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Plain and simple, Seattle metal band Bloodhag writes and performs songs about writers of science fiction, a list that includes authors like Edgar Allen Poe, William Burroughs, and J.R.R. Tolkien. Frederik Pohl, and Douglas Adams are also hymned as part of the band's ongoing (and apparently completely genuine) Edu-core literacy campaign, though you may need a decoder ring to decipher their lyrics through the cookie monster vocals and guitar sludge.
Bloodhag: Professer J.B. Stratton, Dr. J.M. McNulty, Sir Zachary Orgel, Master Brent Carpenter.
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Dutch pomp-metal band Epica, fronted by classically trained mezzo-soprano Simone Simons, released their second album for Nuclear Blast only a year after their label debut, the more unique The Classical Conspiracy. That two-disc live set found them performing a mix of classical works and their own songs with backing by a full orchestra and choir. This album offers more of their bombastic goth metal songs, with Simons' vocals floating atop an ever flowing stream of complicated drumming, epic riffs, and shredtastic solos. The use of orchestral instruments to add John Williams-like climaxes is intermittently successful, but the music is just as frequently stripped down to an unaccompanied piano or to just the rock band, and that works, ...
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It isn't hard to find listeners who aren't huge fans of progressive rock on the whole but are passionate followers of certain prog bands -- and if you ask them why they enjoy Pink Floyd, Yes, or the Moody Blues so much more than they enjoy other prog bands, they'll tell you that their favorites have mastered something that the others haven't: great hooks. And without a doubt, hooks are a major reason why some of IQ's most devoted followers are people who don't necessarily buy a lot of prog rock CDs. Hooks are certainly a major plus on Frequency, which has an immediacy that a lot of prog recordings lack. This 2009 release is quite listenable, and the influences that have served IQ well in the past (including Yes, Pink Floyd, and pre-1980s Genesis) continue to serve them well on Frequency. This is, for the most part, a very moody album, but it is also very accessible -- and ...
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To its legion of fans, everything the band Tool does is an event, but the elaborate plan behind their sporadic release schedule--roughly five years, on average, between albums--is due primarily to the time and effort the band packs into each successive effort. To title their fourth album 10,000 DAYS, then, isn't as much an exaggeration as it would seem. Tool are America's most consummate mainstream perfectionists, revitalizing progressive rock to the grandeur of its '70s heyday, but updated with technocratic tension and existential dread not known to previous generations. Perhaps it's the development of more musical genres at the turn of the millennium, but ...
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Five Finger Death Punch stormed rock radio in 2007 with "The Bleeding" (from debut album THE WAY OF THE FIST), a powerful, emotionally tense track that matched vintage, Metallica-style thrash with a throat-shredding chorus more typical of late aughts metalcore. The Los Angeles-based band's sophomore disc WAR IS THE ANSWER mines much of the same territory as that breakout song, keeping the flame of the classic `80s Four Horsemen sound alive with snap-tight chugga-chugga guitar rhythms, minor-key, classical music-inspired clean/acoustic passages, and vocals dripping with a James Hetfield-approved combination of sensitive angst and macho defiance. First single "Hard to See" backs a catchy, harmony-vocal laden melody with a syncopated groove so rhythmically engaging it could almost be called funky, while the closing track "War is ...
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BURSTING OUT features 20 live tracks, including the hit "Aqualung," by the British prog unit.
Throughout the '70s, Jethro Tull was one of the world's premier live acts, regularly playing to sold-out audiences in huge arenas all over the world. With his inimitable theatrics and manic flute improvisations, Ian Anderson was always the consummate showman, and he peppers these performances with the relaxed, cheeky stage patter of a seasoned veteran.
BURSTING OUT is a live collection taken from a tour in 1978, by which time Tull had shifted from epic, side-long projects to a more accessible, pastoral folk/rock orientation. Thus, the set-list emphasizes songs from the lush, acoustic SONGS FROM THE WOOD (1977) as well as material from the upcoming HEAVY HORSES (the charming "One Brown Mouse" and the sprightly "Hunting Girl.") ...
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