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Natsuki, Ayako - Ajisai Ujo CD Cover Art
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Ayako Natsuki Ajisai Ujo CD - Import

 Ayako Natsuki Discography of CDs

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Ajisai Ujo Music


Detailed Ajisai Ujo Music Information



List Price $26.99 (You save $2.04)
Category World Albums, Japanese CDs
Label Phantom
CD Universe Part number 7099447
Catalog number 624961
Discs 1
Release Date Jun 13, 2006
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Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so on EUGENE!. However, Pink Martini opt for a more unified sound here, one that draws on the more straightforward lounge-pop of their debut, SYMPATHIQUE, and the mellowness of '60s and '70s pop. SPLENDOR IN THE GRASS' first half is especially smooth, opening with the beautifully soft Neapolitan ballad "Ninna Nanna" and the title track, on which Forbes sings "I think we should take it slow" over swooping strings, brass, and piano that resurrect the glory days of AM pop; that feeling is echoed by the cover of Joe Raposo's ...
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It was not pure ego that led Buju Banton to title his 1993 album VOICE OF JAMAICA; his unique voice is a gruff, melodic instrument, and his lyrics are precise. He built his career on controversial hits and slacker anthems, but has since helped spearhead a movement to swing reggae's pendulum away from sex and violence, back towards conscious lyrics and Rastafarian themes. On `TIL SHILOH, the voice of Jamaica has visibly evolved. Still, don't let all this consciousness talk scare you; Buju's strength is his ability to create hooks that buoy the weight of his words. The choruses of singles like "Murderer," "I Wanna Be Loved" and "Champion" drill themselves into your head and nest there for days. 'TIL SHILOH is also one of the most experimental dancehall releases ever, utilizing an a capella intro, a track built out of African chanting and percussion ("'Til I'm Laid To Rest"), and a song featuring an acoustic guitar ("Untold Stories"). A duet with the late Garnett Silk ("Complaint") provides a nice respite from Banton's trademark growl. For the most part, Buju and executive producer ...
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With help from musicians associated with the era and location (including Don Tosti, Lalo Guerrero, and Thee Midnighters' Little Willie G.) and studio musicians Jim Keltner, Jon Hassell, and legendary Tex-Mex accordionist Flaco Jimenez, Cooder has created a musical novel that richly celebrates the music, life, and lingering mythos of Chavez Ravine, an L.A. neighborhood razed by the city in the interest of big business (namely to build a stadium for the soon-to-be L.A. Dodgers). Stylistically, the album, performed in both Spanish and English, encompasses Latin folk forms, swing, atmospheric ...
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Internationally acclaimed dan bau player, Pham Duc Thanh was born in Ninh Binh, northern Vietnam, in 1956. Displaying a remarkable musical aptitude as a child, Pham was already playing the dan bau (monochord) as well as the dan tranh (16-string zither) and dan nhi (two-string fiddle) by the age of six. In 1974, Pham moved to Hanoi, where he studied at a popular traditional theatre school and joined the leading Hat Cheo theatre group as a dan bau player. After attending Saigon's Research Center for Music, he went on to become one of country's top dan bau players of traditional and contemporary music. In August 1990, Pham and his wife, singer Lieu Nguyet Lan, left Vietnam and moved to Germany for several years before emigrating to Canada in 1996. Today, the Montreal-based multi-instrumentalist is known as one of the world's leading exponents of traditional Vietnamese music. Besides his solo work, Pham has also appeared on over 20 internationally released CDs including the movie soundtrack for Tony Bui's Three Seasons, winner of the Grand Jury Prize and Audience Award at the 1999 Sundance Film Festival. The dan bau is a traditional Vietnamese monochord instrument made of a single-steel string stretched over a gourd. One end is attached to a piece of wood equipped with a flexible handle. The player plucks the string at its harmonic nodes and uses the handle to vary tension -- and thus pitch. Now, Pham Duc Thanh has more than one string to his bow and this is by no means a solo dan bau disc, although the instrument does get the leading part on all 12 tracks. But Thanh also plays a wide range of Vietnamese instruments, from flutes and lutes to percussion. His interpretations of Vietnamese folk songs are very personal and don't ...
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From Paraguayan expatriate (and German resident) Oscar Benito comes The Paraguayan Harp, an album of music for the Indian harp. Having done a good deal of touring throughout Europe on all scales (from major concerts and competitions to cruise ship performance), the next logical step is to do some recording. This is exactly what Benito has been doing through ARC, and this album is another of his endeavors. His works are largely traditional ones, selecting here and there from ...
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