| | Bugo Sguardo Contemporaneo CD - Import Bugo Discography of CDs
2006 album from the Italian singer/songwriter. His sound is urban and existential with poetic lyrics. Features an appearance by Giorgio Canali, guitarist of PGR. Sguardo Contemporaneo Music Bugo Sguardo Contemporaneo Songs | 1. | Plettrofolle - (Italian) |
| 2. | Gelato Giallo - (Italian) |
| 3. | Che Lavoro Fai - (Italian) |
| 4. | Oggi Morto Spock - (Italian) |
| 5. | Ggeell - (Italian) |
| 6. | Amore Mio Infinito - (Italian) |
| 7. | Millennia - (Italian) |
| 8. | La Caffettiera - (Italian) |
| 9. | Roma - (Italian) |
| 10. | Una Forza Superiore - (Italian) |
| 11. | Quando Ti Sei Addormentata - (Italian) |
| 12. | Coda D'Italia - (Italian) |
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Purchase Sguardo Contemporaneo CD To buy, Click on price to add to cart | Trans-Siberian Orchestra Night Castle CDs (2009)
Sguardo Contemporaneo album
 $11.35   
NIGHT CASTLE appears just in time for the big 2009 holiday season but don't be fooled: this isn't a Christmas album, even if it's sonically indistinguishable from Trans-Siberian Orchestra's other seasonal releases, and the fact that it's been dubbed "Capra-esque" certainly brings it within the realm of the season. NIGHT CASTLE brims with all the drama, pomp, and circumstance of Trans-Siberian Orchestra's other records but channeling these traits through a newly created narrative does have the effect of hearing it in a somewhat new light, shifting the focus entirely to the band's attack, not melody. Still, there's not that much new here -- and the coda of seasonal covers, including the first sober version of "Nutrocker" ever cut, doesn't do much to break that spell. But for those already enchanted by the Orchestra, this will continue to enthrall.
Night Castle appears just in time for the big 2009 holiday season but don't be fooled: this isn't a Christmas album, even if ...
| | Bob Dylan Christmas In The Heart CD (2009)
Sguardo Contemporaneo CD music
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After the initial shock fades, the existence of CHRISTMAS IN THE HEART seems perhaps inevitable. After all, the thing Bob Dylan loves most of all are songs that are handed down from generation to generation, songs that are part of the American fabric, songs so common they never seem to have been written. These are the songs Dylan chooses to ...
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| | Pink Martini Splendor In The Grass CD (2009) Digipak
Sguardo Contemporaneo CD music
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Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so on EUGENE!. However, Pink Martini opt for a more unified sound here, one that draws on the more straightforward lounge-pop of their debut, SYMPATHIQUE, and the mellowness of '60s and '70s pop. SPLENDOR IN THE GRASS' first half is especially smooth, opening with the beautifully soft Neapolitan ballad "Ninna Nanna" and the title track, on which Forbes sings "I think we should take it slow" over swooping strings, brass, and piano that resurrect the glory days of AM pop; that feeling is echoed by the cover of Joe Raposo's "Sing," the Sesame ...
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The dark room is Phil Molloy (drums), Bobbie Stokes (vocals) and ...
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| | Steve Vai Where The Wild Things Are CD (2009)
Sguardo Contemporaneo music CDs
$10.89 
Taken from a two hour and 40 minute sold out show recorded at The State theatre in Minneapolis, WHERE THE WILD THINGS ARE is yet another live showcase of meticulously mapped Steve Vai compositions. Much of the material is new, and tested out in front of an unfamiliar but eager audience, with Vai exercising his chops to the limits. It's a chance for him to bust out every trick in the book: blazing through ridiculously difficult scales, double hand-tapping extravaganzas (where he plays the guitar like a piano), and sick string bends and whammy bombs to the point where his custom Jem neck should be left, imaginably, in the same shape as the rubbery guitar on the cover of FLEXABLE. The listening experience is more ...
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