| | Helloween Time Of The Oath - Expanded Edition CD Helloween Discography of CDs
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Despite the difficulties that had plagued them in recent years (including inconsistent albums, constant lineup changes, and even the suicide of founding drummer Ingo Schwichtenberg), German power metal kings Helloween had been gradually finding their way back to the glory of their early days with each succeeding release. And with their seventh album, 1996's The Time of the Oath, they pretty much arrived, delivering their best collection of songs in almost a decade and never straying from their patented Euro-metal formula. Come on, Helloween pretty much invented this stuff, and the hundreds of disciples they inspired into existence simply couldn't be wrong -- this was still an important band. The Time of the Oath adds nearly nothing new to the group's well-established sound (quasi-thrash riffing, harmony guitars, piercing chorused vocals), yet -- for the first time in years -- they manage to steer clear of the pop-metal pitfalls, corny lyrics, and forced comedy that had sunk them in the first place. Melodic moshers like "We Burn," "Steel Tormentor," and the title track lead the way, but even occasional digressions into epic songwriting ("Mission Motherland") and power balladry ("Power") are much more effective than in recent efforts. Arguably the finest moment of the band's latter-day career, The Time of the Oath also offers a fond welcome back for old-school fans who had given up on Helloween. [Time of the Oath was reissued in 2006 in an expanded edition that included bonus tracks.] ~ Eduardo Rivadavia
Despite the difficulties that had plagued them in recent years (including inconsistent albums, constant lineup changes, and even the suicide of founding drummer Ingo Schwichtenberg), German power metal kings Helloween had been gradually finding their way back to the glory of their early days with each succeeding release. And with their seventh album, 1996's The Time of the Oath, they pretty much arrived, delivering their best collection of songs in almost a decade and never straying from their patented Euro-metal formula. Come on, Helloween pretty much invented this stuff, and the hundreds of disciples they inspired into existence simply couldn't be wrong -- this was still an important band. The Time of the Oath adds nearly nothing new to the group's well-established sound (quasi-thrash riffing, harmony guitars, piercing chorused vocals), yet -- for the first time in years -- they manage to steer clear of the pop-metal pitfalls, corny lyrics, and forced comedy that had sunk them in the first place. Melodic moshers like "We Burn," "Steel Tormentor," and the title track lead the way, but even occasional digressions into epic songwriting ("Mission Motherland") and power balladry ("Power") are much more effective than in recent efforts. Arguably the finest moment of the band's latter-day career, The Time of the Oath also offers a fond welcome back for old-school fans who had given up on Helloween. [The Time of the Oath was reissued in 2006 in an expanded edition that included bonus tracks.] ~ Eduardo Rivadavia
Additional Tracks
Recorded at Chateau Du Pape, Hamburg, Germany in 1995.
Personnel: Jorn Ellerbrock, Tommy Hansen (keyboards).
Audio Mixer: Tommy Hansen.
Liner Note Author: Dave Ling.
Photographers: George Chin; Nikolas Krofta.
Helloween: Andi Deris (vocals); Michael Weikath, Roland Grapow (guitar); Markus Grosskopf (bass); Uli Kusch (drums).
Additional personnel: Jorn Ellerbrock, Tommy Hansen (keyboards).
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$20.29 Bill and Patti Cummings, "Traditional Blend", have performed throughout Arizona and other areas of the US, in many types of venues and settings, since 1982. They appear in festivals as their schedule permits. They have a very large repertoire of traditional music which includes Celtic tunes of Ireland, Scotland, Cape Breton (Nova Scotia), Old Time Mountain Music of the Round Peak Style from North Carolina, and Cajun Creole string band music of the southwestern prairies of Louisiana. Although not all of the following styles are recorded on their first CD, their repertoire also includes a few old favorites and familiar tunes such as Texas rags and some bluegrass fiddle and guitar standards. Finally, song ballads from America, England, Ireland, and Scotland, and melodies of the civil war and of Hispanic descent accent and enhance this interesting musical combo’s wide range of performances.Predominantly, they are a quality fiddle and guitar duo driving a strong and steady rhythmic beat. Occasionally, the duo is transformed into a family trio when their daughter, Crystal, joins them in the studio, but generally the husband and wife team ...
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