| | Eisenhower Blues CD
A compilation of postwar urban blues sides originally released by Chicago DJ Al Benson's Parrot and Blue Lake record labels during the presidency of Dwight D, Eisenhower (1952-1960), an era made more than interesting by the Cold War, the atom bomb, the increased growth of the civil rights movement, and a prolonged crisis in Korea, Eisenhower Blues isn't, however, a predominantly topical album. With the exception of J.B. Lenoir's classic title track, little here is particularly political, although the pressure and uncertainty of the times form a backdrop to these ragged and edgy performances, which pretty much go about discussing the problems of loving and living that the blues has always taken as its central theme. There aren't many big names here, although Albert King gets a track, as does Sunnyland Slim, and Lenoir is certainly known to genre fans as one of the blues' most challenging and intelligent songwriters, but most of these names will ring only a faint bell, if any at all. This is hardly a problem, though, since it allows a genuine sense of discovery when encountering such wonderfully obscure and swampy sides as Little Sam Davis' tight-as-a-wire "1958 Blues" or the gritty, no-nonsense "Tough Times" by John Brim. Catching the blues after it had transformed itself into a raw and powerful urban music, but with its country blues roots still readily apparent, Eisenhower Blues is a wonderful set of archival recordings that reminds listeners that the blues is an amazingly resilient musical form, and the fact that these sides were released during an eight-year Republican presidency when the whole world seemed to be edging toward the proverbial brink only reinforces that resiliency. The next decade would proceed to up the ante even more. ~ Steve Leggett Eisenhower Blues Review
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Eisenhower Blues songs
$10.05 Richard Rodgers and Lorenz Hart's Babes in Arms, a musical about the children of vaudevillians who put on a show, ran for eight months on Broadway in 1937 and was loosely adapted into a 1939 movie starring Judy Garland and Mickey Rooney that retained only two songs from the score. For the most part, record companies were not recording original cast albums or original motion picture soundtracks in the 1930s, but several songs from Babes in Arms were recorded shortly after the show opened, with "Where or When" becoming a chart-topping hit and "The Lady Is a Tramp" also scoring in the charts. In later years, "My Funny Valentine" and "I Wish I Were in Love Again" joined the ranks of standards. In the early 1950s, Columbia Records and RCA Victor each produced studio cast versions of the show on 10" LPs (and, for what it's worth, the film soundtrack has turned up on vinyl as well). But it wasn't until New York's Encores! series of concert versions of vintage musicals revived Babes in Arms in 1999 that an opportunity for a real cast album came up. Encores! specializes in restoring original orchestrations, which in this case means that Hans Spialek's charts were heard for the first time since 1937. That helped with one of the challenges any revival of Babes in Arms faces: How to re-acquire those familiar songs from generations of nightclub performances by classic pop singers and make them sound fresh. Another advantage going back to the original score gave the revivers was that the songs are longer in their initial versions, with "Where or When," for example, having two introductory verses ...
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