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Foghat - Rock And Roll Outlaws CD Cover Art
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Foghat Rock And Roll Outlaws CD

 Foghat Discography of CDs
3.7 stars (3 Customer Reviews)

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After establishing a new level of credibility on record with 1974's Energized, Foghat cranked out another album of boogie rock before the year ended. The result, Rock and Roll Outlaws, is not as consistently inspired as its predecessor but remains a worthwhile listen for the group's fans. This time out, the group settles for a more straight-forward boogie sound that downplays the experiments that spiced up Energized. As a result, the songs are often solid but uninspiring: "Trouble in My Way" has some pleasant acoustic guitar work but feels like a throwaway tune while the title track cruises along in an amiable fashion but never catches fire the way a song with a title like "Rock and Roll Outlaw" should. However, when the band is firing on all four cylinders, Rock and Roll Outlaws is a joy: "Eight Days on the Road" is a hard-charging tune about the touring life that became a live favorite, and the good-time raver "Chateau Lafitte '59 Boogie" is one of the most exhilarating rockers in the Foghat catalog. "Blue Spruce Woman" is another crafty rocker, benefiting from a witty lyric about a nature-loving woman and some of the gutsiest guitar riffs on the album. It should also be noted that these high points are given an additional shot in the arm by Nick Jameson's sympathetic production, which manages to bring out a sharpness of detail in the sound without cutting back on its heaviness. Overall, Rock and Roll Outlaws probably has limited appeal to the casual listener but offers enough energetic boogie rock to make it worthwhile for anyone into Foghat. ~ Donald A. Guarisco
Rock And Roll Outlaws Music


Detailed Rock And Roll Outlaws Music Information



List Price $9.99 (You save $0.30)
Category Rock/Pop Albums, Hard Rock CDs, Rock
Label Wounded Bird
Orig Year 1974
All Time Sales Rank   14972  
CD Universe Part number 7057015
Catalog number 6956
Discs 1
Release Date May 23, 2006
Studio/Live Studio
Mono/Stereo Stereo
Recording Time 38 minutes
Additional Info Remastered
Foghat Rock And Roll Outlaws Songs


Foghat Rock And Roll Outlaws Album Track Listing



Windows MediaRealAudio Media1.Eight Days on the Road  $0.99
Windows MediaRealAudio Media2.Hate to See You Go  $0.99
Windows MediaRealAudio Media3.Dreamer$0.99
Windows MediaRealAudio Media4.Trouble in My Way  $0.99
5.Rock and Roll Outlaw
Windows MediaRealAudio Media6.Shirley Jean  $0.99
Windows MediaRealAudio Media7.Blue Spruce Woman$0.99
Windows MediaRealAudio Media8.Chateau Lafitte '59 Boogie  $0.99

Rock And Roll Outlaws Music Review


Customer Rock And Roll Outlaws Reviews 




Average Rating: (3.7 out of 5 stars) 3.5 stars

3 stars Dont let this one " slide " Buy
I just bought a copy of Foghat Rock n Roll outlaws . This new Remaster from wounded bird Records is a Real Gem .It has Great clarity and sound definition from the members of the Band.The slide Guitar of Lonesome Dave and Rod price is outstanding as usual.The previous albums like Energized and Rock n Roll were good ones but this album is under Rated .Give it a listen if you like good Boogie Rock and Roll and choice Bottleneck slide Guitar this is worth the money.
Submitted by steve07bolton (Canada)
Was This Review Helpful? Yes No  1 of 1 found this helpful.

5 stars rock critic
great cd
Submitted by ktp4400 (lithia fla usa) Verified Buyer
Was This Review Helpful? Yes No

3 stars FogHat forever Thanks lonesome Dave
Much like rock and roll outlaws, Night Shift is probably my favorite and also underated and that being due to radio play of Fool the the City album.
Submitted by Dave G. (St.Paul,MN)
Was This Review Helpful? Yes No

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All songs written or co-written by Rod Price except "Feel So Bad" (Willis) and "Couldn't Make Her Stay" (Peverett). Foghat's second album finds the group working its way towards the fusion of blues and hard rock that would make them an arena rock favorite. They were not yet the stadium kings they would soon become, but Rock and Roll benefits from a muscular production that gives the band a muscular sound worthy of their impressive live act. A good example is the powerful album opener "Ride, Ride, Ride": Lonesome Dave Peverett wails over a boogie beat fortified by rumbling power chords as gospel-style backup vocalists cheer him on at the chorus. "Road Fever" is another choice rocker, a song about the rock & roll touring life (a recurrent Foghat song subject) that spices up its fuzz guitar rock with a rubbery bassline and a attractive but non-intrusive horn section. However, not everything on Rock and Roll is as inspired as these two tracks: songs like "Feel So Bad" and "She's Gone" succumb to cliché boogie-rock lyrics that are as dull ...
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Brian Wilson did quite a bit of production work outside of his main gig with the Beach Boys, especially in the early to mid-'60s. This 23-track collection -- entirely drawn from pre-1966 releases, except for a 1969 single by the Honeys and a 1973 single by American Spring -- doesn't round up all of them, as some were unavailable for contractual reasons. But it's a good anthology of this facet of Wilson's career, with many obscure songs that are difficult to find and have been seldom reissued. As is usually the case for outside production/songwriting ventures by major stars, few of Wilson's non-Beach Boys ventures were hits, and in fact none of the items on this CD were. As is also usually the case in these situations, the material (frequently though not always written or co-written by Wilson) was more lightweight than what was being devised for the figure's principal project, the Beach Boys in Wilson's case. But this disc is still pretty enjoyable, featuring as it does a few genuinely outstanding cuts in which Wilson got to tinker with some production approaches. Foremost among these is Sharon Marie's 1964 Ronettes sound-alike single "Thinkin' Bout You Baby," which has a verse that was reworked with some changes to provide the Beach Boys' 1968 hit "Darlin'." Also of special note is Glen Campbell's 1965 single "Guess I'm Dumb," which has a confessional lyric and orchestral pop/rock production on par with the Beach Boys' own best album tracks of the period. Only slightly below this level is Gary Usher's 1964 single "Sacramento," which actually sounds a little more personal than much of the Beach Boys' output of that year. Brian Wilson himself is heard on the one-off 1964 single by the Survivors, with an A-side ("Pamela Jean") with an identical melody to that used for the Beach Boys' "Car Crazy Cutie," and an instrumental B-side ("After the Game") that's a vague forerunner of the lush instrumentals on Pet Sounds. The other tracks on this compilation are more frivolous, but they do testify to the large influence Phil Spector had on Wilson in the mid-'60s (particularly in the tracks by the Honeys). Other oddities of note are the Little Eva imitation by Rachel & the Revolvers; the 1973 ...
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