| | Fall Middle Class Revolt CD Fall Discography of CDs
1994's MIDDLE-CLASS REVOLT, the second and last album of The Fall's brief tenure with Matador records, is the long-running and amazingly prolific band's best album of the '90s. This is probably The Fall's strongest work since the mid-'80s era, when singer/provocateur Mark E. Smith's stridency was tempered by the smart pop tendencies of his guitar-playing then-wife Brix.
Like those albums, MIDDLE-CLASS REVOLT features somewhat off-kilter guitar pop, downplaying the electronic tendencies of the band's turn-of-the-decade work in favor of catchy riff-based songs.
The guitars are most prominent on "Hey! Student," a song that the band had included in its earliest live sets, back in 1977, as "Hey! Fascist," and the punkish roar of "M5#1" and "Behind the Counter." Elsewhere, The Fall displays excellent taste in outside material by covering '60s avant-gardists The Monks' excellent "Shut Up!" and "War," a song from the mid-'70s art-rock merger of Henry Cow and Slapp Happy.
A mixture of lackluster performances and songs filled with vigor and fury, Middle Class Revolt is a puzzling proposition from the Fall. After two opening tracks that seem ready to convince worried fans that Smith couldn't care less ("15 Ways" and "Reckoning") there follows the poppish "Behind the Counter" and their devilish cover of Henry Cow's "War," with Smith making up half the lyrics. Other highlights include the furious "Hey! Student" (a rewrite of a 1977 tune, "Hey! Fascist"), and yet another Monks cover: "Shut Up!" All find Smith in fine form, impassioned and deeply sarcastic. The band experiments with some techno, some tape manipulation, and sparse rock arrangements, though the vocals on this disc are the most layered of any Fall release. There's also some local (Manchester, that is) social criticism going on in tracks, such as "M5#1" and "City Dweller," which takes on the aborted attempt to hold the Olympic games in Smith's city (the nerve!). [The 2006 Expanded Edition adds a bonus disc featuring a Peel Session from late 2004, plenty of single and remix versions, a couple otherwise unavailable B-sides, plus a rare Christmas song from the Fall, "Happy Holiday."] ~ Ted Mills
The Fall: Kenny Brady, Dave Bush, Karl Burns, Mark E. Smith .
Recording information: Suite 16; The Windings Studio.
Uncut (p.105) - 3 stars out of 5 -- "MIDDLE CLASS REVOLT features a vintage smattering of sinewy, sardonic Smithisms..." Alternative Press (9/94, pp.69-71) - "...The Fall are charming, nauseated and strange, and their boredom is creation. Their position stays intractable, and their music remains great..." NME (Magazine) (5/7/94, p.39) - 8 - Excellent - "...On it's own, MIDDLE CLASS REVOLT is nothing special: we've been here before. But within the endless list of Fall albums it makes sense..." Middle Class Revolt Music Fall Middle Class Revolt Songs | | Middle Class Revolt CD DISC 1: |
| 1. | 15 Ways |
| 2. | Reckoning, The |
| 3. | Behind the Counter |
| 4. | M5#1 |
| 5. | Surmount All Obstacles |
| 6. | Middle Class Revolt |
| 7. | War |
| 8. | You're Not Up to Much |
| 9. | Symbol of Mordgan |
| 10. | Hey Student |
| 11. | Junk Man |
| 12. | $500 Bottle of Wine, The |
| 13. | City Dweller |
| 14. | Shut Up! |
| | Middle Class Revolt Songs DISC 2: BONUS TRACKS: |
| 1. | M5 |
| 2. | Behind the Counter |
| 3. | Reckoning |
| 4. | Hey! Student |
| 5. | Behind the Counter |
| 6. | War |
| 7. | Cab Driver |
| 8. | M5 |
| 9. | Happy Holiday |
| 10. | Behind the Counter - (Remix, remix) |
| 11. | 15 Ways |
| 12. | Happy Holiday - (Promo Mix, Promo remix) |
| 13. | Middle Class Revolt - (The Drum Club Prozac Mix) |
| 14. | Middle Class Revolt - (The Drum Club Orange in the Mouth Mix, The Drum Cluborange in the Mouth Mix) |
| 15. | Middle Class Revolt - (Rex Sargeant Mix, Rex Sargent Mix, Rex Sergeant remix) |
| 16. | Surmount All Obstacles - (Rex Sargeant Mix, Rex Sargent Mix, Rex Sergeant remix) |
| Middle Class Revolt Music Middle Class Revolt Review
GuidelinesRemember to focus your comments on Fall Middle Class Revolt CD. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Buy Middle Class Revolt CD Purchase Middle Class Revolt CD To buy, Click on price to add to cart | Chills Kaleidoscope World CD (1986) (Import) Import; Australia
Middle Class Revolt album
$23.75 KALEIDOSCOPE WORLD contains 10 bonus tracks and represents everything the band recorded through early 1986, including all of the LOST EP, and the I LOVE MY LEATHER JACKET/THE GREAT ESCAPE 12"
KALEIDOSCOPE WORLD, The Chills' 18-track compilation culled from The Chills early and mid-'80s EPs and singles, is highlighted by the song "Pink Frost."
The Chills' Martin Phillipps mixes up melodic pop with elements of garage rock and punk, creating songs with a sweet melancholy all their own. Phillipps has always been the focus of the Chills, writing and singing the band's songs. His group has also rivaled Menudo in its sheer number of personnel changes. In a just world, the Chills would have sold just as many records.
KALEIDOSCOPE WORLD showcases the shifting line-ups and many moods of the early to mid-'80s Chills. "Rolling Moon" captures a mood of shambling joy, its simple, repeated keyboard riff sounding like a distant caravan crossing New Zealand's big-sky country. "Pink Frost" is undoubtedly one of the Chills' two or three finest songs, an eerie tale of finding one's lover dead and being stricken with waves of icy panic. Phillipps's ghostly voice floats over glacial, plucked chords, its elegance and restraint only adding to the menace. "I Love My Leather Jacket" could have been written for the wake of "Pink Frost'"s dead lover. The Chills' pumped-up fuzz ...
| | Fall Infotainment Scan CDs (1993) Bonus Tracks; Remastered; 2CD
Middle Class Revolt CD music
$17.15 1993's THE INFOTAINMENT SCAN follows the WHY ARE PEOPLE GRUDGEFUL? EP as the first full-length result of The Fall's brief tenure with Matador Records. The album finds Mark E. Smith and company in a transitional phase, moving away from the dance-y electronics of the band's turn-of-the-decade work towards a return to the guitar-based pop of the mid-'80s era that many feel was the group's highest point.
The electronic influence is still there on "It's A Curse," which recalls Stereolab's similar experiments in '70s-style krautrock, and the overtly dance-oriented "The League of Bald-Headed Men" and "Lost In Music." Elsewhere, "Ladybird (Green Grass)" echoes the late-'70s avant-funk of such groups as the Gang of Four and a respectful cover of Lee Perry's "Why Are People Grudgeful?" re-explores the post-punk fascination with dub and reggae. Throughout, Smith seems somewhat more reined-in than usual, only occasionally breaking into the sort of crazed harangues for which he's best known.
Returning to the indie label world with a bang, the Fall unleashed a winner and a half with The Infotainment Scan, one of the band's most playful yet sharp-edged releases. The choice of covers alone gives a sense of where Smith's head was at -- tackling Lee Perry's "Why Are People Grudgeful?" is one tall order to start with, while a cover of the novelty tripe "I'm Going to Spain" is just silly fun (even if the guitar does sound like early Cure!). Even more astounding, though, is what the band does ...
| | Fall Cerebral Caustic CDs (1995) Bonus CD
Middle Class Revolt music CDs
$17.09 Smith once again landed on his feet after departing a label, ditching Matador in favor of Permanent, but Cerebral Caustic is notable for many other reasons. First, of all people, Brix Smith (still going by the name) rejoined the lineup, while future events made this the last studio album featuring Craig Scanlon. Though not an original member, his guitar playing for many made the Fall as much as Smith's vision and vocals, and knowing in retrospect that this was his unintentional final bow makes Cerebral that much more of interest. On top of that, Dave Bush would also leave after this album and its tour to join Elastica. Musically, Cerebral followed in the vein of recent albums like Infotainment Scan, blending techno-derived touches and glam-era sonic tributes to the usual stew of approaches. Generally the band sounds like they're having a great time, pulling out some odd arrangements and fun little touches, like the rising and falling melody of "Life Just Bounces." Smith himself sounds a touch disconnected around the edges, but makes up for it with some interesting vocal treatments and sudden interjections to leaven things up. Perhaps the strangest of the bunch is "Bonkers in Phoenix," with Brix's voice turned into overdubbed Chipmunks while the music combines a soft, low volume lope with sudden bursts of noise and Smith rants. One of the sharpest songs in context is "Don't Call Me Darling" -- while ...
| | Killing Floor CD (1995) (Import) With Book; Limited Edition; Digipak; Germany
Middle Class Revolt songs
$18.79 The sheer toughness -- and overall derivative -- nature of Killing Floor's debut album, issued six months after Led Zeppelin's debut in 1969 on the Spark label, is a wondrous contrast to the overly slick treatment American blues were given by British artists. All of these tunes, with the exception of one, are revamped versions of songs from the blues canon with different words. The lone "cover" in the set was written by Willie Dixon titled "Woman You Need Love," the tune Zep ripped for "Whole Lotta Love." Despite the fact that this set was issued before by Repertoire, the Akarma version is definitive in that it features the original cover artwork in a heavy cardboard gatefold sleeve, and killer sound. This is a raw, immediate, overdriven, psychedelic blues record that offers an interesting historical counterpoint to the immediate impact of Page and Plant and Co., but it also offers a great contrast to the recent 1990s versions of American groups trying to rock up the blues in like style: Jon Spencer Blues Explosion immediately comes to mind. They also provide a heavier, less reverent, and altogether heavier update of the Yardbirds rave-up sound~ Thom Jurek
Listening to Killing Floor's debut LP today -- essentially rearranged Chicago blues songs given a bombastic heavy rock treatment -- you cannot dismiss the impact ...
| | Danny Kirwan Second Chapter CD (1975) With Book; Limited Edition; Digipak
Middle Class Revolt album
$19.79 The first solo album from Fleetwood Mac singer/songwriter Daniel David Kirwan has the future producer for Human League and Buzzcocks, Martin Rushent, utilizing those skills here, as well as engineering. The sound is crystal clear, and a feather in the cap for Rushent as well as Kirwan. It starts off with an uncharacteristic "Ram Jam City," which has more Lindsey Buckingham sounds than one would expect, especially since the two guitarists come from two different musical worlds. "Odds and Ends" is more lighthearted, the kind of music Paul McCartney toyed with on The White Album's "Rocky Raccoon." What Second Chapter immediately sets forth is the importance of Kirwan as a pop artist, and how, despite Fleetwood Mac's success after he left, his sounds could still have been beneficial to that supergroup. "Hot Summers Day" is a fine example of that, a beautiful song that could offset Buckingham's gritty ramblings. It would have made a nice counterpoint as Stevie Nicks complemented Christine McVie's tunes with her adventures, bringing an important change of pace to that popular band's hits. The jacket looks like a dusty old family album-style book holding Kirwan's Second Chapter. And the music reflects that old-world feel in titles like "Skip a Dee Doo" and "Falling in Love with You." Three of the best songs on this excellent outing are "Love Can Always Bring You Happiness," "Second Chapter," and a sleepy and beautiful number called ...
| | Legend CD (2007) (Import) With Book; Limited Edition; Digipak; Germany
Middle Class Revolt CD music
$18.75 In some circles, Mickey Jupp is something of a minor legend, a roots rocker with excellent taste and a cutting wit, best heard on the songs "Switchboard Susan" and "You'll Never Get Me Up in One of Those," both covered by Nick Lowe. Basher's endorsement is a clear indication that Jupp is a pub rocker, a guy who specializes in laid-back good times, so it shouldn't come as a great surprise that his first band, Legend, was proto-pub, an unabashed celebration of old-time rock & roll, filled with three-chord Chuck Berry rockers and doo wop backing vocals. Nevertheless, listening to their 1970 LP is a bit of a shock, as it's completely disassociated with anything that was happening in 1970, even with Tony Visconti enlisted as their producer. Legend's sensibility is ahead of its time in its retro thinking, pointing the way to the rock & roll revival of the late '70s and not even that similar to the country-rock of Eggs Over Easy or Bees Make Honey, as this has little of the rustic feel of the Band: it's just straight-up oldies rock, a trait emphasized by those incessant doo wop harmonies that are on almost every cut on this LP (but do disappear on the bonus live cuts on the Repertoire reissue, possibly because they were too busy playing to harmonize). Those harmonies and the light, almost goofy, touch of Jupp's writing here distinguish Legend and also illustrate why they made no waves in 1970; it's hard to see the counterculture getting roused over the verse "If you were an apple you'd be/Good good eating/If you were a book you'd be/Good good reading." These ...
| | Snapcase Designs For Automotion CD (2000)
Middle Class Revolt music CDs
$11.05 1990s hardcore featured many established paths for bands to follow, but a handful ...
| | Hugo Montenegro Music From "The Good, The Bad And The Ugly" & "A Fistful Of Dollars" & "For A Few Dollars More." CD (1995) Remastered
Middle Class Revolt songs
$8.99 Along with the James Bond, Pink Panther, and Peter Gunn themes, the title piece of The Good, the Bad & the Ugly is arguably one of the greatest themes ever written. The entire score ties with those from Midnight Express and Blade Runner as the greatest soundtracks of all time. Many imitated the profoundly unique, deeply haunting style of composer Ennio Morricone, but none could attain his level of brilliance. Hugo Montenegro comes very close ...
| | Hakim: Greatest Hits CD (2004)
Middle Class Revolt album
$12.15
| | Makeshift3 Fluorescent Black CD (2005)
Middle Class Revolt CD music
$10.75
| | Cave Deaths Glacier On Fire CD (2006)
Middle Class Revolt music CDs
$10.55
| | Isamu Shimoji Ataraka CD (2006) (Import)
$34.15 | | Parson Red Heads King Giraffe CD (2007)
Middle Class Revolt songs
$9.39
| | LMT Progresivo CD (2008)
Middle Class Revolt album
$11.19
| | Olivia Mcclurkin The Healing Song CD (2009)
Middle Class Revolt CD music
$11.15
|
|
|