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Mozart: Concertos & Arias Music | List Price | $40.98 (You save $6.09) | | Label | Haenssler | | Orig Year | 5/9/2006 | | All Time Sales Rank |  58110  | | CD Universe Part number | 7068242 | | Discs | 2 | | Release Date | May 09, 2006 | | Recording Time | 2 28 | | Additional Info | Import |
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Mozart: Concertos & Arias Songs | 1. Piano Concerto No. 23 in A major, K. 488 (26:29) | | Common Name | Piano Concerto 23 | | Catalog No. | K 488 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Hans Rosbaud | | Performer | Friedrich Gulda (Piano) | | Genre | Classical Period / Concerto | | Date Written | 1786 | | Period | Classical | | Country | Austria | | Venue | Baden-Baden, Hans Rosbaud-Studio | | Recording Date | 01/15/1962 | | 2. Violin Concerto No. 4 in D major, K. 218 (22:14) | | Common Name | Violin Concerto 4 | | Catalog No. | K 218 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Ernest Bour | | Performer | Arthur Grumiaux (Violin) | | Genre | Classical Period / Concerto | | Date Written | 1775 | | Period | Classical | | Country | Austria | | Venue | Baden-Baden, Hans Rosbaud-Studio | | Recording Date | 03/02/1959 | | 3. Ch'io mi scordi di te...Non temer, amato bene, recitative and aria for soprano, piano & orchestra, K (10:29) | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Hans Rosbaud | | Performer | Maria Bergmann (Piano)
Suzanne Danco | | Genre | Aria / Classical Period / Recitative | | Date Written | 1786 | | Period | Classical | | Country | Austria | | Venue | Baden-Baden, Hans Rosbaud-Studio | | Recording Date | 11/13/1953 | | 4. Horn Concerto No. 3 in E flat major, K. 447 (15:06) | | Common Name | Horn Concerto 3 | | Catalog No. | K 447 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Hans Rosbaud | | Performer | Dennis Brain (Horn) | | Genre | Classical Period / Concerto | | Date Written | 1783 | | Period | Classical | | Country | Austria | | Venue | Baden-Baden, Hans Rosbaud-Studio | | Recording Date | 05/06/1953 | | 5. Piano Concerto No. 14 in E flat major, K. 449 (22:31) | | Common Name | Piano Concerto 14 | | Catalog No. | K 449 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Hans Rosbaud | | Performer | Friedrich Gulda (Piano) | | Genre | Classical Period / Concerto | | Date Written | 1784 | | Period | Classical | | Venue | Baden-Baden, Hans Rosbaud-Studio | | Recording Date | 01/16/1962 | | Notes | Composition written: 1784.
Composition revised: Germany. | | 6. Violin Concerto No. 3 in G major, K. 216 (26:11) | | Common Name | Violin Concerto 3 | | Catalog No. | K 216 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Paul Sacher | | Performer | Henryk Szeryng (Violin) | | Genre | Classical Period / Concerto | | Date Written | 1775 | | Period | Classical | | Country | Austria | | Venue | Baden-Baden, Hans Rosbaud-Studio | | Recording Date | 04/13/1960 | | 7. Per pieta, non ricercate, aria for tenor & orchestra, K. 420 (7:23) | | Catalog No. | K 420 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Ernest Bour | | Performer | Peter Pears | | Genre | Classical Period | | Date Written | 1783 | | Period | Classical | | Venue | Baden-Baden, Hans Rosbaud-Studio | | Recording Date | 11/19/1959 | | 8. Si mostra la sorte, aria for tenor & orchestra, K. 209 (4:00) | | Catalog No. | K 209 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Ernest Bour | | Performer | Peter Pears | | Genre | Classical Period | | Date Written | 1775 | | Period | Classical | | Venue | Baden-Baden, Hans Rosbaud-Studio | | Recording Date | 11/19/1959 | | 9. Horn Concerto No. 2 in E flat major, K. 417 (13:09) | | Common Name | Horn Concerto 2 | | Catalog No. | K 417 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Hans Rosbaud | | Performer | Dennis Brain (Horn) | | Genre | Classical Period / Concerto | | Date Written | 1783 | | Period | Classical | | Country | Austria | | Venue | Baden-Baden, Hans Rosbaud-Studio | | Recording Date | 05/06/1953 |
Mozart: Concertos & Arias Music Composers on Mozart: Concertos & Arias CD : Wolfgang Amadeus Mozart Conductors on Mozart: Concertos & Arias CD : Ernest Bour, Hans Rosbaud, Paul Sacher Genres on Mozart: Concertos & Arias CD : Aria, Classical Period, Concerto, Recitative Performers on Mozart: Concertos & Arias CD : Dennis Brain, Arthur Grumiaux, Friedrich Gulda, Maria Bergmann, Peter Pears, Suzanne Danco, Henryk Szeryng Purchase Mozart: Concertos & Arias To buy, Click on price to add to cart | Trans-Siberian Orchestra Christmas Eve And Other Stories CD (1996)
Mozart: Concertos & Arias
 $9.95    
What would happen if members of Savatage decided to write some Christmas songs? Easy: Trans-Siberian Orchestra. This "supergroup" is the brainchild of Jon Oliva and Paul O'Neill (respectively the leader-keyboardist and the producer of Savatage). They hired Al Pitrelli (Asia, Savatage) to play guitars, Robert Kinkel to help with keyboards, John Middleton (also a member of Savatage) on bass, and Jeff Plate on drums. Lead vocals are shared by six vocalists, while some of the backing vocals are handled by Savatage lead singer Zachary Stevens. Christmas Eve and Other Stories is a concept album: all the songs are built as chapters of a book, each telling part of a larger story. The plot here is of a young angel sent down to Earth to find and bring back to the Lord "the one thing that best represents everything good that has been done in the name of this day." The angel's quest takes him all over the world, through Russia and Sarajevo, until he finally hears the prayer of a father. This last piece is the strongest moment on the album and makes for a miniature story within the larger story. It is basically told in a trilogy of songs: in the first, "Ornament," we hear the father's prayer, explaining how he hasn't seen his daughter in many years. In "Old City Bar," the angel finds the daughter, standing alone outside a bar, and talks to the bartender who, out of a random act of kindness, takes all the cash from his register drawer and gives it to the girl so she can go home. The third song, "This Christmas Day," ...
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Recording information: Köln, Studio Stolbergstraáe.
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A signature statement stamped with his trademark stylistic flourishes. "Raga Nayak Ki Kanra" itself steers a course from a gentle alap to a spirited jor, although the jor has an abrupt edit at its close. The second part of the raga is a series of gats (vocal or, in this case, instrumental compositions) with Anand Gopal Bandopadhyay on tabla. The cassette version (cassette-106) is different -- "Ahir Bhairav" replaces "Nayak Ki Kanra." The source of the sessions is a 1989 private recital in New York. The notes include an excellent interview with Buddhadev Das Gupta by Ira Landgarten. ~ Ken Hunt
There is no doubt that both Ustad Allauddin Khan and Ustad Hafiz Ali Khan, as well as their illustrious sons Ustad Ali Akbar Khan and Ustad Amjad Ali Khan, have dominated the world of sarod for most of this century. Their genius and innovative stylistic contributions have set the standard for modern sarod playing. Yet one should not overlook an extraordinary, though perhaps less famous, artist whose intense dedication and talent keep alive another distinct and important sarod tradition.Sri Buddhadev Das Gupta belongs to a rare category of musician—though fully steeped in tradition he is a genuine Twentieth Century artist. Born in Bihar in 1933, he began his music training at age 11 with the renowned sarod purist Sri Radhika Mohan Maitra. Through his passionate devotion and uncompromising hard work, Buddhadev has emerged as the foremost exponent of the distinctive, complex style his guru created. It is a style distinguished by its wit, its unusual and unpredictable tans, and its masterful incorporation of the bol patterns and vocabulary of the ancient rabab. Buddhadev’s powerful virtuoso playing, as well as his vast scholarship of sarod history, repertoire and technique, has earned his place among today’s leading sarod masters. He has performed at all of India’s major music conferences, broadcasts regularly on All-India Radio and is a member of the Sangeet Research Academy’s Empirical Research Wing and Committee of Experts.Buddhadev’s musical achievements are all the more amazing when one considers that he also had a brilliant academic career and served for more than 20 years as a thermal power engineer for the Calcutta Electric Supply Corporation. He retired from that highly responsible position in May 1988 in order to focus his energy even more intently into his music.I first met Buddhadev in the fall of 1985 when he was invited to perform for the Festival of India, and then again in 1989 while he toured with musicians from Calcutta’s Sangeet Research Academy. Both times I was fortunate to attend every single performance and lecture-demonstration he gave in the New York-New Jersey area. An impeccable gentleman, tall and majestic, Buddhadev is remarkably intelligent, articulate, down-to-earth, eloquent and cultured—all qualities that he has translated perfectly into his music. --Ira LandgartenBuddhadev Das Gupta was born in Bihar in 1933. He began his music training at eleven with the renowned purist, Sri Radhika Mohan Maitra. Buddhadev has emerged as the foremost exponent of the distinctive, complex style his guru created. It is a style distinguished by its wit, its unusual and unpredictable tans (cascades of notes), and its masterful incorporation of the bol (rhythmic ...
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