| | Hot Chip Warning CD Hot Chip Discography of CDs
(1 Customer Review)
Nearly 20 years on from the infamous 'Disco Demolition Night' at Chicago's Comiskey Park--a rally that forever etched the phrase "disco sucks" into the American consciousness--an unexpected alliance has been struck between the indie-pop world and the more synthetic, mechanized strains of dance music. Leading firebrands in this renaissance, the New York production duo DFA, have teamed up with U.K. ensemble Hot Chip for their latest effort, WARNING.
Hot Chip vocalist Joe Goddard's disaffected monotone provides a cool contrast to Alexis Taylor's lilting falsetto, a strategy that pays off on the driving "And I Was A Boy From School." The typically raw DFA production emphasizes rhythmic nuance over pop polish--this is stylized, minimal dance pop in the tradition of Pet Shop Boys and New Order. On more downtempo efforts like the gentle "Colours," the music lends room to Taylor's delicate but affecting voice, showcasing Hot Chip's promise as more than just a flavor-of-the-moment indie dance act.Rolling Stone (p.94) - 3 stars out of 4 -- "THE WARNING bubbles over with ideas-packed grooves....The tunes are plenty inviting." Spin (p.84) - 4 stars out of 5 -- "Here, the quintet beefs up the rhythms and tones down the indie-geek shtick, making hot music..." Spin (p.60) - Ranked #12 in Spin's "The 40 Best Albums of 2006" -- "THE WARNING is hot-blooded music....It's also filled with heartfelt charm." Q (p.120) - Ranked #44 in Q Magazine's "100 Greatest Albums of 2006" -- "[A] gleeful pick'n'mix combination of electro-influenced experimentation and pleasing pop nous." Alternative Press (p.224) - 5 out of 5 -- "Hot Chip strip down their influences, reworking scores of sound into new, distinctly original machinations." Purchase Warning CD To buy, Click on price to add to cart | Arcade Fire Funeral CD (2004)
Warning album
$11.89 This Montreal ensemble's fiery debut is marked by surging guitars, soulful strings, driving drums, brilliant bass lines, and the quavering vocals of married couple Win Butler and Regine Chassagne. The group's song structures careen through a vast territory of musical and personal history, with lyrics warm with memories of childhood neighborhoods and deceased loved ones, resulting in an alternating current of joy and sadness.
Favorably compared to the Flaming Lips, Mercury Rev, and Broken Social Scene, the Arcade Fire's sound seems to come from a lifetime of listening to the Cure, Talking Heads, Elvis Costello, and many others--even a dose of soul gets worked into these grand anthems. Chassagne delivers some spellbinding vocals on "Haiti," while the tinkling piano and strings on "Crown of Love" conjure up a heartbroken surfside prom. In 2004, this made many critics' year-end lists, and it's no wonder--the songs on FUNERAL are so packed with unique instrumentation, mesmerizing build-ups, and galvanizing ...
| | Band Of Horses Everything All The Time CD (2006)
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$11.85 EVERYTHING ALL THE TIME is the debut release on Sub Pop from Seattle's Band of Horses. Matt Brooke and Ben Bridwell have abandoned the melancholic slow-core of their previous band Carissa's Weird for a brighter, more straightforward indie rock sound with obvious roots in Neil Young's ...
| | Beirut Gulag Orkestar CD (2006)
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$10.79 The debut of singer/multi-instrumentalist Zach Condon (aka Beirut), 2006's GULAG ORKESTAR marks the arrival of a precocious talent. It's a lushly arranged album that reveals Condon's unabashed adoration of Eastern European folk music, gilded with swaying accordion lines, rapturous string passages, and jangling percussion that seem wholly rooted in traditional Slavic music (see the waltz-like "Prenzlauerberg")--making its creation by a young ...
| | Yo La Tengo I Am Not Afraid Of You And I Will Beat Your Ass CD (2006)
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$9.95 With 2006's cheekily titled I AM NOT AFRAID OF YOU AND I WILL BEAT YOUR ASS, the beloved indie-rock trio Yo La Tengo presents a dynamic set of songs that echo the band's past, while notably downplaying the soporific atmospherics of preceding discs (the lauded AND THEN NOTHING and SUMMER SUN). The New Jersey-based group opens with "Pass the Hatchet, I Think I'm Goodkind," a feedback-drenched guitar workout ...
| | Junior Boys So This Is Goodbye CD (2006)
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$11.65 While Junior Boys' debut indie sleeper LAST EXIT leaned more toward pastiche--a product of influences as far afield as 2-step garage and Timbaland's stutter-funk--their sophomore ...
| | Lcd Soundsystem Sound Of Silver CD (2007)
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$8.85 As wryly noted on LCD Soundsystem's debut 2002 single, "Losing My Edge," in the underground music arms race, aging hipsters are losing ground against young upstarts who are (perhaps) unaware of their own influences. And if influences are the stuff with which post-millennial musicians are made, Murphy has trumped us all. Touching on reference points ranging from disco, krautrock, Bowie, house, and post-punk, to singer-songwriter types, SOUND OF SILVER is a veritable catalog of left-field cool. Leading off with the slow-boil, hypnotic opener, "Get Innocuous"--which sounds a bit like a reprise of "Losing My Edge" crossed with Kraftwerk's "The Robots"--the album moves from dance-floor stormers to plaintive piano numbers without batting an eye. On "North American Scum," Murphy lampoons the often mistaken idea that LCD Soundsystem is a U.K. act; his nasal vocal echoing Jonathan Richman as he declares "for those of you who think we're from England--we're not." As humorously self-effacing as he is, SOUND OF SILVER also shows Murphy's growth as a songwriter. On the album's closer "New York, I Love You But You're Bringing Me Down," he laments the passing of the old New York, "To the cops who are bored once they've run out of crime/New York you're perfect don't change a thing." It's a fitting tribute that holds up against the countless other great ...
| | Francoise Hardy Comment Te Dire Adieu CD (1968) France
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$9.79 This may not rate as highly as her best mid-'60s recordings, which are less MOR-oriented. That stated, it's about as good as late-'60s MOR Continental pop gets, with tastefully imaginative orchestration, strong melodies, and sexy vocals. It's ...
| | Compay Segundo Antologia CD (2000) (Import) Argentina
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$45.99
| | 5ive CD (2001)
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$12.95
| | Pacer Space Between Us CD (2001)
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$10.55
| | Musical Youth 20th Century Masters:Millennium Colle CD (2006) (Import) Import
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$12.55
| | Cocoa Tea Save Us Oh Jah CD (2006)
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$9.75 The combination of veteran dancehall-roots crooner Cocoa Tea and the Xterminator production crew -- not to mention the participation of such A-list studio talent as Sly Dunbar, Dean Fraser, and Earl "Chinna" Smith -- should have resulted in an all-killer, no-filler album. Perplexingly, though, Save Us Oh Jah is a disappointingly hit-and-miss affair, one that offers plenty of high points but also several flubs that are hard to explain. The album opens on an unpromising note, with the rhythmically disorganized and melodically haphazard "Stay Far," on which Cocoa Tea never seems to find the key center and the musicians never seem to find a groove. Things immediately get better with the title track and the sturdy, roots-wise "Let the Music Play" (which suffers only from the banal lyrics that have always been Cocoa Tea's biggest liability), and get even better with the funky and minimalistic reggae-R&B of "How You So Hypa" and the churning one-drop rhythms of "Wave You Hand." At several points in the program, Cocoa Tea's finger-wagging self-righteousness threatens to devolve into all-out Bobo Dread blood-thirst (note the hints of Bobo rhetoric ...
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