| | Alain Jean-Marie Biguine Reflections CD Alain Jean-Marie Discography of CDs
For those who love beguine and Alain Jean-Marie's piano playing, here is the re-release of the "Biguine Reflections," the trio's debut album cut in March 1992. Jean-Marie interprets the great 'wabap' classics, the new form of beguine invented in the earl Biguine Reflections Music Alain Jean-Marie Biguine Reflections Songs | 1. | Bégonia |
| 2. | Doudou Pa Pléré |
| 3. | Ta Ta Ta |
| 4. | Tou Sa Sé Pou Doudou |
| 5. | Tiéri An Lan Démil |
| 6. | Ka I Fè-W |
| 7. | Bonè An Mwen Pati |
| 8. | Haitian Child |
| 9. | Pa Ban Mwen Kou |
| 10. | Gwadloup An Nou |
| 11. | Driv |
| 12. | Chofé Bigin La |
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Biguine Reflections Review
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| | Don Omar King Of Kings CD (2006)
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Released in mid 2006, KING OF KINGS finds Don Omar challenging fellow Puerto Rican superstar Daddy Yankee for the reggaeton throne. While the opening track, "Intro: Predica," presents Omar energetically rapping en Espanol over the string lines of the self-appointed "hip-hop violinist," Miri Ben-Ari, "Belly Danza" (featuring Beenie Man) works a lively dancehall vibe. Of course, Omar is sure not to leave more traditional Latin sounds behind, as evidenced by several frenetically rhythmic tracks--including "Cuentale," to name just one--on this assured and dynamic album.
King of Kings sure doesn't seem like only Don Omar's second album proper. In the three years since The Last Don, his impressive debut album from 2003, he remained omnipresent. A live album (The Last Don: Live), a couple one-off hits ("Pobre Diabla," "Reggaeton Latino"), and an odds-and-ends compilation (Reggaeton Latino) kept him continually at the forefront of reggaeton, as did persistent media attention. Yet indeed King of Kings is only Omar's second album, which only adds to the sense of why it feels like such a remarkable achievement. It's a major statement, for sure, not only because of its bold, contentious title, but also because it's so stylistically ambitious. In theory, sophomore albums are supposed to be commercially safe. They're supposed to reprise what had worked well the first go-round. They usually don't aim to redefine. After all, up to this point in time reggaeton had been a fairly narrow style, generally defined by a trademark rhythm and a couple staple anthems, most of them performed by Daddy Yankee and produced ...
| | Jethro Tull Roots To Branches CD (1995) (Import) Remastered; United Kingdom
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2006 issued digitally remastered edition of the band's 1995 album with Ian Anderson, Martin Barre, Andrew Giddings, Doane Perry and Dave Pegg in the lineup. "Roots To Branches" was recorded at Ian Anderson's home studio between December 1994 and June 1995, before the next schedule of concerts started. Many of the songs had already been written or at least thought up before recording began, although the final arrangements were worked on in the studio and the lyrics often came after the backing tracks. An Eastern air hangs over the style of much of the album's music. Arabic scales and motifs abound. Lyrical elements of Indian vacations and work trips are evident in Out Of The Noise and Beside Myself. There are a few uptempo songs that move the album into a pretty hectic pace at points but the final three songs offer a more relaxed quality to close what Ian Anderson sees as one of the best ever Tull records - many of these songs make regular appearances in their live shows.
Jethro Tull: Ian Anderson (vocals, acoustic guitar, concert & bamboo flutes); Martin Barre (electric guitar); Andrew Giddings (keyboards); Dave Pegg, Steve Bailey (bass); Doane Perry (drums).
Jethro Tull: Ian Anderson (vocals, acoustic guitar, mandolin, flute, harmonica, percussion); Martin Barre (acoustic guitar, electric guitar); Dave Pegg (mandolin, bass guitar); Dave Mattacks (keyboards, glockenspiel, bass drum, snare drum, cymbals, hi-hat, tom tom, percussion).
This mid-'90s Tull studio album has its good moments, mostly shadows of earlier work. All of the songs here have more of a mood of urgency than some of Tull's then-recent ...
| | Simply Red Stay CD (2007)
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Simply Red: Dee Johnson, Peter Lewinson, Geoff Holroyde, Patrick Murdock, Morten Schjolin, Jilly Johnson, Dave Bloor, Gavin Goldberg, Dave Clayton, Ian Kirkham, John Johnson , Kevin Robinson, Mark Jaimes, Andy Wright , Sarah Brown, Simon Hale, Steve Lewinson, Jim McWilliam, Kenji Suzuki, Chris DeMargary, Anthea Clarke, Danny Saxon.
Personnel: London Session Orchestra, Gavyn Wright.
As the sole proprietor of the thriving smooth-soul brand Simply Red, the British singer Mick Hucknall could be forgiven for resting on his laurels in his third decade as a consistently successful presence on the U.S. and U.K. charts. But the umpteenth release since his early-1980s punk-rock beginnings with the Frantic Elevators finds the flame-haired soul stirrer helming yet another set of perfectly chosen, sophisticated R&B, leavened with his affectionate cover of the Faces bassist and songwriter Ronnie Lane's "Debris," and the smoking urban blues of "Good Times Have Done Me Wrong." Demonstrating Hucknall's elder-statesman maturity, the warm and cozy "The World and You Tonight" is the singer formerly known as Simply Randy's hymn to suburban respectability, while the pop-R&B of the title track displays his innate talent for blending those two genres in an irresistibly commercial mix.
Given his long history of smooth, classy blue-eyed soul, it's easy to forget that Mick Hucknall was inspired to make music by the Sex Pistols. While it's true that Hucknall's Simply Red has never, ever sounded like the Pistols -- or any punk for that matter -- there is an obstinate independent streak that runs throughout his music that's led him to such strange detours as Love and the Russian Winter, as well as his position as an independent artist in ...
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