| | Oak Ridge Boys Definitive Collection CD Oak Ridge Boys Discography of CDs
(1 Customer Review)
Released in 2006, this well-selected compilation presents many of the Oak Ridge Boys' finest moments from the late 1970s to the late '80s. Although the Tennessee-based country vocal group often recorded gospel tunes, this 24-track set focuses on their popular secular songs, ranging from the honky-tonk tune "Y'all Come Back Saloon" to the humorous pop hit "Elvira" to the rock-tinged number "This Crazy Love." For those seeking a solid introduction to the Oak Ridge Boys, this collection is ideal.
Photographers: Raul Vega; Norman Seeff; Andy Freeberg; Alan Messer.
The Oak Ridge Boys: Duane Allen, Joe Bonsall, William Lee Golden, Richard Sterban.
Liner Note Author: Robyn Flans.
Definitive Collection Music Oak Ridge Boys Definitive Collection Songs Definitive Collection Music Review Average Rating: (3 out of 5 stars)   Not "definitive," but good. This is a very good compilation, yet it is FAR, FAR, FAR from "definitive." For example, there have been three previous greatest hits volumes for the group, as well as the "Collection" CD from the early '90's, yet none of these have included "No Matter How High," which was a big, big hit for the Oaks. Furthermore, if this were truly a "definitive" collection, it would not omit ANY of the hits. Why didn't Universal allow the Oaks a 2-disc "GOLD" set, as they have done many other artists? Then they could have included a few of the groups early crossover recordings for Columbia, as well as a few of their later RCA tracks (eg: their wonderful version of "(You're My) Soul and Inspiration"). Such a collection would have been "definitive." THIS ONE IS NOT. It is full of great tracks and performances, but it still misses the mark. Submitted by Mistercarter2u (Richmond, VA) Was This Review Helpful? Yes No
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Purchase Definitive Collection CD To buy, Click on price to add to cart | Johnny Otis 1945-1947 CD (2002)
Definitive Collection album
$18.05 Growing up among Afro-Americans in Berkeley, CA, Greek-American Johnny Otis (born John Veliotes) always identified strongly with people of color. Before he had attained the age of 20 he was gigging with black jazz bands throughout the Southwest, and eventually organized an ensemble deliberately patterned after Count Basie's orchestra. This highly charged ...
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$10.29 Recorded between 1992 & 2002. Includes liner notes by Robert K. Oermann.
Though he has always essentially been a new traditionalist country singer in the vein of Aaron Tippin and George Strait, John Michael Montgomery found his greatest success with smooth, romantic ballads that recall ...
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$3.89 | | Toshinobu Kubota Nothing But Your Love CD (2000) Bonus Track; Japan
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$38.19 Toshi Kubota's NOTHING BUT YOUR LOVE features 13 album cuts and a bonus track.
Toshi Kubota tests the relationship between a style of music and the racial makeup of its performers, posing a variation on the old question, "Can a white man play the blues?" In Kubota's case, the query is, "Can a Japanese man feel the funk?" A popular success at home, Kubota relocated to the U.S. in 1994 and issued his first English language album, Sunshine Moonlight, in 1995. It didn't get any attention in America but sold to his following overseas. Five years later, Nothing but Your Love testifies to Kubota's affection for the funk music of the late '70s and early '80s. The title track, which leads off the album, is a homage to Parliament/Funkadelic that mentions the term "mothership," harking back to the group's Mothership Connection album, while "Body Bounce" features a sample from Zapp's "More Bounce to the Ounce." Singing in a smooth tenor frequently augmented by backup singers, Kubota also borrows from '70s Motown, especially Stevie Wonder, and the group vocal sounds of Philadelphia International Records. Various contemporary production teams, notably Soulshock & Karlin, the Track Masters, and members of the Roots, have been brought in to update the material to sound like current R&B/hip-hop, but Kubota's own roots (however transplanted) remain obvious. What we have here is a Japanese pop artist recreating a black American style from about 20 years ago, which sounds like a hard sell from more than one point of view domestically, ...
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