| | Sepultura Dante 21 CD - Import Sepultura Discography of CDs
 (1 Customer Review)
Japanese pressing includes a bonus track. 16-tracks in all. Victor. 2006. Sepultura Dante 21 Songs | 1. | Lost |
| 2. | Dark Wood Of Error |
| 3. | Convicted In Life |
| 4. | City Of Dis |
| 5. | False |
| 6. | Fighting On |
| 7. | Limbo |
| 8. | Ostia |
| 9. | Buried Words |
| 10. | Nuclear Seven |
| 11. | Reepating The Horror |
| 12. | Eunoe |
| 13. | Crown And Miter |
| 14. | Primium Mobile |
| 15. | Still Flame |
| 16. | SCREAMING FOR VENGEANCE (bonus track for Japan) |
|
Purchase Dante 21 CD To buy, Click on price to add to cart | Nile Those Whom The Gods Detest CD (2009)
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It's hard to not be impressed by the sheer sonic onslaught that is otherwise known as Nile. Except to the most hardened death metal fanatic, the genre has a way of sounding the same after a while, but Nile is one of the few exceptions -- able to put their own unmistakable fingerprints ...
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Brazilian Max De Castro's self-titled 2005 album blends samba, jazz, and electronica for 12 songs.
More eclectic and less direct than its two predecessors, this is Max de Castro's eponymous third album. The famous percussionist Naná Vasconcelos appears and leaves his distinct touch on "Ciranda ao Redor da Galáxia," "Rosa, um Samba pra Excluídos," and "Sempre aos Domingos" are both clearly inspired by Jorge Ben and Trio Motocó, "Vontade de Potência" has the somewhat somber scent of Brazilian '80s rock, "Depois da Festa" could be described as a psychedelic rhumba, and "Pixinguinha" is samba mixed with modern jazz. There is always a risk in mixing so many different musical styles in one single album, but much thanks to his solid and creative production, de Castro manages to pull it off. However, this album is not as strong as Orchestra Klaxon (from 2003), on which de Castro came across as ...
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The 2006 release from Colombian salsa king Alberto Barros, Titan de la Salsa, finds the composer/trombonist continuing his mix of gentle rhythm piano, a hot brass section, and subtle percussion in eight new tracks. "Menéate," the album's opener, is a fun, catchy song, with crisp Latin beats, an electric bass, and a short trumpet break. Barros enjoys letting the individual elements of the band take the forefront, but he does this without much use of soloing (there is the occasional brass riff that takes off for a few seconds, but that's about all), instead choosing to cut out or lower certain instruments and sounds in order to let others come through. This creates a very clean, smooth feel to the music, with its strength and passion lying in its nuance rather than in its volume. Some of the songs are clearly influenced by pop (Barros has worked with Ricky Martin and Marc Anthony as well as contemporary salsa staples Tito Nieves and Obie Bermúdez), especially in the melodies, but it doesn't ...
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