| | P Miles Bryson Megalomaniac CD P Miles Bryson Discography of CDs
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Liner Note Author: Che Guevara. P Miles Bryson Megalomaniac Songs Megalomaniac Review
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Purchase Megalomaniac CD To buy, Click on price to add to cart | Michael Jackson Thriller CD (1982) Bonus Tracks; Remastered; Special Edition
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| | Rex 3 CD (1997)
Megalomaniac music CDs
$11.79 Once again, Rex continue to refine their gentle, meandering brand of emo-core indie rock. Like an Afghan Whigs on Prozac, Rex's third full length features an increased attention on the violins, mandolins and cellos that subtly accompany the quiet, drifting guitars and bass. Although maybe just another twig from a flowering tree, 3 is powerful enough to play loudly, yet gentle ...
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| | Rod Stewart (Warner Brothers) CD (1986)
Megalomaniac album
$12.19 With classical pianist Kevin Savigar established as his songwriting partner, Rod Stewart marched into the mid-'80s in finer shape than he'd been in for a few years. Every Beat of My Heart was his 15th solo album and, after the disappointments of the preceding Body Wishes and Camouflage, the wistful romance of the title track alone suggested that he was back on track.
Unfortunately, it was not to be. One could compile a genuinely excellent collection from across Stewart's entire '80s output. But Every Beat of My Heart, like the LPs on either side of it, found him floundering directionless in a sea of, on the one hand, syrupy schmaltz; and, on the other, clichéd rockers, with just the occasional flash of style sneaking in, to remind us why we even cared any longer. "Love Touch'," which joins "Every Beat" in the singles chart (courtesy of its starring role in the movie Legal Eagles) was certainly one of the weakest numbers he had ever touched, while the likes of "Here to Eternity" and "Another Heartache" might have been tolerable if Stewart hadn't already recorded them a dozen times already. But his version of the Beatles' "In My Life" ...
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| | John Common Good To Be Born CD (2006)
Megalomaniac album
$15.19 John Common, formerly the leader of a minor Americana act called Rainville, makes his solo debut with Good to Be Born, an album in the Jayhawks/mid-period Wilco vein of subtly experimental roots rock. The Denver-based singer/songwriter's tunes are firmly in the Neil Young tradition (think Harvest, not Tonight's the Night), and like many of the recent crop of similar songwriters, he's not afraid to mix some lightly psychedelic influences into his songs, such as the Jim O'Rourke-style guitar-noise squalls that decorate the otherwise straightforward pop/rock of "My Heart Is a Wurlitzer." That title points out the album's primary weakness: though Common is a facile melodicist; his lyrics tend towards banal clichés and forced metaphors. Good to Be Born is at times painfully derivative, but its best moments, like the jaunty, clever song of infatuation "In a Bookstore," suggest that John Common has definite potential. ~ Stewart Mason
GOOD TO BE BORN (2006 Free School Records) John Common's debut record, GOOD TO BE BORN, is a classic headphone album from start to finish. Smart, introspective songs and layered arrangements combine with artful production choices to create a fully realized record that documents Commons exploration into new territory. GOOD TO BE BORN is a chronicle of a group of artists and friends experimenting and using the studio to define a new voice. "The only rule we had was that any obvious choices had to be challenged. And that meant hours of trying different things, looking for how the puzzle of each song might fit together in new ways," says Common. "A brilliant, extremely ambitious disc... Denver's finest rock recording of the past decade." -- WESTWORD MAGAZINE (Good To Be Born) "Raw, yet sophisticated pop." -- THE ONION "Is something really going on in Denver's music scene? If we need any more evidence that speaks to the vitality of our expanding catalog of acts, John Common's new album, 'Good to be Born' is that kind of prescription...It's out. And not to be forgotten. " -- SYNTAX "A rich mix of samples, guitars, and lyrical intensity in a quieter version of 'Bends'-era Radiohead or the missing step in Wilco's leap from 'Being There' to 'Summerteeth'. The music is complex and innovative without sacrificing catchy hooks or raw energy in a wide range of styles and tempos. " -- COLORADO MUSIC BUZZ "Denver's John Common has cracked the code of modern-day songwriting and delivered us something surprisingly refreshing... "Good ...
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