| | Eric Gales Thats What I Am CD - Import Eric Gales Discography of CDs
Eric Gales Thats What I Am Songs | 1. | That's What I Am |
| 2. | Hand Writing On The Wall |
| 3. | Down Low |
| 4. | So Good If You Could |
| 5. | Blue Misty Mornin' |
| 6. | She Shines |
| 7. | Insane |
| 8. | Black Day |
| 9. | Can't Go On |
| 10. | Foxey Lady |
| 11. | You Ugly |
| 12. | Just Got Paid |
|
Thats What I Am Review
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Purchase Thats What I Am CD To buy, Click on price to add to cart | Slayer World Painted Blood CD (2009)
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Dutch pomp-metal band Epica, fronted by classically trained mezzo-soprano Simone Simons, released their second album for Nuclear Blast only a year after their label debut, the more unique The Classical Conspiracy. That two-disc live set found them performing a mix of classical works and their own songs with backing by a full orchestra and choir. This album offers more of their bombastic goth metal songs, with Simons' vocals floating atop an ever flowing stream of complicated drumming, epic riffs, and shredtastic solos. The use of orchestral instruments ...
| | Five Finger Death Punch War Is The Answer CD (2009)
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Five Finger Death Punch stormed rock radio in 2007 with "The Bleeding" (from debut album THE WAY OF THE FIST), a powerful, emotionally tense track that matched vintage, Metallica-style thrash with a throat-shredding chorus more typical of late aughts metalcore. The Los Angeles-based band's sophomore disc WAR IS THE ANSWER mines much of the same territory as that breakout song, keeping the flame of the classic `80s Four Horsemen sound alive with snap-tight chugga-chugga guitar rhythms, minor-key, classical music-inspired clean/acoustic passages, and vocals dripping with a James Hetfield-approved combination of sensitive angst and macho defiance. First single "Hard to See" backs a catchy, harmony-vocal laden melody with a syncopated groove so rhythmically engaging it could almost be called funky, while the closing track "War is the Answer" takes a classic-sounding headbanging riff seemingly straight out of the ...
| | Between The Buried And Me The Great Misdirect CD (2009)
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After Between the Buried and Me pushed metalcore purists away with their most progressive release, COLORS, they decided to push even harder for their fifth release. A diverse outing with an unruly amount of genres crammed into only six songs, THE GREAT MISDIRECT is a highly adventurous, very convoluted, wildly dynamic, and extremely difficult listen. Briggs, Waring, Rogers, Waggoner, and Richardson are in top form, with their script-flipping abilities intact and their technical chops at their most extreme. This is a guitarists' album first and foremost (although bass players and drummers are in for a treat, as well), and the playing, while showy, is incendiary. Like a cross between Dream Theater (whom they toured with in 2008) and Dillinger Escape Plan, Between the Buried and Me meld creative aptitude and roaring fury as they skate genres, stapling together speed metal, hardcore, carnival jazz, chamber pop, and a few indefinable ...
| | Genitorturers Blackheart Revolution CD (2009)
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Ignore the pseudo-provocative image and whatever you've heard about the stage show, and how does Genitorturers' latest album stack up as music? Surprisingly well -- or maybe not so surprisingly, considering that they've been around since the '90s and should probably be expected to know what they're doing. The big problem is that they're out of time, musically speaking. Their blend of industrial dance and metal had its moment a decade or so ago, and to keep plowing that black-leather-clad groove in 2009 pretty much guarantees a cult audience of equally die-hard listeners, and no one else. "Devil in a Bottle" sounds exactly like a Rob Zombie song, and he's another one whose failure to evolve has hurt his art. Even when they try to do something else, as on the heavy alt rock semi-anthem "Falling Stars," the mix of '60s rhythm ...
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SIX finds Canadian uber-hard rock group still going strong in 1997, still led by singer Mike Reno through 13 guitar heavy songs.
After ...
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| | Jon Hassell Power Spot CD (1986) Digipak
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POWER SPOT is the 1986 landmark recording by one of the pioneers of intelligent, synth-oriented jazz-rock. Jon Hassell is a master trumpeter whose unique style and sounds have influenced a generation of musicians from the Talking Heads to Deep Forest. His fusion of Western classical music with world influences is the cornerstone of the now-ubiquitous genre of world music. The title track is a brilliant polyphonic composition that chugs through J.A. Deane's textured electronic percussion as Hassell's trumpet moans and shimmers. This complex musical tapestry shows influences as diverse as Africa's hypnotic drumming, swirling Middle Eastern-flavored solos, and the nascent electronic trappings of LaMonte Young. "The Elephant and the Orchid" is a gorgeous, extended meditation on these concepts and features exotic sounds ...
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