| | Joseph Haydn: Sonatas For The Harpsichord CD - Import Schenkman, Byron CDS
Joseph Haydn: Sonatas For The Harpsichord Music | List Price | $17.97 (You save $1.58) | | Label | Centaur Records | | Orig Year | 4/25/2006 | | All Time Sales Rank | 73941  | | CD Universe Part number | 7065343 | | Discs | 1 | | Release Date | Apr 11, 2006 | | Recording Time | 1 10 | | Additional Info | Import |
Joseph Haydn: Sonatas For The Harpsichord Review
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Joseph Haydn: Sonatas For The Harpsichord Songs Purchase Joseph Haydn: Sonatas For The Harpsichord To buy, Click on price to add to cart | Cinderella CD (1965) Original Soundtrack
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$13.49 This late 1968 release seemed innocent enough at the time; and actually, it was a sincere effort to use a then newly-practical interpretive instrument, the Moog synthesizer, in a decidedly traditional musical manner. Indeed, at the time, it was simply extending -- in a somewhat more forward-thinking direction -- the kind of attention that had been devoted to Johann Sebastian Bach's music as early as 1782, barely over 30 years after the composer's death, when Mozart wrote a set of string trio arrangements of some of Bach's keyboard works. Heard 40 years on, the approach here seems very tame and formal, but in 1968 it offended some Baroque purists (of whom there were relatively few) and a lot of classical music Luddites (of whom there were a lot more); but it still became the first classical music LP ever to be certified for a Platinum Record Award, by selling to hundreds of thousands of mostly younger listeners who didn't normally buy classical recordings. Wendy Carlos had come up with an artistically valid and musically legitimate approach to the most tradition-bound of all classical music that made it not only palatable but exciting to a generation of listeners more inclined toward the Beatles than Beethoven (much less Bach). Carlos' use of the Moog's oscillations, squeaks, drones, chirps, and other sounds was highly musical in ways that ordinary listeners could appreciate, itself a first in the use of this instrument, and was characterized by -- for the time -- amazing sensitivity and finely wrought nuances, in timbre, tone, and expressiveness. Carlos saw the ...
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$9.09 Radiohead is certainly not the first pop act to receive the "classical" treatment. Artists such as the Beatles, the Beach Boys, Bob Dylan, Frank Zappa, and Metallica, among others, have been covered with varying degrees of success. The challenge for Christopher O'Riley is not simply concocting classical stylizations of Radiohead's music, but translating the group's powerfully distinctive sound into transcriptions for solo piano. The good news is that O'Riley succeeds in conveying the scope of the band's richly textured sonic assault with virtuosic arrangements that do justice to its unique musical perspective. His evocative ...
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$20.49 Web: www.stpetersburgquartet.com Alla Aranovskaya First violinist of the St. Petersburg Quartet Curriculum vitaeAlla Aranovskaya was born in August, 1958 in St. Petersburg (then Leningrad), Russia. She started to play piano when she was two and a half years old, and violin at the age of six. She graduated from the specialized Rimsky-Korsakov Music College in 1977. In 1985 she graduated from the St. Petersburg Conservatory and received her master degree in 1987. She won second prize at the All-Russia SoloViolin Competition in 1985. From 1987 until 1999 she was Professor of Violin at the St. Petersburg Conservatory. Ms. Aranovskaya founded the St. Petersburg Quartet (then called the Leningrad Quartet) in 1985. Under her leadership, the quartet has unquestionably become one of the world's great string quartets. Their many honors include a Grammy nomination, "Best Record" honors in both Stereo Review and Gramophone magazines, First Prize and the "Grand Prix Musica Viva" at the 1991 Melbourne International Chamber Music Competition, the Silver Medal and a Special Prize at the Tokyo International Chamber Music Competition, First Prize and both Special Prizes at the Vittorio Gui International Competition for Chamber Ensembles in Florence, Italy, and first Prize at the All-Soviet Union String Quartet Competition. Her quartet's innumerable engagements have included: an opening night performance at the Mostly Mozart festival at Lincoln Center, NY; five concerts at London's Wigmore Hall in five years; numerous British festivals including Aldeburgh; Canadian debuts in Montreal, Toronto, and Ottawa; Lincoln Center's "Great Performances" series; NYC's Frick Collection and 92nd Street Y series; the Caramoor, Piccolo Spoleto, and Music Mountain festivals; the Eastman School of Music Chamber Music Series; and hundreds of concerts on many of North America, Europe and Asia's most prestigious series and festivals. They toured Germany (including the prestigious Frankfurt Alte Oper), Holland (including the Concertgebouw), Ireland, and major festivals in Mexico, Japan, Spain, Italy, the Netherlands ,Russia and Belgium. She is continue to contact to St. Petersburg Conservatory as a teacher and performer. On December 14 of 2003 she was performed Beethoven Triple concerto with St. Petersburg Concervatory orchestra( Sergey Roldugin, cello,Sergey Markarov( France)piano. Since 1997, Ms. Aranovskaya and the St. Petersburg Quartet have been in residence at the Oberlin Conservatory of Music in Ohio, where in their inaugural year they performed the complete cycle of fifteen Shostakovich string quartets. Hyperion Records is releasing this much-anticipated cycle; the disc of Shostakovich Quartets Nos. 5, 7 & 9 has already ...
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