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Jean-Marie, Alain - Biguine Reflections CD Cover Art CD music music CDs songs album

Alain Jean-Marie Biguine Reflections CD

 Alain Jean-Marie Discography of CDs

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For those who love beguine and Alain Jean-Marie's piano playing, here is the re-release of the "Biguine Reflections," the trio's debut album cut in March 1992. Jean-Marie interprets the great 'wabap' classics, the new form of beguine invented in the earl
 
Biguine Reflections Music


Detailed Biguine Reflections Music Information



List Price $20.98 (You save $1.79)
Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Guitar
Label Fremeaux
Orig Year 2006
All Time Sales Rank   364196  
CD Universe Part number 7056830
Discs 1
Release Date May 16, 2006
Studio/Live Studio
Mono/Stereo Stereo
Alain Jean-Marie Biguine Reflections Songs


Alain Jean-Marie Biguine Reflections Album Track Listing



1.Bégonia
2.Doudou Pa Pléré
3.Ta Ta Ta
4.Tou Sa Sé Pou Doudou
5.Tiéri An Lan Démil
6.Ka I Fè-W
7.Bonè An Mwen Pati
8.Haitian Child
9.Pa Ban Mwen Kou
10.Gwadloup An Nou
11.Driv
12.Chofé Bigin La
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King Of Kings
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Released in mid 2006, KING OF KINGS finds Don Omar challenging fellow Puerto Rican superstar Daddy Yankee for the reggaeton throne. While the opening track, "Intro: Predica," presents Omar energetically rapping en Espanol over the string lines of the self-appointed "hip-hop violinist," Miri Ben-Ari, "Belly Danza" (featuring Beenie Man) works a lively dancehall vibe. Of course, Omar is sure not to leave more traditional Latin sounds behind, as evidenced by several frenetically rhythmic tracks--including "Cuentale," to name just one--on this assured and dynamic album.
King of Kings sure doesn't seem like only Don Omar's second album proper. In the three years since The Last Don, his impressive debut album from 2003, he remained omnipresent. A live album (The Last Don: Live), a couple one-off hits ("Pobre Diabla," "Reggaeton Latino"), and an odds-and-ends compilation (Reggaeton Latino) kept him continually at the forefront of reggaeton, as did persistent media attention. Yet indeed King of Kings is only Omar's second album, which only adds to the sense of why it feels like such a remarkable achievement. It's a major statement, for sure, not only because of its bold, contentious title, but also because it's so stylistically ambitious. In theory, sophomore albums are supposed to be commercially safe. They're supposed to reprise what had worked well the first go-round. They usually don't aim to redefine. After all, up to this point in time reggaeton had been a fairly narrow style, generally defined by a trademark rhythm and a couple staple anthems, most of them performed by Daddy Yankee and produced ...

Roots To Branches
Jethro Tull Roots To Branches CD  (1995) (Import) Remastered; United Kingdom

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2006 issued digitally remastered edition of the band's 1995 album with Ian Anderson, Martin Barre, Andrew Giddings, Doane Perry and Dave Pegg in the lineup. "Roots To Branches" was recorded at Ian Anderson's home studio between December 1994 and June 1995, before the next schedule of concerts started. Many of the songs had already been written or at least thought up before recording began, although the final arrangements were worked on in the studio and the lyrics often came after the backing tracks. An Eastern air hangs over the style of much of the album's music. Arabic scales and motifs abound. Lyrical elements of Indian vacations and work trips are evident in Out Of The Noise and Beside Myself. There are a few uptempo songs that move the album into a pretty hectic pace at points but the final three songs offer a more relaxed quality to close what Ian Anderson sees as one of the best ever Tull records - many of these songs make regular appearances in their live shows. Jethro Tull: Ian Anderson (vocals, acoustic guitar, concert & bamboo flutes); Martin Barre (electric guitar); Andrew Giddings (keyboards); Dave Pegg, Steve Bailey (bass); Doane Perry (drums).
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As the sole proprietor of the thriving smooth-soul brand Simply Red, the British singer Mick Hucknall could be forgiven for resting on his laurels in his third decade as a consistently successful presence on the U.S. and U.K. charts. But the umpteenth release since his early-1980s punk-rock beginnings with the Frantic Elevators finds the flame-haired soul stirrer helming yet another set of perfectly chosen, sophisticated R&B, leavened with his affectionate cover of the Faces bassist and songwriter Ronnie Lane's "Debris," and the smoking urban blues of "Good Times Have Done Me Wrong." Demonstrating Hucknall's elder-statesman maturity, the warm and cozy "The World and You Tonight" is the singer formerly known as Simply Randy's hymn to suburban respectability, while the pop-R&B of the title track displays his innate talent for blending those two genres in an irresistibly commercial mix.
Given his long history of smooth, classy blue-eyed soul, it's easy to forget that Mick Hucknall was inspired to make music by the Sex Pistols. While it's true that Hucknall's Simply Red has never, ever sounded like the Pistols -- or any punk for that matter -- there is an obstinate independent streak that runs throughout his music that's led him to such strange detours as Love and the Russian Winter, as well as his position as an independent artist in ...

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