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Audio Mixer: Steve Short.
Personnel: David Joseph (vocals, acoustic guitar, harmonica); Aubry Noble (vocals, violin); Stacey Angello, Ty Smith (vocals); Paul Buono (acoustic guitar, electric guitar); David Russell (violin); Roger Moris, Eric Speece (piano, keyboards); Robert Hochberg (piano); Doug Price, Paul Arntz (bass guitar); Bob Angello (acoustic guitar, steel guitar); Dug Grieves (electric guitar); Adam Silverman, Tom Wells (drums, percussion).
David Joseph I'm Coming Home Songs I'm Coming Home Review
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Remastered and repackaged with bonus tracks, new artwork, liner notes, and rare photos.
Of the first three Stranglers albums, Black & White is arguably the weakest, yet it still has some absolutely stunning moments. For example, the epic "Toiler on the Sea" picks up where "Down in the Sewer" and "School Mam" left off on the band's two previous efforts. Ignore the fact that it's a concept album (it has a black side, and a white side, see) and that there are a couple of slightly ill-judged efforts ("In the Shadows" is plain silly, "Outside Tokyo" is whimsical rubbish), and let the rest of the album burn through your speakers. "Nice 'n' Sleazy" does just what it says on the bottle (the band was getting themselves into awful trouble hiring strippers for open air gigs to dance to this one), and "Death and Night and Blood (Yukio)" includes one of those inimitable Stranglers moments: "Bring me a piece of my mummy/She was quite close to me." All together now! ~ Alex Ogg
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As had been amply proved by their dismally recorded studio albums, Y&T's songs were simply made to be heard in a live setting. Arriving at the tail end of the band's association with A&M Records, Open Fire is hardly exceptional by live-album standards, but the difference between these performances and their studio counterparts is so immense that one has to wonder if the performances are even by the same band. Every forced lyric, every lame arrangement, and every lost nuance are forgotten as Y&T come to explosive life on this astounding set, which revisits the best moments from the band's early-'80s career, including "Rescue Me," "Forever," "Barroom Boogie," and "Open Fire." Later material ...
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