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Crawford, Ray - Smooth Groove CD Cover Art CD music music CDs songs album

Ray Crawford Smooth Groove CD

 Ray Crawford Discography of CDs

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After being with the Gil Evans Orchestra for a couple of years, participating in two albums (one from early 1959 and the other from late 1960), things became somewhat disenchanting for Ray Crawford, and he eventually moved to the West Coast. Immediately

Personnel: Ray Crawford (guitar), Cecil Payne (baritone saxophone), Johnny Coles (trumpet), Junior Mance (piano), Ben Tucker (bass), Frankie Dunlop (drums).
Recorded at Nola Penthouse Sound Studios, New York, January 6 & February 10, 1961. Includes liner notes by Alan Bates and Mark Weber.
Guitarist Ray Crawford, best known for his associations with pianist Ahmad Jamal and organist Jimmy Smith, only led one session in his early years. Because the Candid label soon went bankrupt, the set went unreleased altogether until this 1988 CD. Comprised of five Crawford originals, the session finds the guitarist playing fairly advanced hard bop with trumpeter Johnny Coles, baritonist Cecil Payne (in top form), pianist Junior Mance, bassist Ben Tucker, and drummer Frankie Dunlop. Everyone sounds fine, making one regret that this set fell between the cracks for so many years. ~ Scott Yanow

Smooth Groove Music


Detailed Smooth Groove Music Information



List Price $11.97 (You save $2.28)
Category Rock/Pop Albums, Jazz CDs, Country, Jazz Instrument, Smooth Jazz, Guitar
Label Candid
Orig Year 1961
All Time Sales Rank   150972  
CD Universe Part number 7102773
Catalog number 79028
Discs 1
Release Date Jun 20, 2006
Studio/Live Studio
Mono/Stereo Stereo
Personnel Junior Mance - piano
Johnny Coles - trumpet
Cecil Payne - baritone saxophone
Ben Tucker - bass
Ray Crawford - guitar
Frankie Dunlop - drums
Ray Crawford Smooth Groove Songs


Ray Crawford Smooth Groove Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.The Compendium Suite$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Miss April$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Impossible$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.I Knew Prez
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Smooth Groove

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As a CD reissue, it's a crime that this very first outing by Johnny Griffin as a leader is only available from Japan in an irritating paper sleeve that comes apart down the center. OK, enough bitching. Here's the skinny: Griffin's first date featured the saxophonist in the company of Junior Mance on piano, bassist Wilbur Ware, and session drummer Buddy Smith. The program features eight tunes that were fairly standard fare for jazzmen in 1956, such as "These Foolish Things," Jerome Kern's "Yesterdays," ...

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While the comparisons to Charlie Parker were inevitable throughout a good part of his career, Sonny Stitt was very much his own man. He is in top form throughout this 1957 session made for Verve, featuring a very young Bobby Timmons on piano, bassist Edgar Willis, and drummer Kenny Dennis. Alternating between alto and tenor saxophone in a program consisting mostly of standards, Stitt ...

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Personnel: Alan Jackson (vocals); Bruce Watkins (acoustic guitar); Brent Mason (electric guitar); Lloyd Green (pedal steel guitar); Erica Goodman (harp); Matt Rollings (piano); Mark Fain (acoustic bass); Glenn Worf (electric bass); Eddie Bayers (drums); Toronto Studio Choir (background vocals).
Recorded at The Castle, Franklin, Tennessee; The Sound Station, Nashville, Tennessee; McLear Digital, Toronto, Canada; Henson Studios, Hollywood, California.
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Audio Mixer: John Kelton.
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Director: Debbie Fleming.
Photographer: Russ Harrington.
Alan Jackson returned just months after the zeitgeist-defining, blockbuster success of "Where Were You (When the World Stopped Turning)," with his holiday album, Let It Be Christmas. Jackson has always been a bit of a traditionalist, but it's still kind of surprising just how traditional this album is, recalling seasonal records from the '50s and '60s instead of the glitzy, lavish productions of the '80s and '90s. This is a brilliant move, actually, since the warm, intimate arrangements that dominate the album give Jackson's rich baritone a perfect counterpoint, ...

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Puttin' it down for the world but startin' with the Boogie. Sage wants to bring his Spanish influence to the forefront of his craft and wants the world to know rap is the basic foundation for his life. Check ...
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