| | Amelie Veille Un Moment Ma Folie CD Amelie Veille Discography of CDs
Amelie Veille Un Moment Ma Folie Songs | 1. | Un Moment Ma Folie |
| 2. | Je Voudrais Te Dire |
| 3. | Si on S' Aimait au Paradis |
| 4. | Souveraine |
| 5. | Je Cherche Quelque Chose |
| 6. | Dieu a Ses Coups de Cafard |
| 7. | Tous Mes Combats |
| 8. | Um Amoureux |
| 9. | Pourtant Je T'Aime |
| 10. | Un Prisme au Soleil |
| 11. | Amour Tzigane |
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Un Moment Ma Folie Review
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Purchase Un Moment Ma Folie CD To buy, Click on price to add to cart | Colosseum Morituri Te Salutant: 1968-2003 On Stage & In The Studio CDs (2009)
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As any quick perusal of old Top 40 rock & roll station playlists will attest, singles were where the shakin' action was, as rock & roll albums were scarce as hen's teeth back in those pre-Beatle days. But when the record companies decided to issue one, it was usually an artifact of high rockin' value and some major influence. Naysayers to the contrary, this debut album by the Northwest's first great rock & roll combo is just such an artifact. The Wailers dispensed crude, greasy, largely instrumental rock & roll music for those who came to shake it up and shake it down, and it's all on fine, rhythmic, open display here. This album is amazing in its own simplistic, nuthin'-special way, its crudity almost palpable. There's only one vocal aboard, Kent Morrill's "Dirty Robber," later covered and torched by the Sonics. Everything else is built on the riff-sturdy bones of their biggest hit, "Tall Cool One." With two guitars, piano, sax, and drums -- no bass player anywhere on here, another crudeness indicator of the times and locale it was recorded in -- all blasting away like they're working a VFW Hall dance, hoof shakers like "Wailin'," ...
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$9.79 | | Build Buildings There Is A Problem With My Tape Recorder CD (2004)
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Using a purist production code similar to that of Matthew Herbert, the third album by Ohio-turned-Brooklyn-producer Ben Tweel test itself against several advanced forms of IDM, from the folksy wilt on "Mackeral Scout" and "Notices" to the staunch minimalism of "Servo" and static humming on "Pendulum." Unfortunately, none of these seem to match up with the creativity found in other corners of the experimental electronic sphere. "Dib" comes the closest, evolving through several parts, from gentle Autechre felt chimes and wooden knocks to a swaying dulcimer and guitar frolic that recalls the longer free jazz work of Four Tet, yet in a much more concise context. "Wash" is also stirring, with a string and farfisa-like step that is clipped as short as the two-minute song itself. More time then for "November," which takes the muted minor keys of Portishead and cuts them off at the knees, with the decay set to blunt. It is hard then to find empathy in music that seems to insist upon turning something graceful into something awkward just for the sake of being unique. ~ Joshua Glazer
What do you want to know? Build Buildings is Ben Tweel, musician, scientist, philologist. Ben was born in Columbus, OH, and now lives in Brooklyn, NY. Under the name Build Buildings, Ben makes music with computers, instruments, household noises and records. Comparisons to artists such as Four Tet, Opiate, Dub Tractor, Matmos and Nobukazu Takemura can only go so far, because Ben crafts songs that are completely unique yet immediately familiar. He creates a broad sonic palette from scratch: every synth has been painstakingly distilled from organic instruments and samples and every rhythm has been intricately assembled from household sounds, self-designed drum patches and random noise.'There Is a Problem with My Tape Recorder,' the third Build Buildings release, stakes out fresh turf far from the standard ...
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This is part of the Columbia Jazz Contemporary Masterpieces series.
As part of Bob James' Tappan Zee Records agenda, house producer Jay Chattaway was handed the Fania All-Stars, no doubt with instructions to make a hit record with them as he did with Maynard Ferguson that year. So he did -- with a little help from James on electric piano, other New York studio experts like Eric Gale, Randy Brecker, John Tropea, Joe Farrell, and Jon Faddis, and, as an integral part of the All-Stars, Mongo Santamaria. The results are not at all bad, nor irredeemably diluted. Sometimes the crisp outboard brass section, voices and strings intrude on the action, and the disc was made in layers, as opposed to herding the band into the studio for a day and letting them wail. But in most instances, the Latin rhythm section of Santamaria, Nicky Marrero and Roberto Roena is permitted to dictate the direction and feel of the sessions -- and that gives this CD the vitality that Santamaria's own album with Chattaway two years later (Red Hot) lacked. ~ Richard S. Ginell
All tracks have been digitally remastered.
Recorded at CBS Studios and Media Sound, New York. Originally ...
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