| | Percy Sledge Great CD - Import Percy Sledge Discography of CDs
Great Music | List Price | $11.99 (You save $1.50) | | Category | Rock/Pop Albums, Jazz CDs, R&B, Soul/R&B | | Label | Goldies | | Orig Year | 2006 | | CD Universe Part number | 7059239 | | Catalog number | 63102 | | Discs | 1 | | Release Date | Jan 22, 2007 | | Mono/Stereo | Stereo | | Additional Info | Netherlands |
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Purchase Great CD To buy, Click on price to add to cart | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
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With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz.
Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' ...
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"Have Yourself A Merry Little Christmas" was nominated for a 1996 Grammy Award for Best Pop Instrumental Performance.
Over the past decade, since first gaining popularity with the Jeff Lorber Fusion, soprano saxophonist Kenny G has become one of the most celebrated instrumental stars in all of popular music. By fusing ...
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Michael Buble's third major US release (including the mostly live COME FLY WITH ME) stays on message--this young Canadian loves the lush, swaying music of his parents' and grandparents' generations. Buble's albums, however, are much more than mere back-in-the-day exercises. The production and arranging of David Foster (Celine Dion, Josh Groban) is eclectic in a way that firmly places the tunes at the dawn of the 21st century, and, more importantly, Buble possesses the chops and sense of style to re-imagine the adult-contemporary vocal genre in a distinctive manner. In addition to standards by Gershwin and Porter, Buble embraces a variety of sounds, from Motown ("How Sweet It Is") to bossa nova ("Quando, Quando, ...
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Pairing Dizzy Gillespie with Cuban arranger/composer Chico O'Farrill produced a stunning session which originally made up the first half of a Norgran LP. O'Farrill conducts an expanded orchestra which combines a jazz band with a Latin rhythm section; among the participants in the four-part "Manteca Suite" are trumpeters Quincy Jones and Ernie Royal, trombonist J.J. Johnson, tenor ...
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David Asman's second release 21st Century Nation pulls no punches while taking on the "mommy state", and all those who are complacent in its relentless impersonal advancement. This is Ayn Rand's "Atlas Shrugged", Orwell's "1984" ...
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Despite the massive talents of vocalist David Coverdale and his supporting cast of musicians (not to mention the unimpeachable resumé of producer Martin Birch), Come an' Get It was another maddeningly average Whitesnake album. A thoroughly boring set that played it too safe and yielded no lasting live favorites, Come an' Get It was competent to the max -- in the hands of a debuting artist, it may have qualified as a classic -- but for a near-supergroup of such experience and pedigree, it instead smacked of severe underachievement. Rare highlights include the driving energy of "Hot Stuff," the lively bar-room piano of "Wine, Women and Song," and the wistful, acoustic balladry of "Till the Day I Die." But these share space with run-of-the-mill bluesy rockers like "Don't Break My Heart Again" and "Would I Lie to You" -- all of them hard to fault, but equally impossible to praise. Yawn! Even the quasi-epic "Child of Babylon" fails to live up to initial promise, a half-hearted effort that easily defines the entire record's abiding sense of indifference. No doubt a reflection of Coverdale's own fluctuating interest in the group, Come an' Get It's confounding mediocrity would thankfully give way to the just as inexplicable brilliance of 1982's Saints & Sinners and 1984's Slide It In -- a two-towered climax of Whitesnake's career that displayed a newfound zest in urgency and inspiration. ~ Eduardo Rivadavia
Despite the massive talent of vocalist David Coverdale and his supporting cast of musicians (not to mention the unquestionable resume of producer Martin Birch), Come an' Get It is another maddeningly average Whitesnake album. Rare highlights include the driving rhythm of "Hot Stuff," ...
| | B-Eazy By Any Means CD (2007)
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Transforming a life-long dream into a living and breathing reality is the force that empowers the multi-talented, musical phenom Brenton “B-Eazy” Barge. At age 26 and hailing from the city of “BIG D” - Dallas, TX, B-Eazy's desire to conquer the music world is accompanied with a “double-dosage formula” uncommon in today’s artists. Armed with a fierce, yet undeniable flow as an MC, coupled with versatile and unprecedented productional talents, B-Eazy attempts to elevate the music scene in Dallas leaving a blazing trail for others to follow.Featured as a guest on two of the hottest radio programs in the Southwest Region; “The Sun-Debut Show” with DJ Steve Nice on K104fm and “Street Heat” hosted by DJ Big Bink and the Dallas legend D.O.C. on 97.9 The Beat, ...
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