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Seven years after the initial release of Mahogany's 1999 debut, DREAM OF A MODERN DAY, the Brooklyn-based shoegazer-inspired ensemble returned with the two-disc CONNECTIVITY! album. Led by singer/multi-instrumentalist Andrew Prinz, the group deftly incorporates electronica touches into its guitar-driven sound, while nodding to dream-pop acts of the 1980s and '90s, an affinity made clear by the presence of former Cocteau Twin Robin Guthrie, who produces a handful of tracks and adds his distinctive shimmering guitar lines to one of two versions on the album of the lush, layered "Domino Ladder Beta."
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.Uncut (p.107) - 3 stars out of 5 -- "[T]he deft way that this Brooklyn-based band's second album combines detached vocals, discreet electronic burbling and shoegazy soundscapes is remarkable enough in itself."
Magnet (p.108) - "[W]ith a dreamy and often detached blend of breezy European space pop and wispy, ethereal vocals." Connectivity! Music | List Price | $15.98 (You save $5.19) | | Category | Rock/Pop Albums, Pop CDs, Rock | | Label | Darla | | Orig Year | 2006 | | All Time Sales Rank |  99082  | | CD Universe Part number | 7062050 | | Catalog number | 173 | | Discs | 2 | | Release Date | May 16, 2006 | | Studio/Live | Studio | | Mono/Stereo | Stereo |
Mahogany Connectivity! Songs Connectivity! Review
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Purchase Connectivity! CD To buy, Click on price to add to cart | Paul Butterfield Blues Band CD (1965)
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The Organ's 2002 debut EP Sinking Hearts was more captivating than most of that year's full-length releases: over the course of just 15 minutes, the band crafted chiaroscuro meditations on falling in and out of love that were just as light and jangly as they were dark and brooding. The EP was a promising beginning, and Grab That Gun, the Organ's first album, builds on that promise by delivering more appealingly moody music instead of reinventing the band's sound. It's tempting, initially, to be slightly disappointed that the Organ didn't broaden its sonic territory. But, even though the music remains remarkably focused, Grab That Gun proves that the band has plenty of room for expression within its rather limited palette of droning organs, succinct ...
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There is plenty of variety on this outing from the classic jazz pianist/singer Sue Keller. Some numbers have Keller overdubbing her voice a few times to create her own hip singing group. Her repertoire ranges from instrumental blues to "Am I Blue," "Wild Women Don't Have the Blues," Willie Nelson's "Crazy," "Cow Cow Boogie," "Booglie Wooglie Piggy," and "Wolverine Blues." Paying close attention to dynamics, pacing, and alternating moods, Keller has put together one of her most eclectic yet surprisingly unified sets. Recommended. ~ Scott Yanow
Began playing in college in Indiana, continued in Boston, NYC, and VA. Spent a few years cruisin', now bluesin' Chicago. Appears in Ragtime, Blues, and Jazz festivals worldwide.Sue's latest project is a CD entitled "She Loved Christmas" where she does all the lead vocals and piano work with Pete Devine sitting in on drums. Pete is the percussionist from the San Francisco ragtime street band, "Bo Grupus." Included are Sue's arrangements of some of her personal favorites as well as 5 originals. Sue wrote the title track and 2 others, one was written by Jonathan Jensen of the Baltimore Symphony, and another was written by the late playwright and musical composer John Paul Hudson. The scheduled release date is November 15, 2002.BACKGROUND AND HISTORYSue Keller's music training began at the age of four when her mother, also a classically trained pianist, sent her out for lessons. By the time she started college at De Paw in Indiana, she was already an accomplished singer, piano, flute, and guitar player. When the ...
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PEGGY SUICIDE is either Julian Cope's fifth or seventh album, depending on how you count. After his fourth, MY NATION UNDERGROUND, he recorded two records, SKELLINGTON and DROOLIAN, that were intended mostly for release to his fan club--both are strange, drug-soaked sonic experiments that veer from folksy campfire songs to feedback freak-outs. PEGGY SUICIDE sees Cope reigning himself back in after those "excesses" and, though he delivers one of the most anti-commercial commercial records in the Island Records catalogue, it was also his most cohesive solo album up until that point.
Structured into four "phases," the album is a loosely connected concept album about the human-engineered and accelerated decay of the mythic Mother Earth figure. The tracks address this concept from, for the most part, a strictly personal, rather than global, perspective. Standouts include "Safesurfer," a freaky AIDS narrative with a not insignificant Krautrock influence; "Drive, She Said," a singalong about automobile pollution; "Youà," a short, charged rant against insincerity with a wicked, fuzzed-out bass line and snaky sax solo; and the staggering "Beautiful Love," a pristine reflection on just how "in love" one can be--if you hear only one Julian Cope song, it ought to be this one.
Deluxe digitally remastered ...
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