scene, so aspiring young salseros assumed they had no choice but to give 200 percent. The percussionist and his longtime partner Andy Gonzales bring that unwavering work ethic to On the Move! (Muevete!), an outstanding live date recorded at Bimbo's 365 Club in San Francisco. When a 65-year-old Oquendo and his band Libre tear into Bobby Capo's familiar cha-cha "Piel Canela" and infectious originals like "No Cuentes," "Chaquilla Ideal," "Oquendo Y Libre" (a celebration of New York's salsa scene), and the descarga (Afro-Cuban jam) "Muevete un Poco," it's clear that a genuine master of salsa is very hard at work. Though salsa dominates this set, Oquendo triumphantly switches to Latin jazz for an engaging version of the Lester Young standard "Lester Leaps In." ~ Alex Henderson
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Masters of Flamenco Guitar is an excellent collection that showcases four masters of the art: Sabicas, Niño Ricardo, Manolo de Huelva, and Melchor de Marchena. Each guitarist is represented by a selection ...
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Bobby Freeman's Do You Wanna Dance? has both of the rock & roll wild man's hits: 1958's "Do You Wanna Dance?" and 1964's Sly Stone-produced "C'Mon & Swim." The rest of the disc is padded out with ballads ("Ebb Tide," "Need Your Love," "My Guardian Angel"), carbon-copy follow-ups to his two hits ("She Said She Wants to Dance," "S-W-I-M"), and some fine rockers ("Mary Lou Got a New Pair of Shoes," "Mary Ann Thomas," "The Mess Around"). It feels skimpy (and indeed replaces an earlier collection of the same name on Collectables that had 12 tracks), but unless you are a budding Freeman fanatic, it should be enough. ~ Tim Sendra
The title track is one of the great pieces of '50s R&B/rock and roll and was Freeman's moment of glory. The ...
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