| | Big Sleep DVD (2 Customer Reviews)
| Category | Dramas DVDs, Thriller Movies, Mystery Videos, Romance, Recommended, Classic, Detective, Betrayal, Film Noir, AFI Top 50 Heroes | | Starring | Humphrey Bogart, Louis Jean Heydt, Lauren Bacall, Regis Toomey, John Ridgely, Elisha Cook, Jr., Bob Steele, Dorothy Malone, Charles D. Brown, Sonia Darrin, Peggy Knudsen, Tom Rafferty, Martha Vickers, Charles Waldron | | Director | Howard Hawks | | Composer | Max Steiner | | Director of Photography | Sidney Hickox | | Editor | Christian Nyby | | Producer | Howard Hawks | | Production Designer | Carl Jules Weyl | | Screenwriter | Leigh Brackett, Jules Furthman, William Faulkner | | Source Writer | Raymond Chandler |
Black & White; Closed Captioned; Standard Screen; Soundtrack English; English Subtitles; Amaray Case Private investigator Philip Marlowe is thrust into a world of drugs, sex, blackmail, and murder when he agrees to protect a rich man's reckless, uncontrollable daughter. Chandler's first novel introduced private detective Philip Marlowe, and THE BIG SLEEP set the standard for private detective movies. Down-at-the-heels private eye Marlowe gets the assignment to clean up after the daughters of a dying millionaire, but dead people have a nasty habit of trailing in their wake. The famously tortuous story line (Hawks supposedly asked Chandler to clarify a plot point about the murder of the family chauffeur; the novelist hadn't a clue as to who did the deed) seems beside the point when Bogart and Bacall are onscreen. The final release was recut to include more of their scenes together. A must! Remade in 1978. THE BIG SLEEP was shot in 1944 but was not released until 1946. Slightly different cuts of the film exist.
THE BIG SLEEP was added to the Library of Congress National Film Registry in 1997.
In March 2000, Warner Home Video released the 1945 cut of the film, never shown in theatres, on home video. It's a longer version by about 20 minutes, containing some additional plot exposition and a more "sanitized" version of the "racetrack" dialogue between Bogey and Bacall. The 1946 theatrical cut (labeled here as the "Theatrical Release" is unquestionably superior, but the film has aquired such a mystique that the earlier cut provides a fascinating look at a masterpiece in progress.
THE BIG SLEEP was Raymond Chandler's first novel.
Director Howard Hawks reportedly wired Raymond Chandler during filming in order to clear up some confusion about whether a particular character's death was the result of suicide or murder; the author was apparently unable to give him an answer. This incident may have been the source of THE BIG SLEEP's long-standing reputation for having a plot so incomprehensible that neither Hawks nor novelist Chandler was completely sure who committed some of the murders.
Director Michael Winner filmed a second, more faithful adaptation of the novel in 1978, as a follow-up to "FAREWELL MY LOVELY. It starred Robert Mitchum, Sarah Miles, Candy Clark, Oliver Reed, Richard Boone, James Stewart, Joan Collins, Edward Fox, and John Mills. Big Sleep Quotes/Excerpts: "My, my, my. Such a lot of guns around town and so few brains." -- Philip Marlowe (Humphrey Bogart)
"You may smoke, too. I can still enjoy the smell of it. Nice thing when a man has to indulge his vices by proxy." -- General Sternwood (Charles Waldron) to Marlowe
"So you're a private detective. I didn't know they existed, except in books - or else they were greasy little men snooping around hotel corridors. My, you're a mess, aren't you?" -- Vivian Sherwood Rutledge (Lauren Bacall) to Marlowe
"If I seem a bit sinister as a parent, Mr. Marlowe, it's because my hold on life is too slight to include any Victorian hypocrisy. I need hardly add that any man who has lived as I have and indugles for the first time in parenthood at the age of 55 deserves all he gets." -- General to Marlowe
Marlowe to Vivian -- "Speaking of horses... you've got a touch of class, but I don't know how far you can go."
Vivian -- "A lot depends on who's in the saddle. Go ahead Marlowe. I like the way you work. In case you don't know it, you're doing all right."
Big Sleep Reviews: "...The chemistry between Bogart and Bacall is so blatant it's no surprise to learn they were married the same year. A joy..." -- 5 out of 5 stars
-- John Wrathall, Total Film "...It is one of the great film noirs, a black-and-white symphony..."-- Roger Ebert, Chicago Sun-Times "...Watch Bogart and Lauren Bacall settle into their second flick together -- madly in love..."
-- Entertainment Weekly Staff, Entertainment Weekly
This is the only Sonia Darrin video. Stars also making their debut in this video: Tom Rafferty. Big Sleep | List Price | $19.98 (You save $5.13) | | Studio | Warner Home Video | | Orig Year | 1946 | | All Time Sales Rank | 14349  | | CD Universe Part number | 7100260 | | Catalog number | 67681 | | Discs | 1 | | Release Date | Jul 25, 2006 | | Rating | Not Rated | | Running Time | 114 Minutes | | Additional Info | Full Frame; Subtitled | | Movie Details | Color; Full Frame; Subtitled |
Big Sleep DVD Big Sleep, The
L.A. private eye Phillip Marlowe takes on a blackmail case...and a trail peopled with murderers, porographers, nightclub rogues, the spoiled rich and more. Humphrey Boart plays Raymond Chandlers' legendary gumshoe and director Howard Hawkes serves up snappy character encounters (particularly involving Lauren Bacall), brisk pace and atmosphere galore in the certified classic.
Source: Warner Home Video
Keep Case Full Frame - 1.33 Audio: (unspecified) English
Purchase Big Sleep Movie To buy, Click on price to add to cart | Ken Burns Jazz: The Story Of America's Music CDs (2000) Box Set
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$47.05 Compilation producers include: Ken Burns, Steve Berkowitz, Sarah Botstein, Michael Cuscuna, Peter Miller.
Includes liner notes by Geoffrey C. Ward, Michael Cuscuna, and Loren Schoenberg.
Digitally remastered by Seth Foster and Mark Wilder (Sony Studios, New York, New York) and Kevin Reeves (Universal Mastering Studios-East, Edison, New Jersey).
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$6.95 Omar Naim's futuristic science-fiction story generates many mysterious, alluring, and thought-provoking questions about memory, surveillance, and the ethics of personal privacy. Set in the future, THE FINAL CUT offers a vision of a world where soon-to-be parents agree to let doctors surgically implant memory chips into the brains of their unborn children. These memory chips are like video cameras with infinite tape stock that comprehensively record the lives of their hosts through the hosts' own eyes--for better or for worse. When a host dies, a "cutter"--played here by an eerily introspective Robin Williams--receives the memory chip footage from the deceased person's family in order to edit the memories for a palatable funereal screening, called a "rememory." But are memories public or private? Is it fair for a cutter to decide what comprises a host's life story? And do people behave differently knowing that someone will view their lives, even their most intimate and discreet moments, as a short film? THE FINAL CUT's use of sharp and furtive handheld camera footage to depict the perspective of memory, set in contrast with the evenly measured cinematography of the rest of the film, constantly foregrounds the medium of film as memory-capturing and memory-making device. With an understated politic and a tightly wound narrative, this film delivers an open-minded and sophisticated meditation on ethics and technology, guilt and redemption, and the property rights of one's own cerebral cortex.
Omar Naim's film is startlingly different than a conventional science fiction film. It's a compelling fable that offers a vision of a world where memory implants ...
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