| | David Blue Stories (Mini LP Sleeve) CD - Import David Blue Discography of CDs
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Our Price: $40.75  CDFor Sale Limited Availability
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Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2007. Stories (Mini LP Sleeve) Music David Blue Stories (Mini LP Sleeve) Songs | 1. | Looking For A Friend  |
| 2. | Sister Rose |
| 3. | Another One Like Me |
| 4. | House Of Changing Faces |
| 5. | Marianne |
| 6. | Fire In The Morning |
| 7. | Come On John |
| 8. | Blues (All Night Long), The |
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Stories (Mini LP Sleeve) Music Stories (Mini LP Sleeve) Review
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A collection of early studio experiments from the archly named garage rock veterans Brian Jonestown Massacre. Jonestown leader Anthony Newcombe recorded the majority of these tracks during late-night solo sessions. The results are deliberately roughshod, feedback-drenched excursions into sneering, riff-driven noise rock. The 12-minute-long title track, which evokes the detuned guitar drone of early Sonic Youth and the incendiary noise of the Velvet Underground's WHITE LIGHT WHITE HEAT, is a particular standout.
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Initially renowned as Bob Dylan's backing group, the Band emerged from the singer's shadow to proclaim a distinctive talent. Drawing upon a musical canon embracing soul, country, folk and rock `n' roll, the quintet created a unique sound that was quintessentially American. Its rustic qualities were enhanced by principle songwriter Robbie Robertson who created vistas suggestive of a pre-industrial age, and as such, captured the restlessness of the late 60s without the need for explicit manifestos. Expressive singing, sublime melodies and telepathic musicianship instils The Band with quality, but its adult themes and perspectives ensure an absolute timelessness. An all-time critics' favourite.
The Band's first album, Music from Big Pink, seemed to come out of nowhere, with its ramshackle musical blend and songs of rural tragedy. The Band, the group's second album, was a more deliberate and even more accomplished effort, partially because the players had become a more cohesive unit, and partially because guitarist Robbie Robertson had taken over the songwriting, writing or co-writing all 12 songs. Though ...
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In 1984, Chip Davis released his first Christmas record on his own label, American Gramaphone, under the pseudonym Mannheim Steamroller. It contained classics and his
Live Recording
Audio Mixers: Chip Davis; Brian Ackley.
Liner Note Author: Louis Stout.
Recording information: American Gramaphone Studios, Omaha, NE; Chicago Recording Company Studio 4, Chicago, IL; Hill Auditorium, University of Michigan, Ann Arbor, MI; O'Henry Studios, Burbank, CA; Rudolf-Oetker-Halle, Bielefeld, Germany; Sound Recordets, Omaha, NE; St. Michael's Cathedral, Chicago, IL; The Digital Living Room, Omaha, NE; The Great hall Of University College School, London, En; The University Of Downstairs, Omaha, NE; Universal Studios, Chicago, IL.
Director: Jerry Blackstone.
Photographers: Trisha Davis; Carol Davis.
Mannheim Steamroller: Liz Westphalen (vocals); Mary Walter (harp); Arnie Roth (vielle); Eric Hansen (lute, bass guitar); Steve Shipps (violin); Gregory Clinton (cello); Willis Ann Ross (flute); Chip Davis (dulcian); Ron Cooley (bass guitar); Jackson Berkey, John Sharpe, David "High D" Kappy, Roxanne Layton, David Low , Bobby Jenkins.
Personnel: Chip Davis (vocals, hammer dulcimer, cornemuse, recorder, crumhorn, drums, percussion, bells, wind); Jackson Berkey (vocals, piano, toy piano, Fender Rhodes piano, harpsichord, clavichord, keyboards, bells); Johnny "Country" Mathis, Lynn Dee Mueller (vocals); Ron Cooley (12-string guitar, classical guitar, lute); Steve Hartman, Mary Walter (harp); Eric Hansen (lute); Jennifer Cappelli, Kathleen Brauer, Helen Nightengale, Carmen Llop, Pauli Ewing, Richard Lohmann, Liba Shacht, David Myford, Paul Philips, Ruben Gonzalez , Debra Fong, Sylvia Morris, Elena Sherbanesco, Nissane Howell, Roberta Freier, Kevin Case, Lisamarie Vana, Linda Oper, Giullaume Combet, Laura Miller, Rika Seko, Melanie Kupchynsky, Ken Peeler, Florentina Ramniceanu, David Hildner, Peter LaBella, Everett Zlatoff-Mirsky, Wendy Evans, Steve Shipps, Phyllis Duncan, Grace Granata, Elliot Golub, ...
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For Love Letter, Gackt decided to drop his usual spry, electric J-rock style in favor of an acoustic-only guitar album. Going unplugged is a big artistic challenge, and so is a commendable, but risky task -- and Gackt ultimately fails to floor it, mainly due to his overly straightforward approach to the job. Simply put, Love Letter is one long, slow, and dreamy acoustic ballad of the type that exhausted rockers like to close their records with to contrast the powerful riffs -- only this time there are no riffs, and all the songs consist of is Gackt's crooning over sparse guitar plucking or very simple piano chords; some strings may be added, but there's no rhythm section ...
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Shuffling off the minimalist garage scuzz of their previous records, the Kills deliver a near visionary knock-out on their third full-length and Domino debut, MIDNIGHT BOOM. Like a marriage of Royal Trux and LCD Soundsystem, ...
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