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Jamie Foxx Unpredictable CD - Import

 Jamie Foxx Discography of CDs

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The single includes two remixes and the 'unpredictable' video.
Unpredictable Music


Detailed Unpredictable Music Information



List Price $9.98 (You save $0.29)
Category Rock/Pop Albums, Rap CDs, CD singles, R&B
Label MSI Music / Super D
CD Universe Part number 7066523
Discs 1
Release Date Apr 24, 2006
Additional Info Import
Jamie Foxx Unpredictable Songs


Jamie Foxx Unpredictable Album Track Listing



1.Unpredictable - Foxx, Jamie ; Ludacris  
2.Unpredictable - Foxx, Jamie ; Ludacris  
3.Unpredictable - Foxx, Jamie ; Ludacris  
4.Unpredictable - Foxx, Jamie  
5.Unpredictable - Foxx, Jamie  
6.Unpredictable - Foxx, Jamie  
7.Unpredictable - Foxx, Jamie ; Ludacris  
Unpredictable Music


Unpredictable Other Versions



Jamie Foxx
Unpredictable  (2005) Parental Advisory, DualDisc4.3 stars Audio Samples
CD$16.69
Jamie Foxx
Unpredictable  (2005) 4.6 stars Audio Samples Definitive Album
CD$9.75
Jamie Foxx
Unpredictable  Edited
CD$10.09
Jamie Foxx
Unpredictable  Edited; DualDisc4.5 stars
CD$16.99
Jamie Foxx
Unpredictable  Bonus Track; Japan
CD$34.15
Jamie Foxx
Unpredictable  (2005) 
Vinyl Record$13.35
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The finest example of perfect disco pop, and a record that should be prescribed to musical snobs and manic depressives. The album is a true ambassador of what pop music can be. Jackson whoops and dances through a suite of unforgettable melodies that should be danced to with a smile on your face. Each track offers at least one musical hook, whether it is the beauty of 'Human Nature' (who can resist the 'dada dada da da da') or the 'whoo whoo' of 'Billie Jean'. It's all too good. Principally recorded at Westlake Audio, Los Angeles, California. Additional Tracks Personnel includes: Michael Jackson (vocals, percussion); Paul McCartney (vocals); Vincent Price (spoken vocals); Steve Lukather (guitar, bass); Eddie Van Halen, Dean Parks, Paul Jackson (guitar); Larry Williams (flute, saxophone); Jerry Hey (trumpet, flugelhorn); Bill Reichenbach (trombone); David Paich (piano, synthesizer); Greg Phillinganes (Fender Rhodes piano, synthesizer, programming); Steve Porcaro (synthesizer, programming); David Foster, Rod Temperton (synthesizer); Tom Bahler (Synclavier); Louis Johnson (bass); Ndugu Chancler, Jeff Porcaro (drums); Paulinho Da Costa (percussion); Brian Banks (programming); LaToya Jackson, Julia Waters, Maxine Waters, Oren Waters, Becky Lopez, Janet Jackson (background vocals).
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Melanie Fiona's debut single, "Give It to Me Right," was a perfect 2009 pop-R&B recording. The single coupled a timeless classic (the Zombies' "Time of the Season") with roof-raising vocals and infectious pop hooks that stuck like peanut butter. Fiona's single was perfect, albeit a touch formulaic. Because of this, it's no surprise that a large chunk of her debut album, THE BRIDGE, is much of the same. Like any good 2009 pop-soul recording, the album offers influences from decades of soul music. Fiona, a Kanye West protégé, collaborates with about as many styles of music as she has producers and writers, who include most prominently Canadian R&B singer-songwriter Andrea Martin, Rob Fusari, Peter Wade Keusch, Sidh Solanki, Vada Nobles, Bill Blast, Future Cut, Stereotypes, Dan Strong, JK, Jay Fenix, and Affiliate. This mash-up of masterminds is a good thing; it offers the listener generous portions of put-together pop songs which color outside the lines in terms of genre. THE BRIDGE is the perfect launching pad for a solid career where she can further explore her possibilities as an artist, seeing as she appeals to the masses as well as the critics. Melanie Fiona toured with Kanye West on his 2008 European tour .Kanye has since called her the "next up & coming talent to watch”..Her sound is genre-crossing blending pop, R&B & reggae.
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Released without the usual flurry of hype, Before I Self Destruct fulfills 50 Cent's contractual obligation to the Interscope label. It also doubles as a throwback album, returning the rapper to the hunger and hatred of his early mixtapes while skillfully recasting him as a wannabe upstart. That is, for the most part. The four radio-friendly bedroom numbers that conclude the album are out of place but fairly good to dime-piece beautiful, with the best being the Ne-Yo showcase "Baby by Me" ("Have a baby by me, baby/Be a millionaire"). As pleasing as these final numbers are, if you leave the room after the macho bruiser "I Got Swag" ("I'm infinitely special/Girl the Lord is gonna bless you/If you do what I tell you to do"), you'll return to a confusingly different album, one that's as glamorous but less vital. The monstrous run of tracks that leads up to this flash and polish can be summed up by 50's "This ain't Tha Carter/It's Sparta!," a witty, deceptive, and brutish line barked over a prime Dr. Dre beat during the great "Death to My Enemies." On the cut, the producer sounds like he's been digging on RZA, but the tension and dark-night feel he has created for "Psycho" is easily identifiable as Dre. Add an especially rapid 50 trading horror-show rhymes with Eminem and the G-Unit soldiers will testify that the Shady/Aftermath dream is still alive. While "So Disrespectful" is the perfect title for a song that shocks, stuns, and brings reminders of the gritty G-Unit Radio mixtape series at its best, the Rick Rock-produced "Stretch" is an even craftier balance of amoral and humorous as it references Plastic Man and Mr. Fantastic before explaining the profitable benefits of cutting cocaine. There are only three guest vocalists, and save a production credit for Havoc, the G-Unit posse is absent, and yet 50 is able to carry the album alone, sounding as inspired as he did on his Interscope debut. That album, Get Rich or Die Tryin', beats this one thanks to its proper balance
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It's been eight long years between Maxwell's third and fourth studio albums. BLACKSUMMERS'NIGHT is the first release of a trilogy, with BLACKSUMMERS'NIGHT(rooted in gospel, with a twist, apparently) and BLACKSUMMERS'NIGHT(promised as a disc of slow jams) to follow. Just as Maxwell arrived in 1996, offering an alternative to the exaggerated masculinity that was dominating contemporary R&B, he returns when the airwaves are still stuffed with raging hormones. He has made no concessions to them however--the highly romantic BLACKSUMMERS'NIGHT is all devotion, regret, and heartache. Maxwell's backing musicians morph with every shift in emotion through arrangements that are unfailingly exquisite and sensitively nuanced, even when briskly played. And if the singer got into any adventures while he was away, he does not detail them during these 38 unified minutes. He did go through a serious, failed relationship however, just as "Pretty Wings," the album's floating pre-album single, suggests. Like the real-life flip side to Al Green's "Simply Beautiful"--which Maxwell performed at the 2008 BET Awards, signaling his return--it's catharsis through bittersweet elegance, as is the album as a whole. Recording information: Bowery Digital, New York, NY; Chung King Recording Studios, New York, NY; Platinuim Sound Recording Studios, New York, NY. Photographer: Eric L. Johnson. Personnel: Hod David (various instruments, guitar); Musze (various instruments); Kenneth Whalum III (saxophone); Keyon Harrold (trumpet); Saunders Sermons (trombone); Shedrick Mitchell (organ); Federico Pena, Federico Pena (keyboards); Derrick Hodge (bass instrument); Chris 'Daddy' Dave, Chris Dave (drums). Audio Mixers: Glen Marchese; Mike Pela.
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EPIPHANY is the follow up Michele's Grammy winning debut, I AM, and though the title and the production credits, which list R&B maestro of the moment Ne-Yo as executive producer, might seem to indicate a startling change of direction, EPIPHANY is, like its immediate predecessor, loaded with earnest, reflective slow jams aimed squarely at a more mature audience. Ne-Yo's more youth-oriented contemporary touch is most in evidence on the club-ready "What You Do", but, for the most part, EPIPHANY successfully updates the smoothed-out aesthetic of Ashford & Simpson or late-era Marvin Gaye.
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When K'Jon languorously croons "I'm finally gettin' around" on the title track of his 2009 debut slab I GET AROUND, he's putting it lightly. Like Anthony Hamilton and so many others before him, the years of hustle pour out in the singer's impassioned voice, and when he intones the near-cliche "I just want you so bad/it just seems so real" in the intro to the torch song "On The Ocean," there's a hunger behind his words of desire giving them power. An otherworldly `70s vibe pours out of K'Jon on the first half of I GET AROUND, a late-night AM radio tenor of passion and seduction and sex and discarded liquor bottles. His dabbles in the present are less fantastic, but he brings the past and present on "On Everything," a spare track which mixes a sinister, slightly chopped & screwed beat with a beautiful piano hook, and the perfect bedroom-eyed vocals, buoyed by the requisite guest rap (this time by Seven the General). K'Jon at his best combines the sensual prowess of Barry White with the sadness-in-struggle of Bill Withers, dropping a dash of deep soul into the heart of the auto-tune generation. Photographer: Christian Lantry.
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For Sale Pre-Order Now! Available: Tuesday, December 15, 2009
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Track Listing of songs: Element Of Freedom, The; Love Is Blind; Doesn't Mean Anything; Try Sleeping With A Broken Heart; Wait Til They See My Smile; That's How Strong My Love Is; Unthinkable; Love Is My Disease; Like The Sea; Put It In A Love Song; This Bed; Distance And Time; How It Feels To Fly; Empire State Of Mind;
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