| | Afterhours-Inner Resort CD - Import Afterhours-Inner Resort Discography of CDs
Afterhours-Inner Resort Music Afterhours-Inner Resort Songs | 1. | AND SHE Said (Physics Deep Bossa Mix) - Dalminjo |
| 2. | Goodbye - Dalminjo feat. Alexandra Hammede |
| 3. | TIE ME Down (Extended Mix) - Physics |
| 4. | My Love - Physics |
| 5. | Soul Exp. - Baeka |
| 6. | Don't Deny Me Love - Physics Feat. Alexandra Hammede |
| 7. | Most Beautiful Boy In Brazil - Physics, The |
| 8. | All I Want - Dalminjo |
| 9. | Shine - Dalminjo Feat. Coco Street |
| 10. | GET OUT OF That Beat (Rural's Midnight Flower Mix) - Physics |
| 11. | Love Affair - Dalminjo Feat. Hilde Drange |
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Afterhours-Inner Resort Review
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Purchase Afterhours-Inner Resort CD To buy, Click on price to add to cart | Beegie Adair Jazz Piano Christmas CD (1999)
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Audio Mixer: Seth Presant.
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STOLAS is the 12th volume in John Zorn's BOOK OF ANGELS series of compositions, and it's a welcome and compelling idea that he decided to re-form his stellar Masada quintet ...
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The torch has been passed, Betty Carter is gone, and Jeri Brown is in line here and now. On this, her seventh CD for the Canadian Justin Time label, Brown continues to mature as a jazz interpreter, and proves a cherry picker in terms of choosing world class back-up. As on her previous CD "Zaius, " she's got John Hicks on piano throughout, Curtis Lundy and Wali Muhammad on four cuts, Avery Sharpe and Sangoma Everett for another three on bass and drums respectively. David Murray plays tenor sax on two tracks, Don Braden on another one, and two selections ...
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$36.09 | | Miles Jackson Moods Of Ma-Me-O CD (2008)
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My name is Miles Jackson. I have been playing the piano since I was five years old, and it is still my main instrument. I also play some accordion, mandolin, flute and drums.... Of course, now I play with a lot more electric keyboards, midi, computers and software. I started recording music in the mid eighties, and have been both performing and recording since then.My wife, Jocelyne and I moved to Ma-Me-O Beach from Calgary on April 1st, 1997. Before that, I operated a project studio in Calgary for 15 years, Milestone Productions, and have an extensive background in midi sequencing. Over the years, from about 1967 on, I played with many groups, including "Richter Ten", "Adanac Reply", "Barry Allen and the Cheyenne Winter", "Cannonball", "Redemption" ...
| | Atlantic Soul: 1959-1975 CDs (2007) 1959-1975
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Way back in 1985, before the CD revolution truly kicked in, Atlantic released the monumental archival project Atlantic Rhythm & Blues: 1947-1974, a seven-volume set of double-albums chronicling the label's crucial role in the development of R&B and soul. Over the course of that set (later condensed to eight CDs) it was possible to hear the music develop from blues into a soul -- an impressive feat as a sheer compilation, one that is even more stunning when it's considered that it all came from one label and its subsidiaries. Atlantic Rhythm & Blues did the job so well that the 2007s set Atlantic Soul: 1959-1975 can't help but pale a little in comparison, as it lacks both the scope and historical heft of its predecessor. Then again, Atlantic Soul doesn't try to supplant Atlantic Rhythm & Blues -- as produced and compiled by Billy Vera, it's intended as a supplement, a way to expand upon the story, fill in a few holes, explore hidden byways left behind by the first set. It's for collectors and fanatics, which should be evident by the very fact that it's released as a limited edition on Rhino Handmade, not a full-fledged release from the boutique imprint's parent label. That very audience should find Atlantic Soul enormously satisfying, although they may still have a few quibbles with some of the details. Some might find the opening triptych from Ray Charles, LaVern Baker & Jimmy Ricks, and Ben E. King to be a shade too heavy on strings, jazz and big bands -- music that sets the stage for '60s soul, yet not quite belonging to it -- some might find this too heavy on covers (albeit good, interesting ones) of pop hits by soul bands, but most will likely wonder why such staples as Otis' "Hard to Handle" and Aretha's "I Say a Little Prayer," King Floyd's "Groove Me," and the Persuaders' "Thin Line Between Love and Hate" are here, as they don't quite fit among the obscure gems that comprise the heart of this set. Such complaints are valid but they're hard to level against a set that offers so much wonderful music, so much of it unfamiliar even to dedicated soul fans. Of course, there are familiar names here -- the Isley Brothers, Don Covay, Wilson Pickett, Clarence Carter, Solomon Burke, Patti LaBelle & the Bluebelles all pop up, often repeatedly -- but Vera picks some of the best unheard sides, pairs them with them ...
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