| | Cheikha Rimitti N'Ta Goudami CD - Import Cheikha Rimitti Discography of CDs
The late legendary "godmother of Rai" issued what would turn out to be final album in 2006, shortly before her passing. The album stands as a major piece of Rai history as Rimitti (who was officially banned in her native Algeria numerous times during her life) took the bold step of recording 'N'ta Goudami' at the Boussif studios in the western Algerian seaport of Oran, the city where Rai music was born over a century ago. Using an all-Algerian crew of musicians and arrangers under direction from her long-time manager and producer, Nourredine Gafa‹ti. Rimitti kept this album 100 percent homegrown. The result is a set of songs that resonates with the pure essence of the North African blues, combining powerful, unpolished vocals, driving trance beats and the searing swirl of the gasba flute. Cheikha Rimitti N'Ta Goudami Songs | 1. | N'ta Goudami |
| 2. | Dabri |
| 3. | Aoulidi |
| 4. | Charragt Ou Gharabt |
| 5. | Daouni |
| 6. | Matahagrouhach |
| 7. | Kijani |
| 8. | M'rahba "Jagnaoui" |
| 9. | Guedouzi Mama |
| 10. | Jani el Hob |
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N'Ta Goudami Review
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Purchase N'Ta Goudami CD To buy, Click on price to add to cart | Jon Balke Siwan CD (2009)
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An ambitious world fusion project, SIWAN brings together the Norwegian pianist Jon Balke, Moroccan singer Amina Alaoui, the Early Music ensemble Barokksolistene, minimalist trumpeter Jon Hassell, and others in a cross-cultural melange that imagines itself somewhere back in the medieval times of Andalusia, during the era when Spain was dominated by Muslim rule. With the expert help of Barokksolistene (Baroque solists), Balke has composed authentically evocative, Arabic-flavored settings for medieval Christian and Muslim poetic texts, fluently sung by Alaoui who sometimes resembles a serene flamenco singer or, better, a New Age descendant of the great Egyptian diva Oum Kalsoum. Hassell's horn is given ample solo space along with the Algerian violinist Eddine M'Kachiche; they both improvise against the expert zarb (Iranian hand drum) playing of Pedram Khavar Zamini. It's a heady ...
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STOLAS is the 12th volume in John Zorn's BOOK OF ANGELS series of compositions, and it's a welcome and compelling idea that he decided to re-form his stellar Masada quintet for the occasion. In addition to the rhythm section of Joey Baron and Greg Cohen, trumpeter Dave Douglas, and pianist Uri Caine, Zorn enlisted tenor sax giant Joe Lovano to replace him on all but one cut where he adds his alto, making the group a sextet. Here klezmer, Yiddish folk music, bossa nova, and other Latin jazz all come together in a seamless meld of tunes that accent the symmetry of ensemble play as much as they do an extremely advanced sense of ensemble harmonics, rhythmic invention, and, of course, tautly arranged spaces for individual improvisation--check out the album's longest cut, "Tagriel," for evidence as Zorn's composition not only travels genres but centuries. The popping showcase for solos that is "Serakel" is nonetheless a grooving post-bop tune with a joyous klezmer lyric ...
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Lágrimas Negras (Black Tears) is a collaborative effort between the octogenarian Cuban piano master Bebo Valdés and the reigning Spanish flamenco cantador, Dieguito El Cigala. Recorded for Fernando Trueba and Nat Chediak's Calle 54 label, the sessions took place in Madrid between September and December 2002. Maestro Valdés (born in 1918), the father of the jazz pianist Chucho, has a long history as an innovator in Cuban music. He recorded the first Afro-Cuban jazz session in 1952, and was a tutor to the great bandleader Beny Moré, writing early charts for him. Valdés is also a world-class arranger. Dieguito El Cigala was born in 1960, and has become the undisputed king of Spain's flamenco singers. This recording features nine tracks that meld together cooking son, jazz, Afro-Caribbean, and flamenco rhythms, in tunes by composers such as Lolita de la Colina, Virgilio and Homero Expósito, Ramón ...
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Terra feels like an attempt to move Mariza into the musical mainstream. She's already established herself at the forefront of fado, as one of the leading performers of the emotive Portuguese style, and there's no doubt she possesses a wonderful voice. But the addition of several guests, such as Chucho Valdés, Ivan Lins, and Tito Paris (among others) seems to open up the seams between fado and other genres, including Brazilian music and jazz. It does so relatively subtly, and she keeps her base pretty firmly in fado (witness the glorious "Ja Me Deixou"). But the inclusion of a standard like "Smile," which closes the album and has her singing in English, is evidence of the move to broaden her appeal, as is the lushness of the arrangements, much fuller than she's used in the studio in ...
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It's hard to believe that Hedningarna have been around, in different incarnations, for 14 years. But their five albums in that period have yielded a seam of great richness, as this compilation shows. The material from Trä and Kaksi was groundbreaking in its time, mixing Swedish folk, dark rock, and dance beats in a manner none had attempted before. Hippjokk and Karelia Visa took them in other directions (the former notable for being an instrumental disc). Fans will have all the records, of course, but there's something for them on 1989-2003, in the form of two storming new tracks, ...
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Recommended if you like late 70's era American and British Pop Punk bands. The Put-Ons, A Power-Pop/Punk band from Orange County California, formed in the summer of 2000. The Put-Ons sound has been compared to The Clash, Buzzcocks, Generation X, The Jam, The Only Ones, and 20/20.The CD was written and produced by David Pedroza. The band's discography includes a 7" red vinyl EP on Unity Squad Records and "Cuts" Hostage Records Compilation. Whitney Catastrophe: guitar, David ...
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Track Listing of songs: From Here To Eternity; From Here To Eternity; Caught In A Shadow; ...
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