| | Sonny Boy Williamson, I Father Of Blues Harmonica CD Sonny Boy Williamson, I Discography of CDs
45-track three-disc set. Golden Stars. 2006.
Personnel: Sonny Boy Williamson (vocals, harmonica); Henry Townsend, Robert Lee McCoy , Big Bill Broonzy, Big Joe Williams, Blind John Davis (guitar); Walter Davis (piano); Ransom Knowling (bass guitar); Judge Riley (drum).
Father Of Blues Harmonica Music Sonny Boy Williamson, I Father Of Blues Harmonica Songs Father Of Blues Harmonica Review
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This outing by the blues-rock ensemble Canned Heat includes "Shake It and Break It," "Skat," and "Let's Work Together."
The final Canned Heat album to feature co-founder Alan Wilson, Future Blues was also one of their best, surprisingly restrained as a studio creation by the band, the whole thing clocking in at under 36 minutes, as long as some single jams on their live discs. It was also one of their most stylistically diverse efforts. Most of what's here is very concise and accessible, even the one group-composed jam -- Alan Wilson's "Shake It and Break It" and his prophetically titled "My Time Ain't Long" (he would be dead the year this record was issued), which also sounds a lot like a follow-up to "Going up the Country" until its final, very heavy, and up-close guitar coda. Other songs are a little self-consciously heavy, especially their version of Arthur Crudup's "That's All Right, Mama." Dr. John appears, playing piano on the dark, ominous "London Blues," and arranges the horns on "Skat," which tries for a completely different kind of sound -- late-'40s-style jump blues -- than that for which the group was usually known. And the band also turns in a powerhouse heavy guitar version of Wilbert Harrison's "Let's Work Together." ~ Bruce Eder
The final Canned Heat album to feature co-founder Alan Wilson, Future Blues was also one of their best, surprisingly restrained as a studio creation by the band, with the whole thing clocking in at under 36 minutes, as long as some single jams on their live discs. It was also one of their most stylistically diverse efforts. Most of what's here is very concise and accessible, even the one group-composed jam -- Alan Wilson's "Shake It and Break It" and his prophetically titled "My Time Ain't Long" (he would be dead the year this record was issued), which also sounds a lot like a follow-up to "Going Up the Country" until its final, very heavy and up-close guitar coda. Other songs are a little self-consciously heavy, especially their version of Arthur "Big Boy" Crudup's ...
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TYRONE DAVIS BIOGRAPHYBorn May 4, 1938 in Greenville, Mississippi, Tyrone Davis is considered the ”king of romantic Chicago soul”, he moved to Chicago in 1959, where he found work as a valet for bluesman Freddie King. Eventually, Davis began singing in clubs on the city’s west and south sides, and by 1965 he had signed to the Four Brothers label., three years later, Davis moved to producer Carl Davis’ Dakar Records and earned his first hit, “Can I Change My Mind”, when a local DJ played the B-side of his Dakar debut. The song went ...
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A favorite among some collectors of rare late-'60s/early-'70s psychedelic albums, Dragonfly's self-titled LP is a not-so-finely balanced mixture of the sort of overwrought bluesy hard rock by bands of the period like Iron Butterfly with the poppier, more power chord-driven hard rock of the late-'60s Who. While it might be predictable for a critic to prefer the Who influences to the more generic psychedelic hard rock ones, Dragonfly are at their best when they favor the former over the latter. When they get into more standard blustery macho rock ŕ ...
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