| | Foghat Boogie Motel CD Foghat Discography of CDs
(3 Customer Reviews)
Though the transplanted 1970s British boogie band Foghat built its career on playing no-frills music for a firmly anti-disco U.S. audience, its 1979 album BOOGIE MOTEL flirts with both dance music and MOR on cuts like the R&B-flavored "Somebody's Been Sleeping in My Bed" and the massive hit ballad "Third Time Lucky." The chugging title track comes closest to recalling past glories, while the jaunty "Coming Down With Love" is a mix of early '80s pop and the band's signature rock & roll raunch.
Personnel: Rod Price (vocals, guitar, slide guitar, dobro); Lonesome Dave Peverett (vocals, guitar); Jimmy Ambrosio (accordion); Alto Reed (saxophone); Colin Earl (keyboards); Roger Earl (drums).
Recording information: Boogie Motel Studios, Port Jefferson, NY.
Foghat Boogie Motel Songs Boogie Motel Music Review Buy Boogie Motel CD  | | Foghat
48 x 36 inch Limited Edition on Canvas
Price: $994.99 |  | | Foghat
21 x 16 inch Limited Edition on Canvas
Price: $394.99 |
Purchase Boogie Motel CD To buy, Click on price to add to cart | Foghat Fool For The City CD (1975)
Boogie Motel album
$9.09 All songs written or co-written by Lonesome Dave Peverett except "My Babe" (Bobby Hatfield/Bill Medley) and "Terraplane Blues" (Robert Johnson).
Undoubtedly Foghat's ...
| | Foghat Girls To Chat & Boys To Bounce CD (1981) Remastered
Boogie Motel CD music
$9.69 By the time Girls to Chat & Boys to Bounce hit record stores in 1981, it had been ten years since Foghat had released their first American single "I Just Want to Make Love to You," and even though the veteran London blues/boogie rock outfit had a rather long list of commercial accomplishments, the wavering quality and focus of their music in the late '70s had shaken the band's core fan base and slight critical appeal. The stomp and the swagger were replaced by glitter and global tours, rust turned to chrome, howlin' blues to raunch and roll. So bandleader Lonesome Dave Peverett continued an experiment he had tentatively begun a year earlier on Tight Shoes: drawing on new musical influences from the burgeoning punk and new ...
| | Foghat In The Mood For Something Rude CD (1982) Remastered
Boogie Motel music CDs
$9.69 After two almost desperate but respectable attempts at early-'80s relevance, Foghat ditched the new wave accents they tried on during their first two releases of the decade, Tight Shoes and Girls to Chat & Boys to Bounce, choosing instead to give their trademark blues-rock treatment to a few favorite R&B covers on 1982's In the Mood for Something Rude. In the five recordings released after Foghat's 1977 double platinum live record, the band was now attempting to create a third identity for itself, and although Lonesome Dave Peverett (lead vocals/guitars,) Erick Cartwright (guitars/vocals), Nick Jameson (bass, keys, percussion), and Roger Earl (drums) proved themselves capable arena rockers, new wavers, and now R&B/blues revivalists, the multiple personality disorder cost the group many fans and might ...
| | Foghat Rock And Roll Outlaws CD (1974) Remastered
Boogie Motel songs
$9.69 After establishing a new level of credibility on record with 1974's Energized, Foghat cranked out another album of boogie rock before the year ended. The result, Rock and Roll Outlaws, is not as consistently inspired as its predecessor but remains a worthwhile listen for the group's fans. This time out, the group settles for a more straight-forward boogie sound that downplays the experiments that spiced up Energized. As a result, the songs are often solid but uninspiring: "Trouble in My Way" has some pleasant acoustic guitar work but feels like a throwaway tune while the title track cruises along in an amiable fashion but never catches fire the way a song with a title like "Rock and Roll Outlaw" should. However, when the band is firing on all four cylinders, Rock and Roll Outlaws is a joy: "Eight Days on the ...
| | Foghat Tight Shoes CD (1980) Remastered
Boogie Motel album
$9.69 When Foghat founder Lonesome Dave Peverett (lead vocals and guitar) started his career with Savoy Brown in the late '60s, there was still something progressive about young Brits tackling American ...
| | Foghat Night Shift CD (2006)
Boogie Motel CD music
$9.69
| | Joni Mitchell Song To A Seagull CD (1968)
Boogie Motel music CDs
$9.29
| | No Motiv And The Sadness Prevails CD (1999)
Boogie Motel songs
$11.79 Despite touring and label associations with punk and especially emocore artists like Get Up Kids and Saves the Day, No Motiv doesn't quite fit into either constrictive genre. At the time And the Sadness Prevails was released, the punk world was being turned on its ear by the emo movement led by backpack-wearing oh-so-sensitive fans and artists alike, hoping to twist punk's social relevance into so much middle-upper-class catharsis. All the suburban outsiders wanted their music back from the commercial punk masses so badly that they were completely willing to cry about it, and it worked, as independent emo originators garnered huge critical success while occupying sales charts without so much as a hint of mainstream radio support. Known for their slightly nerdy personal style, and other novel approaches to the punk form (like broader instrumentation that included clean guitar sounds and a smattering of keyboards,) emo bandwagoneers came scurrying out of the American quasi-underground like sad termites hoping to snack on the post-grunge cultural woodwork. California's No Motiv was often lumped into this desperate ...
| | Reducers S F Crappy Clubs & Smelly Pubs CD (2001)
Boogie Motel album
$11.19
| | Tossers First League Out From Land CD (2001) Extended Play
Boogie Motel CD music
$8.19
| | Katsumi Matsuzaka Syussegawa CD (2006) (Import) Japan
$18.39 | | Red Sparowes Every Red Heart Shines Toward The Red Sun CD (2006)
Boogie Motel music CDs
$13.09 Instrumentals in metal are nothing new (heck, Metallica used to put one on every record!), but what is a new occurrence is the veritable wave of purely instrumental bands that seem to have spewed out of nothing in the waning years of the first decade of the ol' 21st. Some, like Pelican, are bands that have just simply brushed aside the need for a vocalist, letting guitar parts handle such melodies and harmonies and keeping a basic song structure that is, for the most part, band-driven. Others, like the "guitar collective" that is Tone, are more, well, collective in sound, sort of a wall of music, with guitars layered on top of guitars, all playing the same chord changes to produce something that sounds more like heavy-duty ripples emanating from a common center. If there is one band that manages to capture the grey area that the aforementioned bands create between them, it is certainly Red Sparowes, who do it to great effect on Every Red Heart Shines Toward the Red Sun. The tracks are indeed straightforward songs (like Pelican's work) -- even if they do have ridiculously long titles -- yet they manage to feel like group workouts, much like the collective sounds of Tone. The songs themselves on Every Red Heart saunter between lush, dreamy metalgaze -- without all the effects of Justin Broadrick's Jesu, for example ...
| | Supperclub: Arrogance CDs (2007) (Import) Netherlands
Boogie Motel songs
$21.69
| | President Evil Hell In A Box CD (2008) (Import) Import
Boogie Motel album
$28.89
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