| | Bugs Henderson Backbop CD - Import Bugs Henderson Discography of CDs
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Our Price: $31.89  CDFor Sale Limited Availability
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Bugs Henderson Backbop Songs | 1. | Quicksand | |
| 2. | Ain't Your Daddy's Business | $0.99 | |
| 3. | I Can't Stand You | |
| 4. | Love Junkie | $0.99 | |
| 5. | Thief In The Night | |
| 6. | Backbop | $0.99 | |
| 7. | Help Me | $0.99 | |
| 8. | Rock And Roll Man | $0.99 | |
| 9. | Audio Liner Notes/Return Of The Dream | |
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THE COMPLETE RECORDINGS includes a 48-page booklet with biographical notes, rare photos and a complete discography.
Recorded in San Antonio, Texas on November 23 & 26-27, 1936 and Dallas, Texas on June 19-20, 1937. Includes liner notes by Stephen LaVere, Keith Richards and Eric Clapton.
Noted blues historian Robert Palmer has called him "the Mississippi Delta's first modern blues-man," and over the past 50 years Robert Johnson's influence has reached out from beyond the grave. Though his recording output numbers fewer than 30 different songs, Johnson's catalog has been a treasure trove picked ...
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This superbly recorded double disc (the original engineer was Eddie Kramer, best-known for his work with Hendrix) captured over a weekend worth of dates in February 1970 at the venerable New York City venue catches the Brit boogie quartet at the peak of their powers. These shows were sandwiched between their triumphant Woodstock set and the release of Cricklewood Green, generally considered the band's best work. They find the group primed through years of roadwork, as well as obviously excited to be playing in front of an appreciative N.Y.C. crowd. Kicking off with one of Bill Graham's patented individual-member intros, the group winds their way through the ominous riff of "Love Like a Man." Mixing extended and rocking versions of blues standards -- like Sonny Boy Williamson classics "Help Me" and "Good ...
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Contains a hidden track following "Where The Streets Have No Name".
This is a continuous ...
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Percy Mayfield's songs are full of deep, fathomless fears and a kind of ominous, desperate loneliness that made him the master of the desolate ballad, and even his rare uptempo tracks have a sort of intangible pathos at the center (his best-known song, "Hit the Road Jack," is a perfect example). This second installment in Classic Records' chronological survey of his earliest work concentrates on Mayfield's Specialty Records output between 1951 and 1954, just prior to his departure for Chess Records in 1955. These songs are best appreciated ...
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Don Latarski is known nationally as a gifted performer, composer and author. His recordings include: “Haven,” “Lifeline,” “Private Affair,” “How Many Ways,” “NorthWest of December,” “Deep Play,” “Rue 2,” “Natural Instincts,” “Eden Hall Sessions,” “Fab 4 on 6,” “Fab 4 on 6 vol.2,” “Acoustic Evidence,” and “Guitars on Holiday.” He’s been playing the guitar since 1963.His numerous Warner Bros. Publications include: "Introduction to Chord Theory,” "Scale Patterns for Guitar,” "Movable Guitar Chords,” "Arpeggios for Guitar,” "Chord Orbits,” "Chord Embellishments,” "Practical Theory for Guitar,” "Guitar Theory Basics,” “The Ultimate Guitar Chord Big Book,” “Blues Chords,” “Jazz Chords,” “First Chords,” “Barre Chords,” “Blues Guitar,” and “The Ultimate Guitar Chord Gig Bag Book.”Born and raised in the shadow of Motown in the small town of Romeo, Michigan, Latarski moved to Oregon in 1973. He quickly established himself in the rock and blues scene and soon realized that he knew nothing about playing jazz. Out of frustration at not being able to sit in with the local jazzbo’s, he immersed himself in the slippery language of jazz. Too poor to take lessons, he taught himself by listening to the local NPR college jazz station and by hanging out with other players with a better grip on the vocabulary. In time, what emmerged was a style that had one foot in blues and the other in jazz.Latarski’s exposure to fingerstyle guitar began in ernest in 1979 when he enrolled in the Univ. of Oregon School of Music and started studying classical guitar. Until that time, he’d usually played with a pick. In 1998, he gave up using a pick entirely and began working exclusively as a fingerstylist. His grasp of many genres of music has enabled him to perform and record in many different settings, from folk, rock, pop, blues and jazz. He’s also a prolific composer having written numerous songs for radio and television advertising, computer games, musicals, video and film usage and for his various ensembles. Most recently, his groups recorded version of “I’m a Woman” was chosen for inclusion in the SONY pictures movie “Little Black Book.”Since 1998, he has focused exclusively on fingerstyle guitar and has developed a distinctive sound that treads the genres of americana, blues and jazz. His genre bending approach has been influenced by Aaron Copland, Pat Metheny, Michael Hedges (who after hearing Latarski perform at an outdoor concert, inquired if he’d (Latarski) be interested in play on his (Hedges) next LP), John Scofield, Leo Kottke, Wes Montgomery and James Brown.A strong current of rhythmic interest combined ...
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Although Tony Orlando is best known for his 1970s lite pop material with the group Dawn, the New York City-born pop singer (aka Michael Anthony Orlando Cassavitis) began his career as a teen performer ...
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For Sale Pre-Order Now! Available: Tuesday, December 15, 2009
$23.95 |
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