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Taussig, Harry - Fate Is Only Once CD Cover Art
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Harry Taussig Fate Is Only Once CD

 Harry Taussig Discography of CDs

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Originally released in 1965 as a privately pressed LP, FATE IS ONLY ONCE was the sole full-length release by the obscure folk-blues guitarist Harry Taussig. A former student of Piedmont bluesmaster the Reverend Gary Davis, and a disciple of Elizabeth Cotten, Taussig favors easygoing finger-picked blues over the Indian and North African obsessions of contemporaries like John Fahey and Peter Walker. Highlights include the lyrical title track and the epic centerpiece blues "Sugar Babe, Your Papa Cares For You." FATE IS ONLY ONCE is available as a music download, as a standard CD, and as a vinyl LP.
Fate Is Only Once Music


Detailed Fate Is Only Once Music Information



List Price $14.98 (You save $2.33)
Category Rock/Pop Albums, Jazz CDs, Folk, Folk Music
Label Tompkins Square
Orig Year 1965
All Time Sales Rank   239648  
CD Universe Part number 7100615
Catalog number 1523
Discs 1
Release Date Jun 06, 2006
Studio/Live Studio
Mono/Stereo Stereo
Harry Taussig Fate Is Only Once Songs


Harry Taussig Fate Is Only Once Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio Media1.Baby Let Me Lay It on You
Windows MediaWindows MediaRealAudio MediaRealAudio Media2.That'll Never Happen No More
Windows MediaWindows MediaRealAudio MediaRealAudio Media3.Blues For Zone VII
Windows MediaWindows MediaRealAudio MediaRealAudio Media4.Dark Town Strutter's Ball
Windows MediaWindows MediaRealAudio MediaRealAudio Media5.R.R. Bill & Co.
Windows MediaWindows MediaRealAudio MediaRealAudio Media6.Rev's Rag
Windows MediaWindows MediaRealAudio MediaRealAudio Media7.Sugar Babe, Your Papa Cares For You
Windows MediaWindows MediaRealAudio MediaRealAudio Media8.National Ragtime Stomp
Windows MediaWindows MediaRealAudio MediaRealAudio Media9.Rondo to Death
Windows MediaWindows MediaRealAudio MediaRealAudio Media10.Monte's Blues
Windows MediaWindows MediaRealAudio MediaRealAudio Media11.Dorian Sonata
Windows MediaWindows MediaRealAudio MediaRealAudio Media12.St. Louis Tickle
13.Fate Is Only Once

Fate Is Only Once Music


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In late 1999, the Dutch label KonKurrent invited Minneapolis band Low into an in-house studio to record one of the label's near-legendary In the Fishtank sessions; bands have two days to record between 20-30 minutes of all new material of their choosing. Also touring at the time were Low's pals, the Australian instrumental dynamos the Dirty Three. Low invited them in, and in the same collaborative spirit as another In the Fishtank session involving Tortoise and the Ex, this half-hour session is the document. What is truly amazing about this hookup is how natural these two bands sound playing with one another. Low has been striking out lately, playing different kinds of material while keeping its signature slower-than-slow approach to songwriting. The Dirty Three has taken a more melodic and dynamically restrained tack since their landmark Ocean Songs recording of a few years back. Of the six songs recorded here, none is more successful that the nearly ten-minute cover of Neil Young's "Down By the River." Mick Turner's trademark guitar style opens the work with lots of ...
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BETWEEN HEAVEN & CELLO was recorded as part of a series of "Guitar & Cello" concerts. A sequel of sorts to Richard Barone's masterful solo debut, 1987's Cool Blue Halo, 1997's Between Heaven & Cello finds the Hoboken-based singer/songwriter returning to the stripped-down live format of that album. Recorded live at the intimate New York club Fez, Between Heaven & Cello finds Barone on ...
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On A Few Miles from Memphis, recorded by pianist Harold Mabern in 1968, he's joined by tenors George Coleman and Buddy Terry, bassist Bill Lee, and drummer Walter Perkins for a bluesy, rhythm-filled set featuring familiar fare like "A Treat for Bea" and fun originals like "Walkin' Back." There's also the odd inclusion of "There's a Kind of Hush," a pop song that comes out sounding like an old standard here. ~ Ronnie D. Lankford Jr. When record labels like Prestige release two albums on one CD, it's a great bargain for music fans. A Few Miles from Memphis combines the album of the same name and Rakin' and Scrapin', both recorded by pianist Harold Mabern in 1968. On the first set he's joined by tenors George Coleman and Buddy Terry, bassist Bill Lee, and drummer Walter Perkins for a bluesy, rhythm-filled set featuring familiar fare like "A Treat for Bea" and fun originals like "Walkin' Back." There's also the odd inclusion of "There's a Kind of Hush," a pop song that comes out sounding like an old standard here. The second set includes a similar setup but inserts trumpeter Blue Mitchell into the lineup and brings drummer Hugh Walker on board. There's ...
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Raven presents the very best of Solomon Burke's recordings for MGM in the 1970s, many on CD for the first time. A pioneering soul singer, Burke's powerful voice and fervent emotionality were much-admired through the 1960s. At MGM, with arranger Gene Page, Solomon deftly crafted a commercial and contemporary sound - both urban pop ballads and rhythmic hymns to black empowerment, all framed around his impassioned voice. Using fractured, multi-layered background vocals (a la Marvin Gaye), and deep vocals not unlike Barry White, Burke created, over three albums, some of his most powerful, distinctive and important work. This 22-track compilation culls the essence of Burke's MGM albums and includes three rare non-LP tracks. Raven's That's Heavy Baby gathers 22 Solomon Burke rarities he recorded for MGM between 1971 and 1973, following his career-defining soul hits for ...
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Many of the legends of acoustic guitar in the 20th century have already passed on -- John Fahey, Robbie Basho, Ali Farka Toure. Due partially to his spare recording career, Peter Walker's own reputation has not always been as well known as those of said giants, but his own influence has been considerable. A Raga for Peter Walker -- a tribute album that, in a nice touch, not only consists of work composed by its contributors rather than simply offering up covers but also features some original work by its subject in question -- helps to demonstrate this while he is still here to receive acknowledgement of it. Walker's four originals, all new tracks, bookend the collection, each brief but demonstrating that Walker's vigor and skill remain undimmed, from the opening "Day at the Fair," which lives up to its title with sprightly, cascading brightness, to "Jaleo Para Angela," reflecting his newer interest in flamenco. The remaining six songs are each ...
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