| | Inner Resort: Uk Dub Lounge CD - Import
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Purchase Inner Resort: Uk Dub Lounge CD To buy, Click on price to add to cart | Michael Jackson Thriller CD (1982) Bonus Tracks; Remastered; Special Edition
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| | 50 Cent Before I Self-Destruct CDs (2007) With DVD
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Released without the usual flurry of hype, Before I Self Destruct fulfills 50 Cent's contractual obligation to the Interscope label. It also doubles as a throwback album, returning the rapper to the hunger and hatred of his early mixtapes while skillfully recasting him as a wannabe upstart. That is, for the most part. The four radio-friendly bedroom numbers that conclude the album are out of place but fairly good to dime-piece beautiful, with the best being the Ne-Yo showcase "Baby by Me" ("Have a baby by me, baby/Be a millionaire"). As pleasing as these final numbers are, if you leave the room after the macho bruiser "I Got Swag" ("I'm infinitely special/Girl the Lord is gonna bless you/If you do what I tell you to do"), you'll return to a confusingly different album, one that's ...
| | Maxwell Blacksummers' Night CD (2009)
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It's been eight long years between Maxwell's third and fourth studio albums. BLACKSUMMERS'NIGHT is the first release of a trilogy, with BLACKSUMMERS'NIGHT(rooted ...
| | Nelson Art Direction Gonzalez Pa' Los Treseros CD (2001)
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PA' LO TRESEROS was nominated for the 2002 Latin Grammy Award for Best ...
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| | Millie Jackson CD (1972)
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Millie Jackson's debut is one of the freshest albums of her career, her style remarkably mature and the sound an infectious blend of '60s soul influences (from Motown to Stax to early Philly soul). Jackson's just as tough and aggressively honest here as she would be on her breakout, 1974's ...
| | Joshua Morin Drunk Stoned Or In Love CD (2006)
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"A textbook indie effort written with aplomb" - Ottawa Citizen"There is certainly craftsmanship and determination in Drunk stoned or in love" - Ottawa SunNot only has he been performing in major festivals, been heard on commercial radio, been raved about in newspapers across the region - even appearing on national television - Joshua Morin is breaking into and gaining momentum in the music scene with his signature style of music he calls 'indie rock with a story.' If you haven't heard him yet, you're missing out on a 'multi-talented! writer, singer, musician and showman,' as described by Caroline Boyde of Magic Dolphin Music. It's clear why this Ottawa native has been given such praise! As a multi-talented writer, Joshua pens a fresh, new style of music he calls 'indie rock with a story. ' A combination of folk story-telling and indie rock, it came from Joshua's love of entertaining by telling stories, and his musical roots - which include jazz and blues, as well as rock and folk. Joshua's lyrics understand that it's the simple life moments - about love, loss and leaky cars - that make up the depth of life itself, ingeniously marrying these themes with rock's raw emotions. His clever twists are mischievously unapologetic and his stories are wittily ironic. They leave listeners sometimes laughing and commiserating, both at the same time!Musically, the blend of rock and folk is masterfully seamless, yet satisfyingly distinctive. Joshua's guitar can go from solid electric riffs to festive acoustic lilts; and his tempos from swaying calypso to foot-stomping drives. His vocals master the full range of emotions from soft candlelight to raspy ...
| | Ms Krazie Brown Is Beautiful CD (2006)
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| | Sa-Ra Creative Partners Hollywood Recordings CD (2007)
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Everything Sa-Ra releases might be held up to "Glorious." Originally released in 2004, it's Digital Underground's "Kiss Me Back" turned X-rated, wading in Venusian lava -- slow-motion AfroFuturist psychedelia combining doped-out falsetto, waddling bass throb, lancing synthesizer, and clamping percussion. Prior to its release, Sa-Ra's three members had been connected with Dr. Dre, Ice-T, and Jam Master Jay, and as a group, they had produced tracks by Pharoahe Monch ("Agent Orange") and Jurassic 5 ("Contribution," "Hey"). "Glorious" set off a slew of low-key singles, compilation appearances, remixes, and collaborative production work, and three years later the song appeared as the prime standout of the first Sa-Ra full-length. Dubbed a prequel to their first major-label album, The Hollywood Recordings is neither a proper album nor a straightforward compilation. Old mixes it up with new, and its sequence seems somewhat happenstance and sprawling, like a glorified version of the demo CD-Rs that were passed around and spread across the Internet. Those who know the singles and demos won't be surprised by this disc's inconsistencies. Several songs sound either slapped together or needlessly toiled over, and a few beyond that have some mind-bending qualities obscured by digital gunk. When Sa-Ra is on, however, they are on, as if they formed one massive brain and fed their raw material through a device -- designed by a cast including George Clinton, Herbie Hancock, Prince, Too Short, and J Dilla -- called the Filthinator 3000. Sa-Ra indeed owes much to their inspirations (not to mention their ceaselessly lewd imaginations and various substances), but they push their sounds into mutated shapes that are only somewhat familiar. Even the songs that aren't off-center ...
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