| | Benny Golson Jazztet I Remember Clifford CD - Import Benny Golson Jazztet Discography of CDs
I Remember Clifford Music Benny Golson Jazztet I Remember Clifford Songs | 1. | Serenata |
| 2. | It Ain't Necessarily So |
| 3. | Avalon |
| 4. | I Remember Clifford |
| 5. | Blues March |
| 6. | It's All Right With Me |
| 7. | Park Avenue Petite |
| 8. | Mox Nix |
| 9. | Easy Living |
| 10. | Killer Joe |
| 11. | Cool One |
| 12. | Blues on Down |
| 13. | Hi-Fly |
| 14. | My Funny Valentine |
| 15. | Bean Bag |
| 16. | Five Spot After Dark |
|
I Remember Clifford Review
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Recorded between 1960 and 1967. Includes liner notes by Steve Kolanjian.
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Tucker Martine and Wayne Horvitz have worked together a lot over the last decade or so, with Martine generally acting as engineer (his role in the 4 + 1 Ensemble was "limited" to live processing), but Mylab is their first fully collaborative effort together. The songs started with Martine taking various ancient public-domain folk recordings (from around the turn of the last century), which he then sampled and looped in order to form the basis for new compositions, fleshed out by Horvitz and Martine together. A long list of Seattle's musical luminaries was then brought in for overdubs, sometimes adding new parts and sometimes replacing the part created by the old samples. The result is a thoroughly modern-sounding recording built from the familiar rhythms and melodies of the folk music tradition that country, blues, and rock & roll were built from. It's a fascinating juxtaposition made more interesting by the fact that many of the instruments and the samples themselves were treated further, so sometimes it's difficult to discern whether the source is the old recordings or the recent playing. And given the modus operandi, the amount of stylistic ...
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Pete Angel - Drums, PercussionPeter McCulloch - Lead Vocals, Bass, Rhythm Guitar, Backing VocalsDean Pascarella - Lead and Rhythm Guitars, Chapman Stick, Backing VocalsChip Sciacca - Keyboards, Backing VocalsPatrick Sciacca - Rhythm Guitar"This is one Merry-Go-Round you'll want to keep spinning" - Kevin Amorim/New York Newsday Once upon a time, the three principal songwriters of This Island Earth set off on separate journeys in search of inspiration and enlightenment to contribute to their forthcoming recording. Without compass in hand, they all returned relatively unscathed and with a great epiphany: Each had shared very similar experiences and viewpoints despite their vastly different lifestyles and personalities."We had reached a musical serendipity - that moment in a band's career when everything's naturally gelling and you're subconsciously attuned to each another's emotions and idiosyncrasies," asserts singer/songwriter/bassist Peter McCulloch. A "concept" was developing with a uniform message, often encompassing a wide range of unconventional themes, where heroes are dismissed in favor of a simpler existence, pleasure gardens bear forbidden fruit, and life is a dance on a high wire. The result is a product of a wiser, worldlier band reflecting on their natural (yet often painful) progression towards maturity. It was only fitting that the album be entitled, Welcome to the Merry-Go-Round, conjuring up the carousel's child-like imagery as a metaphor for life's continuing cycle of triumphs and failures. To quote from the title song, "Welcome to the Merry-Go-Round. Welcome to the Garden of Eden. Brush aside your troubles and fears. Once you have arrived you are leaving."For the recording of Merry-Go-Round, the band enlisted the talents of platinum pop producer, Armand John Petri, whose credits have included the Goo Goo Dolls, 10,000 Maniacs, and Sixpence None the Richer. The first song on the CD, "All for Love," initially appeared in demo form on CMJ's Certain Damage Music Sampler Vol. 109, and that got the ball rolling. "'All for Love' caught my ear immediately. It was incredible!" says Mr. Petri. "Most of the material on their tape sounded quite mature, and they had a knack for hooks. You must believe in an artist or a band from the heart, and I certainly believe in This Island ...
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Zeus originated from Langley, B.C. and picked up his dads guitar at a very young age of (roughly) seven and started strumming like mad. His parents then thought it would be good for their son to have him learn the basics through classical guitar lesson at Langley Community Music School. Besides, his dad didn..t want to have a bigger scratch on his guitar. Five and a half years later. Zeus thought it was time to leave guitar lessons to focus on his own musical ideologies...Hoping to play guitar ...
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