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Mitchell, Guy - Singing The Blues CD Cover Art
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Guy Mitchell Singing The Blues CD

 Guy Mitchell Discography of CDs

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Singing The Blues Music


Detailed Singing The Blues Music Information



List Price $15.99 (You save $3.20)
Category Rock/Pop Albums, Jazz CDs, Oldies, Vocal
Label Remember
Orig Year 2000
All Time Sales Rank   354939  
CD Universe Part number 7059181
Catalog number 75090
Discs 1
Release Date Sep 16, 2000
Mono/Stereo Stereo
Guy Mitchell Singing The Blues Songs


Guy Mitchell Singing The Blues Album Track Listing



1.My Heart Cries For You  $0.99
2.Roving Kind$0.99
3.Sparrow in the Tree Top$0.99
4.My Truly, Truly Fair  $0.99
5.Pittsburgh, Pennsylvania  $0.99
6.Feet up (Pat Him on the Po Po)  
7.She Wears Red Feathers  $0.99
8.Prettly Little Black Eyed Susie
9.Cloud Lucky Seven
10.Chicka-Boom
11.Cuff of My Shirt
12.Sippin' Soda
13.Singing the Blues  $0.99
14.Knee Deep in the Blues  $0.99
15.Rock-a-Billy  $0.99
16.Call Rosie on the Phone
17.Heartaches by the Number  $0.99
18.My Shoes Keep Walking Back to You
19.Side by Side
20.Music Music Music
Singing The Blues Music


Singing The Blues Other Versions



Singing The Blues Music Review


Customer Singing The Blues Reviews 




3 stars Great Memories
Guy Mitchell, truly had a style of own for that time period. The memories these songs brought back were so vivid in my mine, that I pictured me back in school again at the coke dances.
Submitted by brian (Barrie, Ontario, Canada) Verified Buyer
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A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune"). All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth. Those familiar with the Live ...
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COME AWAY WITH ME won the 2003 Grammy Awards for Album Of The Year, Best Pop Vocal Album and Best Engineered Album (Non-Classical). "Don't Know Why" won the 2003 Grammy Awards for Record Of The Year, Song Of The Year and Best Female Pop Vocal Performance. Arif Mardin won the 2003 Grammy Award for Producer Of The Year (Non-Classical). This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. A direct descendant from the pedigree of one of the 20th century's virtuosos, Norah Jones might not be on such a lofty artistic level as her dad Ravi Shankar, but ...
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On FIRST LOVE, contemporary jazz saxophonist and composer Everette Harp moves deeper into the space he addressed on 2007's excellent MY INSPIRATION. Produced by George Duke, the meld of acoustic and electric instruments here is perfectly balanced. Melodic and harmonic structures are much more complex and don't always fit the C-jazz cookie-cutter mold. Check his original "The Council of Nicea," one of the most satisfying things here. Harp's tenor is accompanied by James Genus' acoustic bass, and some spot-on breaks by Terri Lyne Carrington, a beautiful bluesy, hard bop trumpet solo ...
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This larger group session was recorded for Blue Note in 1969 but had to wait until 2003 to see the light of day. It was worth the wait, since PASSING SHIPS is one of composer-pianist ...
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A bold jazz innovator whose stylistic range is rivaled only by his mentor, Miles Davis, keyboardist/composer/bandleader Herbie Hancock receives Columbia/Legacy's ESSENTIAL treatment on this excellent 2006 two-disc set. Although whittling the finest moments of Hancock's strikingly eclectic, decades-spanning career down to a mere 20 tracks is an exercise in futility, the collection reveals admirable results within those constraints, offering up tunes from 1962 to 2000. Among the many brilliant moments on this comp are Hancock's swinging hard-bop classics "Watermelon Man" and "Cantaloupe Island" (both featuring ace trumpeter Freddie Hubbard), the fiercely funky "Chameleon," and the groundbreaking electro-pop hit "Rockit." Although many of Hancock's individual albums are essential in their own right, and the four-disc HERBIE HANCOCK BOX delves deeper into his daunting catalogue, this compilation is the perfect introduction to the stunning stylistic and technical breadth of the pioneering artist's output. Herbie Hancock is arguably the most influential ...
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Just Give Me The Groove
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When you hear the name: J.T. Fredrick! You will immediately think Talented, Gifted, and Love, with a soulful and charismatic Groove! Born in Dayton,Ohio John T. Fedrick , grew up in a neighborhood thriving with musical talent. My parents were instrumental in cultivating my interest in music, particularly giving credits to my step-dad, Mr. Willie “Skeeter” Morgan with connecting me to jazz at an early age. He was an outstanding drummer that performed, and was affiliated with many major artists such as: Little Milton, The Reid Brothers, The Ohio Players, The Ohio Hustlers, and Smoke, Heat, and Fire, just to name a few. As a youth I would attend various rehearsals with my Step-Dad to watch and learn how professional musicians performed. I started my musical career playing the bongos in the 5th grade with a group called “The Sensations”. At that time Mark Woods, the drummer in the group had just gotten a brand new drum set for Christmas, who went on to become the lead singer for the group “Lakeside.” "The Sensations" won 1st place in our debut outing in our school talent show, playing the song “Tramp.” Some of my neighborhood friends were: Mark Woods, Will and Thomas Shelby, Steve Shockley, Norman and Vincent Beavers, and Marvin Craig, all of “Lakeside.” Steve Arrington (Slave), Sam and Cedell Carter of (The Hall of Fame), Mike Hinton and Rodger Parker of (Phazo, “Riding High” ), Steve Neil, world renown bass player,(Yuseef Lateef, Pharoh Sanders, New Birth and Afro Blue), Rodger Troutman and Zapp, The Ohio Players, (Sugar, Diamond, Chet, and Nooks), The Ohio Hustlers,(Skip “little axe” McDonald, Otha Stokes, Huncie and Boobie Cochran), Floyd Whitherspoon and Hakeem Stokes of the current vocal group “Touch.” In the 8th grade After listening to King Curtis' version of Stevie Wonder’s song, “I Was Made To Love Her”, I decided that I wanted to be a saxophonist. I also listened extensively to Maceo Parker of James Brown, Earth, Wind and Fire, Motown, Stax Records, Chicago, War, Mandril, and Tower of Power. I received my first sax lessons from Satch Satchell of the Ohio Players and Otha Stokes. I received my most memorable sax lessons from saxophonist Mr. Chuck Wade. He would always stress the need to be able to read music and understand as much theory as possible. By my 10th grade year I was in one of Dayton, Ohio’s premiere show bands called The Soul Experience. The pianist and lead singer of the group was Keith Harrison who went on to become a Grammy award winner of “The Dazz Band,” for his song, “Let It Whip.” I graduated high school and went off to the United States Air Force and served my country for nine years. During this period I listened and studied music instead of performing. After leaving the Air Force I started college at Central State University, majoring in music education, with extensive studies in “jazz studies.” Central State University had world class instructors as faculty members. One of my jazz band instructors was the legendary Gene “booty” Woods, who was one of Duke Ellington’s premiere trombonists for a number of years. Once he told ...
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