| | Manegarm Vargaresa CD - Import Manegarm Discography of CDs
Manegarm Vargaresa Songs | 1. | Vargaresa |
| 2. | Hymn till Vinternatt |
| 3. | Blod Pa Min Klinga |
| 4. | Nattens Jungfru |
| 5. | Intro |
| 6. | Daughters of Eve |
| 7. | Ett Gammelt Troll |
| 8. | Det Sargade Landet |
| 9. | Ur Nattvindar |
|
Vargaresa Review
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Purchase Vargaresa CD To buy, Click on price to add to cart | Megadeth Endgame CD (2009)
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The release of 2009's ENDGAME brings with it a startling realization: if first-generation thrash metal fans had been polled about which of the genre's "Big Four" -- Metallica, Slayer, Anthrax, and Megadeth -- would prove to be the most resilient and consistently prolific over the next quarter century, the only sure-fire consensus would probably have been "well, anyone but Megadeth!" And yet, 12 studio albums and 150-plus songs later -- more ...
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Digitally remastered using 20-bit technology by George Marino (1998, Sterling Sound, New York, New York).
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After British maestro guitarist Ritchie Blackmore left Deep Purple in 1974, he recruited Purple Records signees Elf as his backing band. And although Rainbow's 1975 debut was only a hint of future greatness, the album more than holds its own.
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By the time of A Mind Is a Terrible Thing to Taste, Ministry had amassed enough of an arsenal of gear and a hardcore coterie of fans to make the band's shows literally explosive affairs in some cases. Also released as an accompanying video, which shows more than a few audience members seemingly uncaring about potential dismemberment, In Case You Didn't Feel Like Showing Up is only six songs long, but delivers big time for each of them. The weird atmosphere of glowering goth and avant thrash metal that combined with the more direct dancefloor antics of Alain Jourgensen, Paul Barker, and company makes for a particularly potent combination live. Jourgensen's hoarsely roared, wracked vocals, given just enough electronic distortion to really cause some blood to flow, suit the various reinterpretations of The Land of Rape and Honey and A Mind Is a Terrible Thing to Taste material, three songs from each. For the most part the live takes closely resemble the studio cuts aside from length; while the ...
| | 20th Century Masters - The Millennium Collection: The Best Of Rik Emmett CD (2002) Import
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The first retrospective of his solo career, 20th Century Masters - The Millennium Collection: The Best of Rik Emmett gathers his biggest hits outside of Triumph, including "Saved By Love," "The Longing," and "World of Wonder." For the most part, this compilation focuses ...
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Snowed In was recorded during the last year of Tim Rose's life, and the process was, in producer Colin Winston-Fletcher's words, "like trying to tame a lion with a rubber chair." The end result is a short album that is dark, depressing, haunting, atmospheric, ominous, and raw as a bare nerve. Everything moves at a slow (and somehow desperate) pace, with Winston-Fletcher's frequent orchestrations giving the whole sequence a kind of ponderous claustrophobia, and the overall tone here is one of enforced defeat and ...
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For the scant few recording dates Salim Washington has been offered, there has been a sense that he portends to be the John Coltrane of now. His ribald yet strident tone on tenor has always marked him as one of the contemporary players who most closely resemble Trane. This CD of Washington's Harlem Arts Ensemble has them collectively assimilating Coltrane's Africa/Brass bands, employing various-sized ensembles ranging from eight to 12 pieces. Modalities are used liberally, spurred on by the wondrous piano playing of Donald Smith, most effective during the tick-tock rhythm informing joyous, chiming unison horns on the magnum opus for pianist Joe Bonner, "Maestro Joe." The opener, "Morning Is the Time for Miracles," also uses the modal approach in a desert caravan audio image, with Washington's flute and Smith's piano steadily leading three minutes of sheer beauty. At its most urgent, a 12-member band takes in a skyward Sun Ra-like hard bop funk for the title track, and "Stranded" modifies the modal style into a Latin-tinged "Afro Blue"-cemented composition. This is where harmonies and melodies become stretched and atonal, nodding to musicians who step outside conventional tunings. Washington also sounds influenced by peer bandleaders Charles Tolliver and Sam Rivers; the late Horace Tapscott ("Horace T" is Washington's modal ostinato tribute in 5/4 time); and, on his saxophone, Archie Shepp, Pharoah ...
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