| | David Wilczewski Room In The Clouds Super-Audio CD - Import David Wilczewski Discography of CDs
(SACD-HYBRID) Dave Wilczewski continues to evolve as one of today's most imaginative composers and exceptional saxophone soloists. "Room In The Clouds" is a mature and relaxed offering from a musician who is equally gifted as a player and writer. This di **Super Audio CD (SACD)** A Super Audio CD player is required to play this CD. This item will not play on standard CD players. David Wilczewski Room In The Clouds Songs | 1. | Mio |
| 2. | Wayne's World |
| 3. | Aprils Fools |
| 4. | Munen-Musoe |
| 5. | Elvin Jones |
| 6. | Fun For Kofi |
| 7. | Lament To B.G. |
| 8. | Gofry In Gdansk |
| 9. | Blues For Shep |
| 10. | Way Back When |
| 11. | Speedy |
| 12. | For A Smile |
| Room In The Clouds Review
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Purchase Room In The Clouds CD To buy, Click on price to add to cart | Eden Atwood Waves: The Bossa Nova Session (2002) Super Audio CD
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After a six-year span since making her final recording for Concord, singer Eden Atwood's triumphant return to the studio exudes a confidence that some writers think was lacking in her earlier work. With first-rate arrangements by pianist Bill Cunliffe and a supporting cast including alto saxophonist and flutist Pete Christlieb, guitarist Anthony Wilson, bassist Darek Oles, drummer Joe LaBarbera, and percussionist Scott Breadman, Atwood delves into memorable tunes by Antonio Carlos Jobim ("Meditation," "The Girl From Ipanema," and "He's a Carioca") as well as bossa nova treatments of Duke Ellington's overlooked gem "Don't You Know I Care?," Irving Berlin's "How Deep Is the Ocean?," and the Beatles' "The Fool on the Hill" with equal success. Her playful side comes through in the delightful "O Pato," while she doesn't ...
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Ultradiscs are mastered from the original master tapes using Mobile Fidelity's proprietary mastering technique, then plated with 24-karat gold and housed in a stress-resistant lift-lock jewel box.
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The original Fillmore East album is one of the finest live documents of the rock era, capturing the original line-up of one of the '70s' tightest outfits before they were cruelly robbed of Duane Allman and Berry Oakley. Taken from five 1971 performances at New York's fabled Fillmore East, the extended and effortlessly melodic workouts of "In Memory Of Elizabeth Reed" and "Whipping Post" still have the power to rivet and move.
On display here is the Allmans' fabled chemistry at its finest. The band not only rocks, it rolls, swings, and stretches out in exploratory, jazzy passages. The dual guitar interplay of Duane Allman and Dickey Betts glides effortlessly over the propulsive rhythm section of Oakley and twin drummers Jaimoe and Butch Trucks, while Greg Allman's powerful blues voice and melodic keyboard work provides the icing on the cake. Though the later-released THE FILLMORE CONCERTS presents these songs in their original entirety, AT FILLMORE EAST, with ...
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This is Jacintha's third album for Groove Note, and her first with strings. Very popular in her native Singapore, she's beginning to get a worldwide reputation, and this release demonstrates why: Her voice is lovely, with clear diction and expressive, naturalistic phrasing. She draws the listener into a warm intimacy from the first track, "The Boulevard of Broken Dreams," a rarely covered and beautiful song with the perfect "rainy night in Paris" ambience supplied by Frank Marocco on accordion. Other highlights include a bluesy but refreshingly non-wailing "Black Coffee," with a fine, understated solo by Bill Cunliffe on piano; he's also good on the silky bossa "Manha de Carneval," where Anthony Wilson's melodic plucking contrasts nicely with the smoothness of the strings. Another unusual but happy choice, "When We Were Young," showcases the superb flügelhorn of Dmitri Matheny, which enhances four other tracks as well. Eight of the ten selections are ballads and, since Jacintha delivers her message straight and serene, the overall feel is quiet, sultry, and relaxing. After slooow readings of "The Shadow of Your Smile," "Lush Life," and "September Song," Joe LaBarbera's brushes and drum accents on "Harlem Nocturne" provide a welcome ...
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